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The fonds consists of diaries, photographs, articles, speeches and reports, and miscellaneous material, all of which document Frank F. Wesbrook’s personal and professional activities. Also included are a collection of off-prints of scholarly articles relating to a variety of medical topics that Wesbrook collected or in some cases wrote.

The fonds consists of scrapbooks, clippings, photographs, correspondence, speeches, publications and awards that chronicle Reads career as a rower and, more particularly as a rowing coach.

The fonds consists of correspondence (1940-1984), articles and addresses by Soward (1926-1969), book reviews (1950-1965), collected articles and book reviews by others, and a collection of newspaper and magazine clippings. Also included are copies of a weekly column entitled "The Way of the World" that Soward wrote for the Vancouver Morning Star (1927-1929).

Fonds consist of Gary Lee Novas correspondence activities. Includes correspondence received and sent to friends, artists and institutions; correspondence between Art Rat and Dr. Brute; The Dead Letter Funeral mail art project; and, Gary Lee Novas copy of the Space Ace Atlas mail art project.

The Gary Lee-Nova fonds is comprised of 20 notebooks that contain sketches, journal entries, mixed media creations, correspondence, notes on art techniques and personal artwork, and information related to exhibitions that have been created by Lee-Nova. Moreover, there are a large quantity of photographs including Polaroids of his work from the Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture Exhibit; photographs from his work with Art City to build a kiosk and transport it to various areas in Vancouver; and a series of colour photographs from his exhibit work titled “Different points of view on some properties of media: Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture”; and finally an acetate photograph booklet representing an art project by Lee-Nova. This fonds also contains material kept by Lee-Nova such as an article in Vancouver Magazine, an exhibition catalogue from the Glenbow Alberta Institute, and a poetry newsletter published by Vancouver monthly.

The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.

The fonds consists of photographs depicting scouting activities in North Vancouver and Howe Sound, portraits and panoramas in Vancouver, homes and panoramas of the Fraser Valley and troops at Glenogle.

Fonds consists primarily of Spencer's incoming and outgoing professional correspondence (1925-1965). This correspondence provides significant information about Spencer's research at the University as well as the study of entomology in British Columbia. In addition, the fonds also includes copies of student examinations (1924-1955), recommendations (1936-1959) and printed material.

The fonds consists of Pearson's records relating to his invention of a diver's telephone system, including deed to patent, patent specification and patent notes, and letters of recommendation.

Fonds consists of 370 black and white negatives taken between 1917 and 1924. The images are primarily of UBC students at the University's original Fairview campus. There are also shots of faculty members. As well as posed individual shots of students, there are many photographs of various student activities including the annual class picnic. Although most of the photographs are not identified they are very important for collectively documenting student life at the University in the late teen’s and early 1920s.

Fonds consists of radio play-scripts and production scripts by David Brock, Peter Garvie, John Gray, Peter Haworth, Daryl Hine, Herbert Hosie, Betty Lambert, Robert Lowell, Gerald Newman, Norman Newton, Jean Racine, George Ryga, George Robertson, Frederick Spoerly, Ian Thorne, and George Woodcock and incidental music score manuscripts for two productions. Audio-cassettes are line-source copies of master tapes of drama radio programs and music radio programs produced by Gerald Newman.

The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.

The fonds consists of biographical information about Watney, copies of her B.A. (1923), M.A. (1926) and Ph.D. (1933) theses, teaching material, correspondence, copies of publications and photographs.

The fonds consists of photographs of the 1948 flood, officers and other military scenes relating to the activities of the 15th Field Artillery Regiment.

The fonds consists of correspondence, reports, and minutes which document Rosenbluth's involvement with various associations and committees including the UBC Board of Governors and the Canadian Economic Association. The bulk of the material consists of files from the 1960s when he was chairman of the Salaries Committee of the Canadian Association of University Teachers.

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

Fonds consists of a hand-written account of Gladys Wright's memories of the UBC Fairview campus. Also included are seven heavily-annotated textbooks (copies of Shakespeare's "The Winter's Tale", "The Merchant of Venice", "Coriolanus", "Twelfth Night" (2 copies), "Julius Caesar", and "Othello") used in Garnett G. Sedgewick's English courses. The latter items document teaching and note-taking methods from the 1920's, in particular those methods practiced in Sedgewick's classes.

Fonds consists of 3.04 meters of textua, photographic and other material created or collected by artist Glenn Lewis. Consists of records pertaining to and reflecting Lewis' travels, employment, study, artist collectives and associations, and artistic projects from 1950 to 2007. Records consist of photographic materials (prints, slides and negatives), journals/day-planners, postcards, letters, lecture notes, manuscripts, articles, notes and miscellaneous writings, published books and catalogues, exhibit pamphlets and brochures, grant and commission information, legal documents, artwork and drawings, 1 CD and 1 DVD, and 3 ceramic pieces.

Fonds consists of textual and non-textual records created and received by Gordon How in his role as the Executive Director of the Vancouver Planning Committee for the Sixth Assembly of the World Council of Churches. Fonds includes the following series: Reports, correspondence, and publications (1981-2014); Reference material (1982); Objects (1983); Sixth Assembly photographs (1981-2011); and Commemorative collections (1978-2014).

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit The Four Seasons: Food Getting in British Columbia Prehistory, which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The fonds consists of material generated and collected by West Vancouver civil engineer Gilbert S. Conway with the majority relating to the design, engineering, and construction of Lions Gate Bridge. The material includes handwritten diaries, booklets, reports, photographs, maps, a personal business card, and Christmas card showing Lions Gate Bridge.

The fonds is arranged into the following series:
Series 1: Photographs
Series 2: Diaries
Series 3: Engineering
Series 4: Maps and plans
Series 5: Miscellaneous

The fonds consists of 6,066 35 mm negatives of dress rehearsals of major UBC theatrical productions between 1961 and 1988. There are also some images of productions staged during summer school, as well as by the Extension and English departments (1954/55), and alphabetical and chronological listings of UBC productions between 1954 and 1988. The fonds also includes copies of programs from productions at the Frederic Wood Theatre (1964-1991).

The fonds consists of Vancouver Hadassah-WIZO records, including chapter meeting minutes and agendas, membership lists, reports, events hosted and/or attended by Vancouver Hadassah-WIZO members, correspondence, newspaper clippings, publications, ephemera and a wide variety of scrapbooks and photographs. The fonds has been divided into 17 series including: Publications; Membership lists; Hadassah Blue Binders; Public Affairs; Hadassah Bazaar; Chapters; Administrative records; Conferences; Conventions; Correspondence; Events; Newspaper clippings; Reports; Ephemera; Scrapbooks and photo albums; Photographs; and Artifacts and audio visual.

The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with aboriginal communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.

The fonds consists of Devine's photographs depicting early Vancouver, including scenes, buildings, and a portrait of Vancouver's first City Council.