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The collection consists of heavily corrected galley proofs for the poems "The Wall", "The Sleeping Lord" (extract), and "The Boast of Dai" (extract), plus an accompanying hls from Jones to Annwyl [Dear] Meic Stephens.

The fonds consists of holograph correspondence written primarily to his mother from the trenches and war front in Europe, together with a typescript transcription of the letters; a photograph of Macgowan with (apparently) two members of his battalion; programme for a Brussels Ball; clippings; and 11 maps used by Macgowan to direct his troops in battle. Also included are aerial photographs of three regions of north-west France together with a map of north-west France (Denain region). Some of the photographs have holograph additions to them, largely for the purpose of identification of towns or other significant features.

The fonds consists of approximately 550 presentation drawings, sketches, conceptual drawings, working drawings, technical drawings (inclusive of blueprints), travel sketches and photographs. These include exterior and interior renderings of plans and designs for work produced in both Europe and in China. The architectural collection consists of works by Hudec and two other unknown authors. The work of Hudec is transcribed in English, German and Chinese characters. The work of the unknown authors is transcribed in Hungarian and German. There are also 2 boxes of textual records including notes, notebooks, photo albums, documents, letters, memos, scrapbooks, photos, legal records, rare journals, and newspapers clippings.

The fonds consists of manuscripts and typescripts of: Reference West Chapbooks and Hawthorne Anthologies; Reference West publications such as B.C. Profiles, The Preview, Fortnightly Preview, The Poetry Newsletter, and Reference West; and Reference West Bibliographical Checklists, Catalogues and Symposia. It also includes some manuscript/typescript material not included in the Chapbooks, together with some correspondence from a few of the authors.

The fonds consists of correspondence received by Montague in his capacity as editor plus a few carbons of his replies. Correspondents include Peadar O'Donnell, Liam Miller, Thomas Kinsella, and some of the other contributing writers: Aidan Higgins, Pearce Hutchinson, Val Iremonger, John Jordan, James Liddy, John McGahern, Brian Moore, Richard Murphy, James Plunkett, Richard Weber, Leslie Daiken, and Thomas McIntyre. There are also some miscellaneous letters and items; including letters from Samuel Beckett and Robin Skelton. Included with the correspondence are a few holograph notes, cuttings, manuscripts, pamphlets, and emphemera relating to The Dolmen Miscellany.

The fonds consists of manuscripts of novels, notebook, typescripts, galley proofs, sound recordings, and transcripts of radio plays and interviews with Higgins, and correspondence, including that with John Montague, from 1961 to 1971. The fonds includes manuscripts and other material relating to "Felo De Se", "Langrishe, Go Down", "Balcony of Europe", "Images of Africa", "Scenes from a Receding Past", "The Assassination of Franz Ferdinand", "Uncontrollable Laughter", "Discords of Good Humour", "Vanishing Heroes", "Texts for the Air", "Winter is Coming", "Bornholm Night Ferry", "Helsingor Station", and "Ronda Gorge".

The fonds consists of records documenting Cuomo's writing activities. Fonds includes notebooks and lists recording hours worked and money earned from his writing; notes, variant drafts and proofs for his novels, short stories and poems, as well as news clippings and other research material; variant drafts of an unpublished play; variant drafts of essays, articles and book reviews; brochures and other ephemera.

The collection consists of corrected page proofs of "The Years as Catches" (in a proof of the cover), which was published by Oyez in 1966. Also included is a typescript of "I Am A Most Fleshly Man", with its page markings and bibliography; a typescript of "Notes On Proofs"; and some font samples.

The collection consists of pages of holograph poetry removed from a copy of Lander's Like Stepping Stones above the Traffic (1987), plus other leaves of holograph poetry.

The fonds consists of a mimeographed, signed letter from John Lane (publisher), concerning the publication of Ferguson's “Stealthy Terror”. Also included is a clipping from the “Aberdeen Bon-Accord”, referring to Ferguson and his writing.

The fonds consists of a handwritten letter to Kathleen Agnew of Victoria B.C.

The fonds consists of a handwritten letter to the Recorder of Dublin, accompanying the gift of a book from her father's library.

The fonds consists of a handwritten letter to Mary Childe from Amy H. Ellis, discussing a poem by Wilfred Rowland Childe.

The fond consists of a sample Christmas card, containing a Childe's poem “Bethlehem”.

The collection consists of a handwritten note to an unknown correspondent, in which he outlines the Shakespearian music that he has composed. Additions, in a different colour ink, (probably in a different hand) have been made at the beginning.

The fonds consists of a one page signed letter from William [Ke...?], Dublin, to James Wyld MP, Charing Cross, on the claims of the Hudson Bay Company to Canada and British Columbia.

The collection consists of a handwritten letter to J. M. Humphries concerning the possible purchase of one of his own published books. Also included is a handwritten copy, in another hand, of a Bottomley poem about Merlin, "Lines written by Gordon Bottomley at Merlindale".

The fonds consists of records of Herbert Thomas John Coleman, including worksheets of his poetry and prose (also including two poems and an essay by his brother, Rufus Arthur Coleman); Coleman family photographs and negatives, financial records and certificates; correspondence from Coleman to other family members; scrapbooks of Coleman's poems, clippings and brochures; academic journals containing essays by Coleman and copies of Coleman's illustrated books for children, containing holograph inscriptions and extensive annotations.

The fonds consists of extracts from Cyrus Peck's personal diary kept while overseas in World War I.

The collection consists of: a holograph postcard signed to George Bullock, Jan. 24, 1944; a 1 page tls to George Bullock, Feb. 1, 1944; a 2 page hls to Marjorie Pollard, Nov. 19, 1931; a 1 page hls to Marjorie Pollard, April 6, 1932, and a 1 page hls to Marjorie Pollard, Nov. 21, 1933.

The fonds consists of contact sheets of 19 rolls of film taken during Brown's trip to China, including views of palaces, Buddhist temples, mountains in northern China, the Great Wall of China, Shanghai, Hong Kong and Canton. Each has an accompanying page, identifying the photographs, copied from Brown's field notes, copies of the original 35 mm negatives (reverse view), and a photocopy of a map of China with Brown's route traced in red. Also included are six photographs, made from the negatives, for an article in "The Ring Research Bulletin", and given to SC by UVic Public Relations in 1993.

The collection consists of records documenting various branches of the Canadian Army. Collection includes photographs of parades and drills taken by the Department of National Defence; photocopies of military order of the 1st Canadian Army during World War II; copies of intelligence tests administered by the Canadian Armed Forces; correspondence, maps, daily reports and copies of morale reports of the Canadian Militia Training Centre No. 111, Gordon Head Camp, together with some photos; booklet of poems by R.W. Day of Sidney Camp; orders for Operation Overlord (D-Day) and other military orders of the 16th (Canadian Scottish) Infantry Battalion; and, miscellaneous reports (including those related to the Dieppe raid), brochures and reference material; Militia Orders (photocopy) 1899; "Secret War Diary" 1-31 May 1941, 6th Cdn. Infantry Brigade; 102 Battalion, 7th platoon roll book, 1896.

The fonds consists of manuscripts, correspondence, translations, notebooks, several audio tapes, personal journals and periodicals.

The collection consists of two copies of a typescript “Fall of Nanking”.

The fonds consists of three typescripts: 1) "An Annotated Elizabeth" - a partial annotation of Dick Diespecker's [1950] 'Elizabeth' (semi-biographical novel of his mother); 2) "Family, Fictions, Frictions"; 3) "Opsaal" (Diespeckers in South Africa 1901).