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Fonds consists of matted prints of engravings made from sketches created by John Webber as official artist on Captain James Cook’s third voyage. Prints depict landscapes, animals, people, clothing styles, architecture, and events that were encountered on the voyage in places such as New Zealand, the Friendly Islands (Tonga), the Sandwich Islands (the Hawaiian Islands), Nootka Sound (Vancouver Island, BC), and Van Dieman’s Land (Tasmania).

Fonds consists of the following record series: Sermons (1966-1998); Correspondence (1988-1990); Speeches, lectures, and other material (1967-2014); National committee working papers (1987-2000); Issues (1983-2016); Published works (1970-1996); Travel journals (1984-2004); and Reference material (1926).

The fonds is arranged into eight series: Files of the Hospital Administrator (1943-1961); Administrative records (1905-2010); Financial records (2002-2014); Hazelton Children’s Home (1967-2004); Media (1915-2009); Patient files (1903-1949); and Property records (1905-2015).

The first accession of records from Wrinch Memorial Hospital was arranged and described by Sally Easton in 1986. Those consist of the files of the administrator of Wrinch Memorial Hospital and comprise a single alphabetical subject series. These were described in detail at the file level. The date range of these files is from 1935 to 1961, but the bulk of the material includes dates between 1947 and 1952. Most of the files are concerned with financial matters: hospital claims, accounts, etc. Several deal with matters concerning the local First Nations population. A large number of files concern the B.C. Hospital Insurance Service (inaugurated in 1949), its officials, and its activities. Material in the files includes letters, telegrams, brochures, ledger pages, cheque stubs, photographs, copies of various government documents, and a variety of lists and printed forms. However, the majority of this series consists of correspondence. Most of the files date from the term of Selwyn Simons, who was Administrator from 1947 to 1952. Some material in the files relates to Simons' successor, Paul E. Russell; those items dated 1960-1961 relate to the term of Dr. J. E. Whiting, Medical Superintendent, although his name does not appear on them.

The second accrual of records was arranged and described by Kelly Rovegno in 2017. These records date from 1905-2010, although the predominant range is 1945-2000. This fonds contains files with personal information, which is protected under the law. Such files are identified on the file list; consult the archivist for further information.

Fonds consists of records relating to Ed Searcy’s work in pastoral ministry, his studies, his teaching and writing, and his work in the wider church. Fonds comprises the following record series: Sermons (1974-2008); Lectures and addresses (2000-2007); Leadership-related records ([1991]-2003); Publications and manuscripts (1989-2015); Student papers (1974-2002); Audiovisual recordings (2001-2015); and Significant documents (1976-2015).

The fonds consists of photographs of Gloria Kaplan with various indigenous artists, whose names have been recorded in the image titles and IPTC metadata. The photographs were taken by Selig Kaplan with the intention of documenting the artists from whom the Kaplans acquired artwork or anticipated acquiring artwork from.

The collection consists of three photographs of St. George’s Residential School in Lytton, BC.

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

Fonds contains the following series: Native Ministries Consortium (1986-2004), Reference and Liaison (1966-2008, 1983-2005 predominant), and Residential Schools Issues (1986; 1993-2008).

Fonds consists of records of the Bella Coola Pastoral Charge; its congregations, Emmanuel, MacKenzie, and Augsburg United Churches; Augsburg Lutheran Church and Bella Coola Methodist Mission. Records include Baptism registers (1907-1986), Birth records (1921-1930), Marriage registers (1913-2007), and Burial registers (1909-1992); Circuit register (1925-1953), Historic roll (1947-1987), Communion roll (1940-1955, 1972); Mission Circle minutes (1920-1922), Session minutes (1949-1967), Stewards minutes (1940-1978), Official Board minutes (1934-1983) and correspondence (1952-1983), and Congregational Meetings minutes (1935-1978); Property records (1952-1988), Native Affairs and Language records (1977-1984), Visitation records (1972-1973), Refugee sponsorship (1979-1980), Correspondence (1939-1947); Historical material (1926-1976), "Bible in Bella Coola" by Cliff Kepas (church history); Account book (1920-1950), Cash book (1940-1950); and Annual reports (1940-1985, 1988).

The fonds consists of a Hobler's autobiography Incidents Along the Way, the log book for the Sistiutil, construction drawings and documents for the Sistiutil, and a 1966 Faculty Handbook.

The scanned images in this fonds represent a selection of Robert Reford’s amateur photographs found in two albums from his time in British Columbia (1889-1891). The photographs were taken in various parts of British Columbia. They are presented in the order that existed in the original albums.

The collection includes material relating to Alert Bay that was created or collected by Thomas and Mildred Laurie, as well as photographs and textual records created or received by James Barclay Williams, who bequeathed the records to Mildred Laurie. The collection includes a photo album, photographs, postcards, correspondence, newspaper clippings, pamphlets, and a calendar. Photographs document Alert Bay and the surrounding area, including the B.C. Packers store, Christ Church, the native cemetery, St. Michael’s Residential School and Preventorium, Canada Packers, Hardy Bay, totem poles, a long house, and the Nimpkish Hotel. Photographs also document local events, including potlatches, weddings, an outdoor salmon barbeque, BC centenary celebrations in 1958, native ceremonies, and a visit by the Governor General.

The material is arranged in the following files:

1.1 - James Barclay Williams – Correspondence and press clippings, 1968-1972
1.2 - James Barclay Williams – Photographs, [1908?]-1967
1.3 - Mildred Laurie - Photo album photographs, [194-]-1974
1.4 - Mildred Laurie – Photographs and postcards, [194-]-[199-]
1.5 - Slides and negatives, 1952-1972
1.6 - Pamphlets, ephemera, and press clippings, 1947-2003
2.1 - James Barclay Williams – Photo album, 1940-1941

Collection illustrates the gathering of information and writing of the book “Paddling to Where I Stand.” Collection includes interviews to Agnes Alfred conducted by Martine J. Reid and Daisy Sewid-Smith between 1979 and 1985. Interviews are documented as audio and video recordings and their written transcriptions. Collection includes other materials gathered by Martine J. Reid and Daisy Sewid-Smith for the edition and publication of the book. Collection also contains the manuscripts and draft for the book; correspondence between Martine J. Reid, Daisy Sewid-Smith and other people; eulogies and funeral pamphlets; Agnes Alfred’s family information; historical notes; and miscellanea. Collection includes photographic materials with photographs included in the book and additional photographs gathered by Martine J. Reid and Daisy Sewid-Smith during their research. Collection includes portraits of Agnes Alfred’s parents.

Fonds contains the records from St. Andrew's United Church and its predecessor, St. Andrew's Presbyterian Church. The records include Baptism registers (1915-2001), Marriage (church) registers (1915-1950), Marriage (civil) registers (1920-1986), and Burial registers (1915-1976); Membership records (1915-2001); Session minutes (1896-2001), Board of Managers minutes (1915-1955), Stewards minutes (1955-1972), Official Board minutes (1950-2001), Congregational Meeting minutes (1916-1999), Christian Education Committee minutes (1962-1964; 1978-1986), and Joint meetings of St. Andrew's and First United Church Boards (1999-2000); Building Fund records (1960-1972), and Church Hall Booking registers (1959-1963); Ladies Aid minutes (1920-1953), Woman's Association Evening Circle records (1941-1962), Woman's Association Willing Workers Circle minutes (1952-1953), Woman's Missionary Society minutes (1914-1932), United Church Women minutes (1970-1973), and United Church Women Lydia Unit minutes (1965-1973); Annual reports (1970-1996); First Nations related material (1990-1998); and Photographs (1992). The records also include a draft manuscript of a church history and a variety of historical memorabilia (1900-1990).

The fonds consists of photographs, slides, negatives, maps, and textual records created and gathered by Gladys Young Blyth. These contain local scenes such as lighthouses, totem poles, Seafest activities, fish boats, crab traps, North Pacific Cannery, Kwinitsa Station, and the seaplane base at Seal Cove. The maps and sketches are of Kitselas, Port Essington, Union Passage and Tuwartz Inlet, Otter Passage to Bonilla Island, Work Channel, and a copy of the plan of the Kit-Kah-Tla Indian Reserves Coast District, 1891-1892. Her reference notes refer to the Hudson's Bay Company, First Nations, Grand Trunk Pacific Railway, the pictograph at Tyee, and the net building industry.

The fonds reflects Minn Sjolseth's artistic career and travels to First Nations communities throughout British Columbia and Alaska with her husband Anthony Carter. Contents of the fonds depict First Nations cultures in British Columbia between 1960 and 1980, including Haida, Coast Salish, Kwakwaka'wakw, Gitsegukla, Kispiox, and Nisga'a. Several of the contents depict notable figures, including Chief Dan George and August Jacks.

The fonds includes textual records including correspondence, ephemera, newspaper clippings; graphic materials such as photographs, slides, negatives, and transparencies that depict Sjolseth’s travels and artworks; and artworks produced by Sjolseth including paintings, drawings, and prints.

The fonds is organized into the following series:

1. Personal records
2. Artwork an Exhibition records
3. Artworks

Collection consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Harlan Smith, the photographer, recorded at the time of creation. Labels gives name and age (if known) of the sitters as well as their lineage, employment, and style of dress.

Fonds contains the following series: Minutes (1993-1997), Artwork by Children (1985), Native Ministries Consortium (1991-1997), Reference and Liaison (1981-1998), Healing Fund (1988-1986), Land Claims Campaign (1987-1996).

Fonds consists of a single record series: Educational materials relating to women's issues (1981-1996).

Fonds consists of records reflecting the academic and personal life of Douglas Cole. The correspondence series consists primarily of the personal views of Dr. Cole on matters of historical scholarship, university affairs and his own career as a professor. A few letters were made or received by Dr. Cole in his capacity as a University employee performing his official duties –– for example, marking students' work and providing reference letters. Fonds also includes some unpublished articles, conference papers, research notes and lectures.

The fonds consists predominantly of slides of various petroglyphs and pictographs, primarily from locations on the Northwest Coast of British Columbia. The fonds also contains location charts of petroglyphs and the creator’s typed notes about various sites.

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit The Four Seasons: Food Getting in British Columbia Prehistory, which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

The fonds consists of the audiocassettes for eleven interviews conducted by Gerry Scott for his thesis.