Fonds consists of an album given to Mary Tucker by her grandfather who had received it in the early 1900s as a gift from the Japanese Diet. The album consists of a series of hand-tinted silk screen reproductions depicting a variety of Japanese scenes and landmarks. Each individual silk screen is labeled with the subject of the image. The covers of the album are black lacquer with a floral image in gold on the back cover and a scene in relief of a woman and a boy sweeping on the front cover.Tucker, Mary
Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.
Fonds consists of the textual records of Matilda C. de Lotbiniere-Harwood from 1914, 1918, and 1920-1921. Includes biography, correspondence, clippings, and sheet music of the following: From the Empire’s Dead, Triumphal March of the Allies, Imperial Anthem, Strathcona March, and Johnny Canuck.de Lotbiniere Harwood, Matilda C.
Fonds consists of the textual records of Basil G. Hamilton. Includes correspondence and research material.Hamilton, Basil G.
Fonds consists of photographic negatives from the early twentieth century showing people in the South Pacific, probably Hawaii or Samoa, in their traditional dress.Prime family
Fonds consists of theatre programs from Victoria, opera clippings, photographs of the Chinese Carnival in 1936, a copy of the Chinese Times, and Yip’s reminiscences of the establishment of The Chinese Canadian Times in Vancouver and the Chinese Opera in Victoria.
MAN 1997-007-001 : Chinese Times, 1936, article on Chinese Times, Willie Le[-]o n.d.
MAN 1997-007-002 : Cantonese Opera clippings, n.d.
MAN 1997-007-003 : Six photographs of Chinese Carnival, Vancouver, 1936
MAN 1997-007-004 : Theatre program from Victoria, B.C., 1923
MAN 1997-007-005 : Theatre program from Victoria, B.C., with poetry on back written by Yip’s father, 1930Yip, Victoria
The collection consists of issues of women's magazines containing stories by Beryl Gray.Gray, Beryl
The series consists of photographs of the interior of the Totem and Capitol Theatres. It includes Jeanette McDonald (Mitchell) in the lobby of the Totem Theatre, concession stand and hallway of the Capitol Theatre, projectionist and proprietor of the Totem Theatre Johnny Garofani, interior seating area and projection rooms, and the totems that hung on the walls in the theatre.Black, Harry
Fonds consists of concert programmes and a copy of the Club's By-Laws for 1930.New Westminster Men's Vocal Club
The fonds consists of minute books, membership lists (1916-1937), photographs, plays, financial records, programs and play announcements (1916-1961), scrapbooks (1916-1944), and ephemera.University of British Columbia. Players' Club
Fonds consists of the textual records of the Okanagan Society for the Revival of Indian Arts and Crafts from 1940-1947, 1961. Includes the constitution, minutes, correspondence, financial records, reports/presentations, lists, programs, publications, play script, press releases, clippings, and ephemera.Okanagan Society for the Revival of Indian Arts and Crafts
Fonds consists of the personal records of Katie Lacey. Includes correspondence, personal writings, research materials, notes, and graphic material.Lacey, Katie
The fonds consists of photographs, negatives and correspondence. The fonds is arranged in three series.Meeres Photographic and Art Studio
Fonds consists of the textual records of Mabel Jordon from 1929, 1947-1969. Includes correspondence, publications, research materials, certificate, notes, filmstrip, clippings, ephemera, maps, and photographs (H.T. Nation, Mabel Jordon, and other Kootenay photographers).Jordon, Mabel E., 1908-1993
The fonds consists of photographs relating to Hazel Brealey's school days, and personal correspondence relating to the West Vancouver Symphony Society by George Brealey.Brealey (family)
Collection consists primarily of records generated or used during the period of the Second World War by the Vilcsek family in Budapest, Hungary. These include vital statistics and personal records of the Vilcsek family, photographs, and postcards mailed to the family from Ernő Vilcsek while he was in a labour camp in Hungary. Collection also consists of artworks, several on the theme of the Holocaust, created by Eva Kero after her immigration to Vancouver, BC.
Collection has been arranged into three series: Correspondence (1942), Family records ([after 1881]–1949) and Artworks (1969–1971).Vilcsek family
The fonds consists of records relating to African culture and craftsmanship. It includes photographs and slides of Ivory Coast and Nigerian crafts and cultural events, correspondence, research notes about African handicrafts, typed anthropological portraits of craftspeople and related drawings, postcards and magazine clippings.Taylor, Deborah
Fonds consists of records related to B.C. and Jessie Binnings’s correspondence with friends and colleagues overseas in Japan from 1959 to 1971. It includes correspondence with Bishop Kojo Sakamoto and members of his family. Letters are predominantly personal and are written by hand; several are painted using calligraphy. Other records include program brochures and news clippings for exhibits in Japan and North America, and scrapbooks assembled by the Binnings. These either commemorate various visits they took to Japan or the visits that their Japanese friends took to Canada.Binning, B.C.
The fonds consists of printed ephemera relating to First Nations art, correspondence, and photographs of Gitksan totem poles.Moore, Helen
The fonds consists of minutes of the association from 1932 to 1974. The minutes document the decisions and activities of the association including elections, rules for competitions, organizing dances, fundraisers, competitions, and the annual gatherings. Minutes for March 1935 to early January, 1939 are missing.British Columbia Pipers' Association
Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.Lilo Berliner
Fonds consists of records generated by the Women's Cultural Exchange in the process of establishing the society, finding a location, opening, and using the space to fulfill their mandate to provide a cultural centre for women. Records reflect the incorporation of the society, minutes of meetings, membership, events, and finances. Includes constitution, certificates of incorporation, minutes, agenda, correspondence, membership lists, account book, scrap book, and ephemera.Women's Cultural Exchange
Fonds consists of correspondence with the museum about Goddard's photographs and postcard, as well as the images themselves. Three of the photographs are annotated.Goddard, Evelyn
Fonds consists of two record series: Photographs of churches in British Columbia ([1974?]) and News clippings of British Columbia churches (1972-1977).Munroe, Doris C.
Fonds consists of photographic material created by Dr. Stephen Inglis and a series of twenty-four black and white prints depicting potters in a small community in India or images of fertility statues photographed by colleague Walter Huber. The colour negatives show local artisans and their works. The black and white photos mounted on cards were created between 1974 and 1977 and show Indian craftspeople, particularly Bengalis and Tamils. The images may have been created for the purpose of Dr. Inglis’s PhD research.
CAPTION LIST FOR PRINTS:
AC 2002-48-001 Siva murthi, Bastarnar
AC 2002-48-002 Siva Murthi, Bastarnar
AC 2002-48-003 Danteshwari Mandir Murthi, Dantewara
AC 2002-48-004 Amarkantak (source of Narbada River)
AC 2002-48-005 Danteshwari Mandir Murthi
AC 2002-48-006 Gharwa Cire-perdue Caster, Jagdalpur
AC 2002-48-007 Kumar, Nagarnar
AC 2002-48-008 Nagarnar Kumar family Terracotta mata murthis and guardian figures
AC 2002-48-009 Maria pillar, old form no longer made, near Gidam
AC 2002-48-010 The Eyes Have It
AC 2002-48-011 Kumar, Nagarnar
AC 2002-48-012 Danteshwari Mandir Murthi
AC 2002-48-013 L’Eternelle Idole, Rodin
AC 2002-48-014 Siva murthi, Bastarnar
AC 2002-48-015 Maria commemorative pillar, Bastarnar (“Bison-Horn”)
AC 2002-48-016 Kumar (demonstrating pottery wheel) Nagarnar village nr, Jagdalpur
AC 2002-48-017 Sonmura (source of Son River near Amarkantak Baba)
AC 2002-48-018 Assi Ghat, Benares Summer ‘76
AC 2002-48-019 Kumar, Nagarnar
AC 2002-48-020 Waiting for the bus near Jagdalpur
AC 2002-48-021 Kumar, Nagarnar
AC 2002-48-022 “Bison-Horn” Maria commemorative pillar, detail, Bastarnar
AC 2002-48-023 Gharwa, Jagdalpur
AC 2002-48-024 From Sonmura looking northwest
*Please note that AC 2002-48-01 through AC 2002-48-024 are attributed to Walter Huber
AC2002-48-025 48-76 are 51 colour negatives that depict local craftspeople and shrines in India.
AC2002-22-001 22-160 are black and white photographic prints mounted on white card. The images depict local Indian craftspeople, particularly Bengalis and Tamils. Some are identified with location and what is happening in the photo, while some are unidentified.Inglis, Stephen