Title and statement of responsibility area
Title proper
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- Textual record
- Graphic material
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Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
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1989 (Creation)
- Creator
- Sara Diamond
Physical description area
Physical description
5 cm of textual and graphic material.
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Archival description area
Name of creator
Biographical history
Dr. Sara Diamond is currently President of OCAD University (2018). Diamond holds a PhD in Computing, Information Technology and Engineering from the University of East London, a Master’s in Digital Media theory from the University of the Arts London and an Honour’s Bachelor of Arts in History and Communications from Simon Fraser University. She is an appointee of the Order of Ontario and the Royal Canadian Society of Artists; and also a Senior Fellow at Massey College, University of Toronto. During her tenure, OCAD U has taken a leadership role in digital media, design research, and curriculum, through the Digital Futures Initiative. Diamond also played a leading role in OCAD University’s establishment of the Indigenous Visual Culture program.
Diamond was hugely influential in the B.C. labour, feminist, LGBTQ2S and independent video movement from the mid-1970s through the mid 1990s. She was an innovator and influencer in Vancouver’s cultural and academic communities as a solo artist, curator educator (ECUAD, VIVO Media Arts Centre), and as co-founder of Amelia Productions and founder of the Women’s Labour History Project.
Diamond worked at VIVO Media Arts Centre for over a decade (from the early 1980s) spearheading exhibition and education programs for women, inspiring more to engage with the radical potential of the medium. She mentored women in arts administration, curation, media criticism, and production at VIVO as well as in her independent practice.
Diamond’s personal artworks are held by the Art Bank (Ottawa),Museum of Modern Art (NYC), and the National Gallery of Canada (Ottawa). In 1992, Diamond was honoured with a retrospective exhibition and catalogue at the National Gallery of Canada, following a retrospective at the 1991 IMAGES Festival in Toronto and a solo exhibition at the Vancouver Art Gallery.
Custodial history
Scope and content
Materials in this subseries relate to Diamond's video Ten Dollars or Nothing (1989).
Video description from Video Out: “Despite the rigours of the last Great Depression, B.C.’s coastal canneries continued their production, employing thousands of White, First Nations, and Japanese workers. This video combines oral histories, archival film and photography, current video footage and soundtrack to recall the history of women workers in the province's canneries. Josephine Charlie, a First Nations woman who worked in the fishing industry from the 1900s to the 1950s, provides eloquent testimony to the challenges and pleasures of coastal life.”
Materials include promotional materials, press clippings, and edit plans for the video.
Notes area
Physical condition
Material is in good physical condition.
Immediate source of acquisition
Arrangement
Original order maintained.