The fonds consists of a series of love-letters written between Morris Soskin and Rose Hyams. These letters were written in 1921 between Vancouver (where Morris lived) and Montreal (where Rose lived).

The fonds consists of glass plate negatives of the military, the Pacific Great Eastern Railway, and people and scenes of Vancouver and Victoria. Some of the photographs are by V. Vinson.

The collection consists of photographs depicting scenes and aspects of life in Vancouver and in other locations in British Columbia and the Yukon Territory from ca. 1860. The subjects depicted include forestry, mining, fishing, transportation, shipping, and construction as well as buildings, interiors, landscapes, people and significant events in B.C.'s past.

The fonds consists of Timms' photographs of Vancouver and other locations in B.C. depicting individuals and families, scenes and panoramas, businesses, buildings, streets, churches, and various modes of transportation.

The fonds consist of correspondence, minutes, applications for funding, distribution lists, and draft material relating to the video. The fonds is arranged into 2 series: Photographs and sound recordings; and Research files.

The fonds consists of photographs of businesses, panoramas, streets, people, and events in Vancouver, B.C. Many of the photographs were taken by Percy Bentley.

The fonds consists of Helders' photographs taken in Vancouver, Ottawa, Friendly Cove, Williams Lake, Tofino, and Alert Bay depicting scenes, events, and native Indian life.

The fonds consists of photographs depicting Vancouver panoramas, streets, sports, harbour, ships, buildings and businesses.

The fonds consists of photographs and textual records from various members of the Nemetz family, including the Dayson family, the Barnett family, and the Fader family.

The fonds is arranged into four series: Nathan Nemetz scrapbooks and photograph albums (photocopies); Textual records; Photographs; Audio/Visual.

The collection consists of six series of papers, photographs and artefacts amassed by the Morishita family. The first series consists of papers and artefacts belonging to the patriarch of the family, Teiji Morishita. The second series consists of papers and artefacts belonging to Teiji's wife, Sawa Morishita. The third series consists of papers and artefacts amassed while the Morishitas (with the Ebisuzakis) ran the Ebisuzaki Shoten (store) at 337 Powell Street in Vancouver, BC. The fourth series consists of family photographs and artefacts belonging to the Morishita family. The fifth series consists of papers and artefacts belonging to the Morishita children. And the sixth series consists of papers and artefacts belonging to the Ebisuzaki family.

The fonds consists of portraits and photographs depicting ships and scenes of New Westminster, Vancouver, and Victoria.

The fonds consists of records relating to Hennessy’s 2003 MA thesis titled The Spirit of Collaboration: Exploring Critical Pedagogical Principles in Transforming the Museum Through Space and Time. Hennessy was interested in the relationships that developed between community members and museum staff during the process of putting together the Museum of Anthropology’s exhibit The Spirit of Islam, which ran from October 2001 to May 2002. Her purpose was to document the kinds of collaborative processes that occurred as the exhibit planning progressed in order to identify a model from which other museums working with communities might benefit.

The fonds consists of photographs depicting Vancouver panoramas, Victoria Harbour, animals, children, ferries, farming, and various B.C. towns.

The collection consists of formal and informal photographs of the area, exterior and interior views of the buildings, staff and students, school activities, such as, graduations, sports events, receptions, and the like. There are large photographs of outdoor gatherings, including that of the Canadian Federation of Convent Alumnae (1948).

The fonds consists of photographs of social events in Chinese-Canadian communities in Vancouver and Victoria. Many of the earlier photographs were created by the Chinatown News newspaper of Vancouver.

The fonds consists of photographs created by Ronnie Tessler from 1986 to 1987 documenting a canoe project by the Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from the same period depict a totem pole raising at Capilano Mall in North Vancouver and portraits of Les Baker, a model Tait wanted to use for a “white man” mask.

The fonds consists of biographical materials, conference proceedings, reports, articles, books, sermons, speeches, talks, committee reports, correspondence, newspaper clippings, a photograph and a video tape. The fonds consists of nine series: Biographical; Publications; Speeches, Addresses and Talks; Committees; London School of Economics; Vanier Institute of the Family; Subject Files, Miscellaneous and Video Tape.

The fonds consists of photographs of scenes, streets, and group portraits in Vancouver, B.C., of Bailey Brothers Company and the firm of Bailey and Neelands.

The fonds consists of portraits and photographs of early Vancouver (1888-1900) and Victoria as well as portraits and photographs of B.C. towns (1920-1931).

The fonds consists of photographs depicting people, activities, and scenery in Vancouver. Fonds includes portraits taken by the studio.

The fonds consists of photographs of people and events in Vancouver and in other locations of B.C. taken by the Vancouver Province newspaper. Photographers included Eric W. Cable, Harry L. Cantlon, William H. Cunningham, Claud P. Dettloff, Byron Charles Jennings, Charles S. Jones, Ross J. Kenward, Donald C. McLeod, Robert E. Olsen, David C. Patterson, Gordon F. Sedawie, and Villy Svarre.

Fonds consists of material created and accumulated by Seiriol Williams. Records are arranged into series as follows 1) Papers and memorabilia; 2) Talks and writings and 3) Photographs.

The fonds consists of community publications, community ephemera, correspondence, newspaper clippings, and musical scores. The fonds is arranged into 3 series: Community publications; Altman family files; and Music collection which consists of scores of both Jewish and general popular songs that bear the name of Sari Corbin.

The collection has images of the Vancouver area, early buildings, Sisters and students, First Communion pictures (groups and individuals), sports groups, graduation pictures, and Commercial Class graduates and trophies record changes through the years. Many photographs have complete identification.

The collection includes photos of the Kitsilano area, St. Augustines Church, clergy, school building, convent, Sisters and other staff, students, sports activities, school events.