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The fonds consists of an envelope containing 10 fiche of Tremayne's plays. In addition, there is a photocopy of a 2 p. typescript on Tremayne, with a 2 p. attached list of the plays of Tremayne that have been microfiched.

Fonds consists of an album given to Mary Tucker by her grandfather who had received it in the early 1900s as a gift from the Japanese Diet. The album consists of a series of hand-tinted silk screen reproductions depicting a variety of Japanese scenes and landmarks. Each individual silk screen is labeled with the subject of the image. The covers of the album are black lacquer with a floral image in gold on the back cover and a scene in relief of a woman and a boy sweeping on the front cover.

The subseries consists of photographs assumed to have been taken by W.J.Moore because of the context in which they were found, although it has not been possible to confirm. It was suggested in documentation accompanying the transfer, that the photographs depict the buildings and livestock of the Dominion Experimental Farm in Agassiz, BC; however, the buildings do not match other available photographs of the farm in Agassiz and therefore, it has not been possible to confirm the location. The glass negatives were found in Summerland, BC. It is possible that the photographs depict the Experimental Farm in Summerland; however, the buildings also do not match existing photographs of the Summerland farm, so it has not been possible to confirm either potential location.

The collection consists of eight photographs likely taken in the Nuu-chah-nulth community in the 1920's. Some of the photographs may have been taken by Catherine, the daughter of an early Indian Agent named Augustus Cox. They include a number of images that appear to be a Samiilth or Saatlsaach ceremony, with K'aanaatla mimicking wolves. Some of these images are taken near a seaside village, which shows various types of structures and canoes. Other images taken on a beach show canoe runs, as well as two images of individuals in robes and headdresses. Another image shows a detailed view of two headdresses. There are also images of what seem to be preparations for a parade, with individuals dressed in costumes and decorated motorcars nearby.

The subseries consists of 13 b&w glass plate negatives depicting the West Lawn building, which opened in 1913, as well as interior shots of various labs and lounges, and the dormitory. There is also a photograph of an unidentified building, and an interior shot of the shoe workshop at the Provincial Hospital for the Insane in New Westminster, B.C.

The collection consists of a handwritten poem, "The Prodigal Son".

The collection consists of 25 photographs including: photographs of Harry H. Watson and Edward E. Leason, Government House and the Parliament Buildings, logging, ranching and agriculture, fishing, M.V. Princess Charlotte in the Drydock (Esquimalt), and various scenic shots including 1 of a golf course (Victoria?).

The collection consists 76 negatives and 9 photographs from the 1940s. It includes scenes around Prince Rupert during the Second World War such as gun placements, artillery on boats, soldiers, ship building at the dry dock, Hays Creek, CN Park, downtown views, fish boats, family, and a concert.

The collection consists of a three vol. set of Shakespeare's Works (J. Payne Collier, Lupton Pub. New York, n.d.) which Malcolm Lowry has used as notebooks, as well as for annotations on the texts themselves. These volumes, given by Lowry to his friend George Stevenson, were used as a resource by Lowry, especially during the composition of Under the Volcano. The volumes include poems and jottings by Lowry on fly leaves and paste-downs and on p. 944. In addition, textual annotations by Lowry occur most heavily in The Tempest, Merchant of Venice, Timon of Athens and, to a lesser extent, The Sonnets.

File contains a notebook used as a guest book for Cortez Lodge. It has lists of names of guests with occupations, addresses and charges for room and board. Records are listed by day and month but there is no year date.

Comprises 1 photograph of Stuart Baker, Nancy Stevens and Chris Adeney in the 1950s (may or may not be from Totem Theatre).

Fonds consists of slides taken by Douglas Routley in the late 1950's on the University of British Columbia (UBC) campus. The slides feature a longhouse and totem poles. They were taken when Routley and his wife visited UBC in the late 1950s.

The collection consists of photographs of the ship "Dinamac," the Duffus family home, Thomas McMeekin & Sons business, Skeena River scenes, parades, and planes at Seal Cove.

Comprises miscellaneous brochures for various theatrical productions and companies, possibly printed during the 1960s.

File contains a typed manuscript of a school play, "Gracious Living", a one act play in three scenes. Other information about Peggy Pyner, and photocopies of some of her columns, can be found in the CIMAS Informational Files.

Comprises black and white photographs, mostly portraits of individuals, and one newspaper clipping. Probably created in the 1960s.

Fonds consists of the correspondence from the Galbraith family to Candace House from 1903-1908. Includes a letter from Imo to Ida, 1887.

Comprises 1 watercolour that appears to be a set design.

Comprises photographs of Stefan and Alison Arngrim.

Comprises one poster advertising the Sepia Players' production of "The Owl and the Pussycat".

The fonds consists of textual records of Mr. R.T. Richardson from 1951. Includes correspondence and two histories of Bull River.

Fonds consists of the correspondence from Alice Levett to Annie Colton, 1892-1893.

Comprises one poster advertising a staging of "The Dark of the Moon".

Fonds consists of a photocopied diary written by Ruth Bailey, 1910.