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Fonds consists of the following record series: Woman’s Missionary Society correspondence (1921-1947, 1981); Personal correspondence and memorabilia (1918-1950, 1981); Diaries and scrap books (1933-1946); Study notes (1941); Poetry and literature (1989, 1923-1938); Photographs ([1925?]-1946).

The collection consists of items related to Robertson's writing, editing, and teaching activities, and includes correspondence, manuscripts, photographs, notebooks, teaching materials, clippings, video and audio tapes, ephemera, and a range of publications, some of which Robertson worked on as an editor, and others to which she contributed her own work. The collection also includes manuscripts produced by several of Robertson's friends and colleagues and original artwork used for covers and interior graphics of various publications.

The fonds consists of maps of England, a war and peace diary, a record of officer services, and pamphlets relating to the 15th Field Artillery Regiment.

Collection consists of the annual reports of the New Westminster Harbour Commission for the years 1926-1938, 1945-1952, and the 1932 report for the Port of Vancouver. These reports contain a summary of the port's annual activities, statistics, and photographs.

Fonds consists of the following record series: Family correspondence and other materials (1892-1995); Publications and manuscripts (1915-2000); Audio and video recordings (1985-1992); Florence Gruchy photographs (1933-1960); Lydia Gruchy family photographs (1917-1953).

Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

Fonds consists of records relating to Jack Shaver’s writings, preaching, teaching, studies, and service on administrative bodies of The United Church of Canada. Fonds comprises the following record series: Subject files (1935-2001); Student papers and notes (1937-1965); James M. Shaver writings (1935-1946); Early writings (1947-1952); Administrative church work records (1951-1997); Sermons (1957-2000); and Audio recordings (1972-2001).

The fonds consists of files of examinations and business reports, as well as correspondence, attendance registers, notes and sound cassettes relating to school activities.

Previously known as the "Ethel Johns Research Collection", the fonds consists of records generated during Street's writing of the biography of Ethel Johns. It includes correspondence (1969-1974) with publishers and the Canada Council which funded the project; transcripts of interviews with students, friends and associates (1969-1970); copies of Johns' addresses and publications (including portions of an unfinished autobiography); and draft manuscripts for the book "Watch-Fires on the Mountains".

Fonds comprises the following record series: Teaching and worship materials (1974-2000) and Conference and General Council leadership records (1978-1988).

Fonds consists of records created or acquired by Marjorie V. Smith in the course of her work at the Centre for Continuing Education, and include correspondence, course materials, reports, photographs, and published materials. The records are arranged in five series: East Indian Programs, Multiculturalism, Indians, Reports on Workshops, and Publications. The arrangement is based on the order in which they were kept in Smith's office and transferred to the Archives.

The fonds consists of photocopied materials, personal notes, transcripts, personal correspondence and historical correspondence. The fonds is divided into three series: Research files, audio materials and research index cards.

The fonds consists of Smiths biographical information, speeches, correspondence, laboratory notes and research material, copies of publications, and slides and presentation materials.

The collection consists of six series of papers, photographs and artefacts amassed by the Morishita family. The first series consists of papers and artefacts belonging to the patriarch of the family, Teiji Morishita. The second series consists of papers and artefacts belonging to Teiji's wife, Sawa Morishita. The third series consists of papers and artefacts amassed while the Morishitas (with the Ebisuzakis) ran the Ebisuzaki Shoten (store) at 337 Powell Street in Vancouver, BC. The fourth series consists of family photographs and artefacts belonging to the Morishita family. The fifth series consists of papers and artefacts belonging to the Morishita children. And the sixth series consists of papers and artefacts belonging to the Ebisuzaki family.

The fonds consists of records relating to the history and administration of the Morris and Helen Belkin Art Gallery. These materials include: budgets, correspondence, memorandums, agendas, minutes, pamphlets, booklets, catalogues, list of works, appraisals, newspaper clippings, magazines, reports, terms of reference, renderings, plans, videos, sound recordings, photographs, slides, negatives, proposals, invoices, requisitions, condition reports, application forms, inventory sheets, purchase orders, plaques, donation remittances, handwritten notes, newsletters, artists statements, biographies, curriculum vitae, and invitations. The records are arranged into the following series: 1. History files, 1948-1988; 2. Alvin Balkinds files, 1959-1989; 3. Administration files, 1955-1992; 4. Exhibitions files, 1954-2000; 5. Affiliated organizations files, 1964-1970; 6. Presidents Committee on University Art files, 1923-1989, predominant 1950-1985; 7. New Gallery files, 1949-1994, predominant 1989-1994; 8. Outdoor Sculpture files, 1960-1985.

The fonds consists of typescripts, handwritten drafts, notes and reviews relating to plays written, performed, or directed by Panych. Also included are photographs relating to his theatre career as well as biographical material including school transcripts, as well as video cassette tapes of an episode of Da Vinciʹs Inquest that Panych directed. The fonds is comprised of four series: Scripts and Manuscripts, Personal, Photographs and Audio/visual.

The fonds consists of a series of love-letters written between Morris Soskin and Rose Hyams. These letters were written in 1921 between Vancouver (where Morris lived) and Montreal (where Rose lived).

The fonds consists of material related to Image Bank, including the Image Exchange Directory, to exhibitions such as 1984, Post Card Shows, to projects such as Colour Bars, Cultural Ecology, to events such as Art's Birthday, Decca Dance, Miss General Idea Pageant (and Pavilion), to collaborative encounters and work with artists such as Robert Filliou, General Idea, Robert Fones, Robert Cummings, Ray Johnson, John Dowd, Anna Banana, Bill Gaglione, Eric Metcalfe, Kate Craig, John Jack Baylin, Herv Fischer, Victor Cavellini, Hermann Nitsch and Fluxus artists, as well as a mayoralty campaign by Mr. Peanut, artist run centre development at the Western Front, and to numerous publications such as in File magazine, catalogues and editions of cards, and to other activities as artists, including the collection and preservation of art and artist related material. The collection consists both of Morris' and Trasov's individual fonds as artists as well as their collective fonds, and additionally of an extensive collection of material complementing these personal papers, including books, periodicals, and other published material as well as art in multiple forms and media, including artists books, moving image and sound recordings, books, collages, correspondence, ephemera, exhibition catalogues, found objects, mailings, magazines, multiples and editions of cards, photographic prints, negatives, slides and transparencies, postcards, posters, drawings, prints, and other forms and media extending physically to over fifty linear metres.

The collection contains materials generated by Vincent Trasov relating to the Mr. Peanut character in general and to the 1974 mayoralty campaign and materials generated by others relating to the same subject. The collection contains predominantly graphic materials in the form of ephemera (cards, placemats, stationary, and the like) as well as objects such as ceramic peanuts and a commemorative plate.

The fonds consists of telegrams of the MV Vanlene (1970-1971), mainly instructions from the master of the vessel, and ship's papers concerning Vancouver-Japan-Vancouver-Panama voyage, cargo holds, crew lists, accounts, etc.

Fonds consists of biographical notes, clippings, articles, early educational records, research notes, draft manuscripts, field notebooks, reports, publications, correspondence, lecture and course notes, maps, photographic prints, and slides pertaining to M.Y. Williams' professional and personal activities.

Fonds consists of records relating to Keith Clifford’s research, writings, teaching, and correspondence with colleagues. Fonds comprises the following record series: Research materials (1970-1989); Writings, lectures, and presentations (1960-1989); Correspondence (1966-1990); Sermons (1951-1979); and Reference materials (1938-1984).

The fonds consists of administrative and operational records generated mainly by the local section including: textual records; photographs; sound recordings; and moving images. Records generated by the National Council for Jewish Women Canada are included as the policies, procedures and activities of the local branch influenced, and were influenced by the larger administrative body. The records were generated by members of the Board of Directors and members at large. Series 1, minutes, contains a fairly complete record of proceedings from the 1950s to the 1990s while earlier minutes may be found embedded in Series 3, President’s subject files and Series 12, Program, project and subject files.

The fonds is arranged into 16 series: Minutes; Correspondence; President’s subject files; Annual reports; Local publications; Financial statements; Clippings; Directories; Membership lists; Ephemera; National publications; Program, project and subject files; Scrapbooks; Audio recordings; Moving Images; and Photographs.

The fonds consists of photographs and textual records from various members of the Nemetz family, including the Dayson family, the Barnett family, and the Fader family.

The fonds is arranged into four series: Nathan Nemetz scrapbooks and photograph albums (photocopies); Textual records; Photographs; Audio/Visual.

Fonds consists of records relating to Hughes' academic and pastoral work, as well as to her interest in the changing place of women within the broader church. Fonds contains three record series: Lecture notes [ca. 1960]; Preaching and speaking notes (1940-1978); and Reference materials (1927-1947).