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Fonds consists of records reflecting Hoffer`s bookselling and publishing activities during the 1980s. Records include correspondence, fiscal files, client files, journals, book catalogues, galleys, proofsheets, criticical pieces, articles, and review. The fonds is composed of the following series: Series 1. Correspondence, Series 2. Publication files, Series 3. Business files, Series 4, Miscellaneous.

The fonds consists of handwritten and typed manuscripts of short stories [n.d.], a painting of a seascape (1933), and a scrapbook filled with assorted memorabilia gathered between 1916 and 1933.

Fonds consists of correspondence, review articles, and published materials. both general (1974-80) and in relation to her involvement with the SF issue of "Room of One's Own" (1979-80). There are also records arising from Wood's participation in the "Pacific Northwest Review of Books" and copies of review articles (1977-78). Also included are materials (predominantly printed) from "Crossing Frontiers", a 1978 conference which brought together Canadian and American literary scholars, historians and writers to discuss comparative literature from the two "wests".

The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.

The fonds consists of records documenting Gilberts thoughts and experiences from childhood to early adulthood. The fonds have been arranged in four series: 1) academic and employment records; 2) correspondence; 3) journals; and 4) unbound prose and poetry.

The fonds consists of photographs depicting scenes of the Rocky Mountains, the B.C. Interior, Vancouver, the Fraser Canyon, and ships.

Fonds consists of records related to Mclntosh's publication and bookselling activities at Colophon Books. Records reflect the planning and preparatory stages of publications, book advertisement, and sales. Records include several Colophon Books chap books and broadsides, printed and illustrated by Jim Rimmer of Pie Tree Press, BC. Records are arranged into two series: Subject files and Publication files.

The fonds consists of Helders' photographs taken in Vancouver, Ottawa, Friendly Cove, Williams Lake, Tofino, and Alert Bay depicting scenes, events, and native Indian life.

The fonds consists of records relating to the history and administration of the Morris and Helen Belkin Art Gallery. These materials include: budgets, correspondence, memorandums, agendas, minutes, pamphlets, booklets, catalogues, list of works, appraisals, newspaper clippings, magazines, reports, terms of reference, renderings, plans, videos, sound recordings, photographs, slides, negatives, proposals, invoices, requisitions, condition reports, application forms, inventory sheets, purchase orders, plaques, donation remittances, handwritten notes, newsletters, artists statements, biographies, curriculum vitae, and invitations. The records are arranged into the following series: 1. History files, 1948-1988; 2. Alvin Balkinds files, 1959-1989; 3. Administration files, 1955-1992; 4. Exhibitions files, 1954-2000; 5. Affiliated organizations files, 1964-1970; 6. Presidents Committee on University Art files, 1923-1989, predominant 1950-1985; 7. New Gallery files, 1949-1994, predominant 1989-1994; 8. Outdoor Sculpture files, 1960-1985.

Fonds consists of material documenting and advertising events at PUMPS, and to some extent the private lives of those living and working in the space. Material includes slides, photographs, cards, leaflets and posters, and other textual material.

The fonds consists of mail art received by Peter Schuyff from Ray Johnson. Included in the correspondence are collages, clippings, assemblages, photocopied works and other graphic material. The material dates from the late 1970s to the mid 1990s.

The fonds consists of Timms' photographs of Vancouver and other locations in B.C. depicting individuals and families, scenes and panoramas, businesses, buildings, streets, churches, and various modes of transportation.

The fonds consists of records created and maintained by the Society. Records include newsletters, financial statements and grant applications, correspondence, minutes, reports, membership lists, the constitution and by-laws of the Society, and records from the Spring Seminars including applications and scholarship information.

Fonds consists of materials accumulated during the editorial process of putting together Boo. Included are letters to the editor, general correspondence, essays, articles, poems, commentaries, edited works, interviews, invoices, logo design, illustrations, photographs, slides, mailing lists, flyers, brochures, grant guidelines, slides, newspaper clippings, and issues no. 1 to no. 10 of the publication itself. Contributors to the magazine, in addition to the editors, include Gerald Creede, Michelle Normoyle, Brice Canyon, Keith Wallace, Andrew Klobucar, Andrea Fatona, Janis Bowley, Melissa Wolsak, billy little, Arni Haraldsson, Judy Radul, Colin Smith, Susan Schupli, George Stanley, Scott Watson, Janet Lakeman, Dodie Bellamy, Peter Culley, Kevin Killian, Robert Ballantyne, Myfanwy MacLeod, Peter James Hudson, Erin OBrien, Keith Higgins, Geoffry Topham, Peter Cummings, Michael Turner, Naomi Foyle, Andrea Anderson, Jeff Deby, Clint Burnham, Bob Perelman, Dorothy Trujillo Lusk, Kevin Davies, Louis Cabri, Wayne Arsenault, Zainub Verjee, Zhao Tie Hai, Hank Bull, Robin Peck, Lucy Hogg, Wayde Compton, Tim Davis, Sharla Sava, Warren Murfitt, Jacqui Nolte, Gerry Gilbert, Patrik Anderson, Shannon Oksanen, Erin Moure, Sianne Ngai, G.B. Jones, David Bromage, Rob Manery, Miles Champion, Neil Wedman, Gerald Creede, Aaron Shurin, Brian MacNevin, Caroline Bergvall, Kathy Slade, Bruce Andrews, Tim Atkins, Glenn Alteen, Mark Klobucar, Stuart Blackley, Christine Corlett, Mair Dumett, Tom Raworth, Damon Crain, Geoffry Farmer, and Brian Jungen.

The fonds consists of 8 series: General files; Fringe productions, 1990 (by title); Interview Transcripts; Reviews (by city); International festivals; Scripts; Programmes of fringe festivals (by city); Programmes of individual productions (unsorted); Publicity for individual productions (unsorted); and Videocassettes of productions. Cities include: Edmonton, Halifax, Montreal, Saskatoon, Toronto, Vancouver, Victoria and Winnipeg.

The fonds consists of photographs depicting Vancouver panoramas, Victoria Harbour, animals, children, ferries, farming, and various B.C. towns.

The fonds consists of correspondence, programmes, photographs, scrapbooks, and translations into English from Russian for various ballerinas.

The fonds includes the following series: theatre scrapbooks, 1941-1991; biographical material, 1939-1994; programs and printed material, ca. 1938-1986; photograph series, 1947- ca.1987; audio-visual media series, 1946-ca.1992; and theatre poster series, 1950-1978.

The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.

Fonds consists of photocopies of the wills of Emily Carr (1945) and Ira Dilworth (1954), regarding the ownership of Carrʹs copyright. The fonds also includes correspondence (1967‐1983) from artist Gordon Smith addressed to John Parnall and his family, as well as printed material regarding Smith. Also included are Parnall's certificates of service from the Pacific Association of Collegiate Registrars and Admissions Officers.

Fonds consists of two series: Vexation Island series and other projects series.

Fonds contains examples of printed material created by Takao Tanabe from 1953-1994 under his private printing company, Periwinkle Press, or in collaboration with Robert Reid and Klanak Press. The material is arranged based on their category which was reflected by the original order found upon acquisition. Printed materials include: books published by Periwinkle Press, announcement cards and posters, invitations, holiday cards, stationary, bookmarks, gift cards and promotional posters. The fonds is divided into five series: Series 1. Books, Series 2. Announcements and Invitations, Series 3. Holiday Cards, Series 4. Stationary, Series 5. Promotional Materials.

Fonds consists of records related to theatrical productions mounted by the Tamahnous Theatre Workshop Society and general and administrative records related to the company's operations. The fonds contains scripts, stage manager's notes and directorial notes, props lists, correspondence and memoranda, contracts, budgets, touring schedules, original artwork for posters, programs, and handbills, printed posters, programs, handbills, press releases, public service announcements, and other promotional material, clippings of reviews and paid advertisements, audience surveys, drawings and photographs, negatives, audio and video cassettes and reels, accounting records and financial statements, and other records. The fonds is arranged in five series: Scripts (1971-1994); Theatrical productions (1971-1994); General and administrative files (1971-1994); and Tamahnous Theatre Workshop Society photo history (1971-1994); and Audio-visual records (1971-1994).

Fonds consists of records generated by the Vancouver Association for Noncommerical Culture in the process of fulfilling their stated objectives. Includes office files, minutes, grant reports, project files, visual and multimedia records, and publications.

The fonds consists of photographs depicting Vancouver panoramas, streets, sports, harbour, ships, buildings and businesses.