The fonds consists of biennial conference communications, strategic appraisals, position papers, administrative records, newsletters and material relating to the controversial CBC documentary "The Valour and the Horror" including correspondence, articles, clippings and government transcripts.

The collection consists of 4 letters sent to Graham Ackroyd concerning Henry Miller.

The fonds consists of records documenting the following World War I campaigns: Kemmel, St. Eloi Craters, Somme, Regina Trench, Hill 70, South Arras, Lievin, March to the Rhine from Mons, the Rhine-Bridgehead Cologne-Bonn, and Waterloo. The fonds includes trench maps and orders. The fonds also includes miscellaneous maps and research material relating to the collapse of New France. Also included is a staff photo of officers at Pacific Command (Work Point Barracks) when Alexander was General Officer Commanding.

The fonds consists of correspondence and drafts of Alford's critical works, including his biography of George Egerton (Mrs. Mary Chavelita Bright), Alford's Ph.D. dissertation on the Rhymers' Club, drafts of works on Stephen Hudson (Sydney Schiff), George Eliot, Aldous Huxley and A. Bronson Alcott; notebooks and journals kept by Alford, with holograph notes on his works of fiction and autobiography as well as fragments of stories; drafts of Alford's novel "A Garden Enclosed", drafts of short stories; and drafts of Alford's autobiographical works "In Pursuit of Any Arse", "Time Exposure", and "Travelling Hopefully: A Simple Record of Unsentimental Journeys to the Okanagan and Thereabouts, 1977-1978", including photographs; and correspondence with Howard Gerwing (UVic SC Librarian), 1984-1990.

The collection consists of letters from A.R. Orage, 1933-1934, manuscripts by Armstrong for "Focus" 21, "The Literary Digest", etc. (1945-1970) plus a review, a note, and a mss for "The Poetry Review" by G.S. Fraser, 1950-1952. Also included in the collection are enclosures from "Ten Contemporaries" [1932 & 1933]. These enclosures consist of research material and correspondence: re the publication of the two volumes, and the writers included in them.

The collection consists of a printed invitation to Auden's birthday party in 1961 plus carbon and Xerox copies of typed letters and holographic notes from Pulitzer Prize administration to Auden listing books sent to him as a member of the Poetry Jury.

The fonds consists of three scrapbooks, using the Official Telephone Directory Quebec for December 1915, June 1916, and July 1917. They document World War I, including clippings, honour rolls, correspondence, notes, obituaries, articles and columns relating to the progress of the war and, particularly, to news of men and women from Lennoxville, Quebec, and nearby areas who participated in the war.

The fonds consists of the personal diaries kept by Lieutenant Colonel Bapty from 1935 to 1942, as well as a collection of various memorandums, reports, and ephemera from this period. It also contains addresses, essays and lectures given by Bapty on military matters, including modern developments in warfare, the Scottish regiments, discipline and leadership, Pacific problems during World War II, and the objectives of military training; records of the Canadian Scottish Regiment (Princess Mary's), 2nd Battalion, including slate of officers, lists of exercises, correspondence and operation orders; personal records of Walter Bapty, including commissions and certificates, personal correspondence, records relating to militia staff courses and nominal roll for officers in medical courses; newspapers and clippings dealing with Bapty's participation in the Boer War and World War II, and Bapty's obituary; drawing of Bapty, photograph of Mrs. Bapty, and photographs of Bapty with the Canadian Scottish Regiment.

The collection consists of: Barker's correspondence (1934-1964); news clippings (1933-1968); sketches (1963-1965); holographs and transcripts of essays (1937-1969); notebooks; holographs and typescripts of poetry (1954-1970); contracts (1933-1964); marked proofs; a heavily annotated copy of Elizabeth Smart's A Bonus (1977), and an annotated copy of Aristotle's Poetics etc., which Barker used for reviewing Ezra Pound's XXX Cantos.

The fonds consists of diaries, travel account books, correspondence, certificates, postcards, passports and several photographs.

The fonds consists of copies of indentures of lease of the Barry family preceded by Copy Probate of the Will and Codicil of Thomas Barry, Esq., deceased, dated June 12, 1770.

The fonds consists of an album of photographs taken when Sanderson was living in Egypt. Most are taken in Egypt but there are a few taken in other African locales and the Middle East. The photographs are mainly of the landscape and tourist attractions, but there are a few of military bases and equipment. Also included is a photo of Sanderson (ca. 1930).

The collection consists of typescripts, photocopies of typescripts, dummies, page proofs, and paste-ups of "Premonitions and Gifts" and "Inside Passage".

The fonds consists of certificates honouring Beck, correspondence between Beck and Johan Falkberget (1949-1950), and Carl Joachim Hambro (1865-1964). There are also calligraphic copy of poems by Beck, and ephemera, some relating to Iceland.

The fonds consists of correspondence, published and unpublished literary works, notebooks, sketchbooks, desk diaries, financial accounts and agreements, and ephemera. Correspondents include family and friends, professional and business associates, and aspiring poets and fans. Many letters include enclosures such as pamphlets, manuscripts, drawings, reports, plans, contracts, scripts, clippings, and bills. The correspondence series include occasional replies from Betjeman. Major correspondents (more than 35 letters) include: J.R. Ackerly, John Arlott, Betjeman family, John Edward Bowle, Maurice Bowra, B.B.C., Bryan House School, Hugh Casson, Leonard Clark, William Clonmore, J.N. Comper, Patrick Cullinan, Curtis Brown, Daily Telegraph, Tom Driberg, T.S. Eliot, Frederick Etchells, Faber and Faber, Peter Fleetwood-Hesketh, The Georgian Group, Grand Opera Productions, Great Britain Department of Environment, Great Britain Ministry of Housing and Local Government, Greater London Council, Ken Griffiths, Samuel Gurney, David Higham Associates, Bevis Hillier, Historic Churches Preservation Trust, Helen Holmes, Edward James, Wilfrid Jarvis, Oliver Kenross, G.A. Kolkhurst, Osbert Lancaster, Brazley Mitchell, John Murray Publishers, National Association of Alms Houses, National Trust, Edmund and Margaret Penning-Rowsell, John and Myfanwy Piper, Percy Popkin, Alan Pryce-Jones, Ann Reed, Royal Fine Art Commission, Camilla Russell, Martyn Skinner, John Sparrow, The Spectator, Olivar Stonar, John Summerson, Geoffrey Taylor, Time and Tide, Victorian Society, Evelyn Waugh, Keith Wedmore, Weekend Telegraph, and Mary Wilson.

The fonds consists of records relating to the preparation of "Letters from Sooke: A Correspondence Between Sir Herbert Read and George Woodcock", including correspondence of Patrick Healey, Benedict Read, George Woodcock, and Howard Gerwing. Also included are a few bound copies of "Letters from Sooke" and a quantity of unbound leaves.

The collection consists of ancient documents, including a cuneiform tablet and an Egyptian hieroglyph; Medieval and Renaissance documents from England, France, Spain and Italy, 1243-1599, including deeds, charters, illuminated manuscript leaves, letter, letters patent, papal bulls, fragments from religious manuscripts, manuscripts on medicine and magic, a catalogue of English armorial shields, statutes of the Garter, and a manuscript of a Spanish Armelite prioress; modern literary and political manuscripts, records, and autographs, including policies of assurance, letters, and World War I and World War II surrender documents; autographs of various world figures; maps of Europe, Asia and North America; medals, decorations, and flags, mostly from Europe.

The fonds consists of contact sheets of 19 rolls of film taken during Brown's trip to China, including views of palaces, Buddhist temples, mountains in northern China, the Great Wall of China, Shanghai, Hong Kong and Canton. Each has an accompanying page, identifying the photographs, copied from Brown's field notes, copies of the original 35 mm negatives (reverse view), and a photocopy of a map of China with Brown's route traced in red. Also included are six photographs, made from the negatives, for an article in "The Ring Research Bulletin", and given to SC by UVic Public Relations in 1993.

The fonds consists of correspondence of Flora Burns and other family members, including letters from Louisa Blum, Pearl Craigie, Mrs. Morgan Richards, and the Warburg family, and correspondence between Flora Burns and Sister Mary Theodore, Sister's of St. Ann's, Victoria; photograph of Flora Burns; clippings; and books of poems by Edward Francis Harris and psalms. There is also a signed letter from Anne Harvie Ross Foster, (Mrs W. Garland Foster) 1875-, (now Ann Hanley) to Flora Hamilton Burns together with a typed carbon reply from Miss Burns, in which she talks about "The Mohawk Princess".

The collection consists of records documenting various branches of the Canadian Army. Collection includes photographs of parades and drills taken by the Department of National Defence; photocopies of military order of the 1st Canadian Army during World War II; copies of intelligence tests administered by the Canadian Armed Forces; correspondence, maps, daily reports and copies of morale reports of the Canadian Militia Training Centre No. 111, Gordon Head Camp, together with some photos; booklet of poems by R.W. Day of Sidney Camp; orders for Operation Overlord (D-Day) and other military orders of the 16th (Canadian Scottish) Infantry Battalion; and, miscellaneous reports (including those related to the Dieppe raid), brochures and reference material; Militia Orders (photocopy) 1899; "Secret War Diary" 1-31 May 1941, 6th Cdn. Infantry Brigade; 102 Battalion, 7th platoon roll book, 1896.

The fonds consists of records of the Canadian Scottish Regiment (Princess Mary's). Primarily, the fonds contains the official war diaries kept by the regiment during World War Two. The diaries contain the daily logs, intelligence reports, orders, and newsletters, as well as records of individual experiences, of the 1st, 2nd, and 4th Battalions. A collection of maps and aerial photographs accompany these war diaries. The fonds also contains regimental records on training, dress regulations, personnel, the Bay Street Armoury, finances, and regimental correspondence. Additionally, the fonds includes the original manuscript and correspondence pertaining to historian Dr. Reginald Roy's book, "Ready for the Fray (Deas Gu Cath): the History of the Canadian Scottish Regiment (Princess Mary's) 1920-1955". Also included are the regimental publications, The Brazier, The Courtenay Camp Chronicle, and The Maple Leaf. The fonds is arranged into 22 alphabetically organized series consisting of records generated and utilized by the Canadian Scottish Regiment from its creation in 1920 to the present.

The collection consists of a few of her letters plus her autograph (ca. 1908); her portfolio photographs and photo-postcards; theatre programs and clippings relating to her performances.

The fonds consists of commissions, certificates, orders, proclamations and other documents of Sir Orfeur Cavenagh, James Gordon Cavenagh, and Gordon Cavenagh; correspondence between Matthew Cavenagh Kinsey (Canada East) and R. Calvert (London), 1864-1867; letter books of Henry William Dent, 1881-1893, and Sir Orfeur Cavenagh; private letter books and diaries, 1837-1888; and printed material.

The fonds consists of records of Herbert Thomas John Coleman, including worksheets of his poetry and prose (also including two poems and an essay by his brother, Rufus Arthur Coleman); Coleman family photographs and negatives, financial records and certificates; correspondence from Coleman to other family members; scrapbooks of Coleman's poems, clippings and brochures; academic journals containing essays by Coleman and copies of Coleman's illustrated books for children, containing holograph inscriptions and extensive annotations.

The fonds consists of records of Rufus Coleman relating to his research on the works of John Townsend Trowbridge, including copies of Trowbridge correspondence, photograph of Trowbridge with Samuel Clemens (Mark Twain), off prints of articles written by Coleman about Trowbridge, notes and copy of Coleman's Ph.D. dissertation.