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The fonds consists of photographs likely taken by A.F.R. Wollaston in Uganda, the Congo, New Guinea, and Fiji. Also included are the envelope in which the photos were posted, and a note from M (Marjorie Halpin) to Audrey (Shane? Hawthorn?) regarding the donation of the photos to the Museum of Anthropology.

Fonds consists of a collection of items pertaining to World War One. A scrapbook contains emblems from various wartime organizations, flags of the Allies, registration cards, and other items.

The collection consists of 36 letters from Sir William Orpen to Beatrice Elvery (Lady Beatrice Glenavy), all illustrated with ink or pencil sketches, and one ink sketch entitled "Howth". Most are addressed to "Bridjit" from "Dijit".

The fonds consist of copies of records, documents and photographs in the possession of Major Penn's Grand-daughter Sarah Beynon. They relate to Major Penn's Medals and certificates in the Bruce Brown collection.

Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.

The fonds consists of photographs and miscellaneous files. Photographs depict members of the Clay and Donaldson families, and family friends including Edgar Fawcett and family, Alexander Ross, Mary Jane Hamilton, Mrs. William Prout and Hattie Chapman. Miscellaneous files consist of photocopies of Alexander T. Woolsey Donaldson's Boys Brigade cards, an in memoriam card for Joseph Wilson, and records relating to Alexander Dawson Donaldson.

The collection consists of a few of her letters plus her autograph (ca. 1908); her portfolio photographs and photo-postcards; theatre programs and clippings relating to her performances.

The fonds consists of a black notebook containing a handwritten commentary on Immanuel Kant (1724-1804). The pages are numbered consecutively from 268 to 403. The entire text is in German.

The fonds is divided into 31 series and consists of minutes, correspondence, leases, plans, photographs, and samples of documentary artifacts related to the running of the co-operative.

Fonds consists of a minute book and an accounts book of the Whaletown Church Hall Building Fund Committee, documents written by Canon Alan Greene setting out the history, responsibility and terms of use for the Church Hall, and a cover letter for the Certificate of Title from the Land Registry Office.

The collection consists of postcards depicting First Nations from Western Canada.

The fonds consists of a series of love-letters written between Morris Soskin and Rose Hyams. These letters were written in 1921 between Vancouver (where Morris lived) and Montreal (where Rose lived).

Fonds consists of the textual records of Matilda C. de Lotbiniere-Harwood from 1914, 1918, and 1920-1921. Includes biography, correspondence, clippings, and sheet music of the following: From the Empire’s Dead, Triumphal March of the Allies, Imperial Anthem, Strathcona March, and Johnny Canuck.

Fonds consists of the textual records of the Kootenay Agency from 1898-1905, 1921. Includes a register of the residents of five of the East Kootenay reserves, listing names and content of each family. Register also includes lists of government property on East Kootenay reserves, 1898-1905 and expenses for R.L.T. Galbraith, 1921.

The fonds consists of a handwritten letter of thanks to Mr. Fisher.

The fonds consists of a guest book, invitations and a brief history of the local chapter.

Collection consists of photographic prints by Roland Reed, featuring Native Americans and scenery of the western United States.

The collection consists of pencil and ink sketches (1884-1885) and letters (with illustrations) to Jack Butler Yeats (1918-1922).

Fonds consists of photos taken by Virginia Small's husband during a trip to Japan between 1920 and 1922. Photos depict a variety of scenes from rural and urban life including craft and silk production, farming, fishing, and ceremonial activities. In addition, the fonds includes photos, both posed and candid, of various individuals including members of the traveling party, as well as photos of landscapes and architecture. Some photos are marked with the subject, date and location on the back with pencil.

The collection consists of a handwritten letter to Sydney Cockerell. A transcription provided by Anthony Rota is also included.

The fonds consists of sixty-two handwritten letters and one postcard to the Wallace family. Most are from Edith J. Lyttleton (godmother) to Paul A. W. Wallace during his service in England during WWII. Lyttleton also wrote a few letters to Dorothy (Mrs. Paul Wallace) and to Professor F. H. Wallace (Paul's father?). The other letters are to Paul from Helena Coleman and Marjorie Pickthall.

The collection consists of maps and photographs. It includes two surveys of Inverness Cannery (1923, 1934), a blueprint showing wartime houses' sewer connections (1945), a Canadian National Railways map of the waterfront showing businesses (1947), and photographs of buildings and homes in Prince Rupert and Shawatlans (195-).

Fonds consists of the textual records of the Galbraith family. Includes correspondence and a pre-emption claim.

The collection consists of a 2 pp holograph letter to “Plunket”.

The fonds consists of records generated and utilized by the 16th Battalion (The Canadian Scottish). The fonds is arranged into 11 alphabetically organized series. These series include aerial photographs of the Western Front, information of a World War One operation at the city of Lens, orders issued to the Battalion, personnel records, photographs, publications (including early editions of "The Brazier"), reports, scrapbooks, information on training, minutes of meetings of the Veterans Association of the 16th Battalion, and a design for the 16th Battalion war memorial.