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archival descriptions
Vancouver Institute fonds
Fonds · 1916 - 2004

The fonds consists of constitutions, minutes, correspondence, financial records, programs, scrapbooks, speeches, membership lists, clippings, and assorted other material relating to the administration of the organization. In addition, the fonds includes recording of lectures delivered to the Vancouver Institute. It is arranged in the following series: history, constitution, minutes, correspondence, financial records, programs, membership records, newspaper clippings, series papers, and lectures.

Vancouver Institute
CA JHS A.2005.006 · Fonds · [1962 – 2004]

Fonds is arranged into 6 series: Artist files; Gallery administrative records and subject files; Ephemera; Audio-Visual; Scrapbooks; and Photographs.

Jewish Community Centre of Greater Vancouver, Gallery
Roy Kiyooka fonds
Fonds · 1969-1993

Fonds consists of material created and accumulated by Roy Kiyooka over his artistic career, and includes photographs, prints, publications, artworks given to him by friends, cards and posters. The photographic material shot by Kiyooka covers a span of over three decades and is predominantly source material and personal photographs. None of the material in the fonds was used or should be considered as finished artworks, although similar images were incorporated into Kiyooka's artwork. The photographic materials are in a wide variety of photographic media and dimensions, including colour and black and white prints of various sizes, 35mm negative strips, contact sheets, slides, transparencies and other formats. The fonds also includes a small number of prints (possibly lithographs, and 1 etching) and photographs that appear to be gifts from friends and acquaintances. Also included are catalogues and other publications that are by or about Kiyooka, and exhibition catalogues relating to Vancouver and BC artists. The fonds is divided into the following categories: photographic material shot by Kiyooka, other work by Kiyooka, publications by or about Kiyooka, other catalogues, artworks other artists, and posters/prints.

Kiyooka, Roy
William Lewis fonds
Fonds · 1898-1963

The fonds consists of legal documents relating to property in Newcastle Townsite purchased by Lewis in 1912; correspondence; and memorabilia, including scrapbooks, guestbook, and two transcripts of interviews with William Barraclough in 1962 and 1963.

Lewis, William
Fonds · 1984

The fonds consists of infrared photographs and drawings on mylar sheets relating to the project undertaken by William McLennan in 1984. He was assisted by Glen Wood and Lyle Wilson. The lifesized photographs are of Tsimshian houseboards in the Museum of Anthropology collection.

McLennan, William, 1948-
Willson E. Knowlton fonds
CA KMA 83.39 · Fonds · [ca. 1930]-[ca. 1980]

The fonds consists of personal files relating to the Kamloops Museum Association, research files and a reference collection relating to B.C. and Kamloops-area history, pamphlets, and an extensive collection of papers and research notes on Walter Moberly.

Knowlton, Willson Edmond, d. 1982
Fonds · 1931-1960

The fonds consists of minutes (1931-1938, 1954-1960), membership lists, cashbook, financial records, correspondence, records of speakers, and reference material of the Women's Canadian Club of Alberni District and the Alberni Women's Canadian Club.

Women's Canadian Club of Alberni District
Seiriol Williams fonds
Fonds · 1904-1986

Fonds consists of material created and accumulated by Seiriol Williams. Records are arranged into series as follows 1) Papers and memorabilia; 2) Talks and writings and 3) Photographs.

Williams, Seiriol Llewlyn
CA CCOQ C12 · Collection · 1986-1988

The collection consists of colour photographs and negatives of the Miss Coquitlam Pageant and related events from 1986 to 1988. The photographs feature the donor, Deborah Smyth, who was Miss Congeniality in 1986. The collection also includes some news clippings and a VHS tape containing a recording of the 1986 Miss Coquitlam Pageant.

Ann Messenger fonds
CA SFU F-176 · Fonds · 1917 - 1999

Fonds consists of records relating to the personal and academic activites of Ann Messenger. Activities, events and topics documented include Messenger's social and academic activities while attending college and university; her marriage to Bill Messenger; her career as an academic, including her experiences as a young professor at Simon Fraser University; and her academic activities, including her research, writings, and publications. Fonds also includes correspondence of Bill Messenger and his father, Edmund Messenger.

Records include correspondence; publications, papers, articles, and reviews; notes, assignments, and examinations; course outlines, lesson plans, and lecture and tutorial notes; typescripts and proofs; journals; photographs and postcards; applications and appointment forms; and a text book.

Messenger, Ann
Press Gang Publishers fonds
CA SFU F-184 · Fonds · [ca 1913] - 2002, predominant 1975 - 2000

The fonds consists of records relating to the editorial, business and community activities of Press Gang Publishers. Activities and events documented include the evolution of Press Gang's organizational structure, and the separation of the printing and publishing operations; administration; collective, staff, Board of Directors and committee meetings; financial management, and grant applications; the management of royalties and rights; editorial work including manuscript receipt and evaluation; the physical production of Press Gang books; the promotion and marketing or Press Gang titles; and liaison with other feminist and publishing organizations.

Record types includes correspondence and reports; meeting agendas, minutes and supporting papers; photographs; grant applications and financial statements; contracts and agreements; manuscripts; book reviews and promotional material; photographs; and published books.

Press Gang Publishers
Margaret Dragu fonds
Fonds · 1953-2017, predominant 1975-2000

Fonds consists of materials related to the life and career of Margaret Dragu, spanning her years as an artist in Montreal, Toronto, and Vancouver. These materials include audio-visual recordings of her many performances, photographs related to both her art and her personal life, and textual records ranging from correspondence and financial statements to creative writing drafts and chapbooks. There is also a substantial amount of newspaper clippings, programs, promotional materials, and general ephemera. Records in this fonds also document her collaborations with artists and organizations such as Tom Dean, Susan Macpherson, Randy Gledhill, The Western Front, and Breakthrough Films.

Types of materials in this fonds include: printed documents and publications, photographs (printed and digital), photographic negatives and slides (35mm), moving image recordings (MiniDV, DVD, VHS, Betacam SP, 3/4 inch videotape: U-matic, 16mm film, 8mm film), and audio recordings (audio cassette tapes).

Margaret Dragu
Salmon Arm Scrapbook Fonds
CA SAM MS 95 · Fonds · 1980

Title is based on the submissions to the publication Salmon Arm Scrapbook. The fonds consists of submissions, a final draft, list of copied photographs, and correspondence. The fonds is divided into 32 series.

Salmon Arm Museum
Kuldip Gill fonds
Fonds · 1978

Fonds consists of 21 images from the 1978 Bill Reid pole raising ceremony at Skidgate, an event at which Gill was an observer.

Gill, Kuldip
Anthony Carter fonds
CA UBCMOA 25 · Fonds · [194-] - 2018, predominant 1966 - 1979

The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.

Carter, Anthony
Stephen Inglis fonds
Fonds · 1974 - 1977

Fonds consists of photographic material created by Dr. Stephen Inglis and a series of twenty-four black and white prints depicting potters in a small community in India or images of fertility statues photographed by colleague Walter Huber. The colour negatives show local artisans and their works. The black and white photos mounted on cards were created between 1974 and 1977 and show Indian craftspeople, particularly Bengalis and Tamils. The images may have been created for the purpose of Dr. Inglis’s PhD research.

CAPTION LIST FOR PRINTS:
AC 2002-48-001 Siva murthi, Bastarnar
AC 2002-48-002 Siva Murthi, Bastarnar
AC 2002-48-003 Danteshwari Mandir Murthi, Dantewara
AC 2002-48-004 Amarkantak (source of Narbada River)
AC 2002-48-005 Danteshwari Mandir Murthi
AC 2002-48-006 Gharwa Cire-perdue Caster, Jagdalpur
AC 2002-48-007 Kumar, Nagarnar
AC 2002-48-008 Nagarnar Kumar family Terracotta mata murthis and guardian figures
AC 2002-48-009 Maria pillar, old form no longer made, near Gidam
AC 2002-48-010 The Eyes Have It
AC 2002-48-011 Kumar, Nagarnar
AC 2002-48-012 Danteshwari Mandir Murthi
AC 2002-48-013 L’Eternelle Idole, Rodin
AC 2002-48-014 Siva murthi, Bastarnar
AC 2002-48-015 Maria commemorative pillar, Bastarnar (“Bison-Horn”)
AC 2002-48-016 Kumar (demonstrating pottery wheel) Nagarnar village nr, Jagdalpur
AC 2002-48-017 Sonmura (source of Son River near Amarkantak Baba)
AC 2002-48-018 Assi Ghat, Benares Summer ‘76
AC 2002-48-019 Kumar, Nagarnar
AC 2002-48-020 Waiting for the bus near Jagdalpur
AC 2002-48-021 Kumar, Nagarnar
AC 2002-48-022 “Bison-Horn” Maria commemorative pillar, detail, Bastarnar
AC 2002-48-023 Gharwa, Jagdalpur
AC 2002-48-024 From Sonmura looking northwest
*Please note that AC 2002-48-01 through AC 2002-48-024 are attributed to Walter Huber

AC2002-48-025  48-76 are 51 colour negatives that depict local craftspeople and shrines in India.

AC2002-22-001 22-160 are black and white photographic prints mounted on white card. The images depict local Indian craftspeople, particularly Bengalis and Tamils. Some are identified with location and what is happening in the photo, while some are unidentified.

Inglis, Stephen
Jim and Mary Prime fonds
Fonds · [ca. 1928]

Fonds consists of photographic negatives from the early twentieth century showing people in the South Pacific, probably Hawaii or Samoa, in their traditional dress.

Prime family
Deborah Taylor fonds
Fonds · 1969 - 1972

The fonds consists of records relating to African culture and craftsmanship. It includes photographs and slides of Ivory Coast and Nigerian crafts and cultural events, correspondence, research notes about African handicrafts, typed anthropological portraits of craftspeople and related drawings, postcards and magazine clippings.

Taylor, Deborah
Fonds · 1970 - 1990

The fonds consist of slides taken by Blanca and Ricardo Muratorio relating to fieldwork, folk arts and crafts of Ecuador and Peru taken by Blanca and Ricardo Muratorio. The color photographs relate to the Corpus Christi [Ecuador] fiesta and dancers and the 1998 exhibit at the UBC Museum of Anthropology of works for sale by Andean artists, “Images of Andean Lives.”

Textual records consist of Ricardo Moratorio’s report on folk art, and materials relating to two exhibitions which took place at the Museum of Anthropology: the poster and Spanish text for “Images of Andean Lives” [1998] and an invitation for “Sewing Dissent: Patterns of Resistance in Chile” [1987].

Muratorio family
Fonds · 1973 - 2010

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

Kovanic, Gillian Darling
Mary Tucker fonds
Fonds · [190-?]

Fonds consists of an album given to Mary Tucker by her grandfather who had received it in the early 1900s as a gift from the Japanese Diet. The album consists of a series of hand-tinted silk screen reproductions depicting a variety of Japanese scenes and landmarks. Each individual silk screen is labeled with the subject of the image. The covers of the album are black lacquer with a floral image in gold on the back cover and a scene in relief of a woman and a boy sweeping on the front cover.

Tucker, Mary
Fonds · 1959 - 1972

Fonds consists of records related to B.C. and Jessie Binnings’s correspondence with friends and colleagues overseas in Japan from 1959 to 1971. It includes correspondence with Bishop Kojo Sakamoto and members of his family. Letters are predominantly personal and are written by hand; several are painted using calligraphy. Other records include program brochures and news clippings for exhibits in Japan and North America, and scrapbooks assembled by the Binnings. These either commemorate various visits they took to Japan or the visits that their Japanese friends took to Canada.

Binning, B.C.
Harlan Smith collection
Collection · 1919 - 1925, 1999

Collection consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Harlan Smith, the photographer, recorded at the time of creation. Labels gives name and age (if known) of the sitters as well as their lineage, employment, and style of dress.

Margaret Peterson fonds
CA UVICARCH AR445 · Fonds · ? - 1997

The fonds reflects Margaret Peterson’s artistic processes and practices, research interests, pedagogy, her relationship with Howard O’Hagan, and her relationships with friends, patrons, fellow artists, galleries and various institutions.
The fonds consists of correspondence, photographs, biographical documents, diaries and notebooks, financial and business-related documents, grant applications, teaching materials, unpublished poetry and manuscripts, exhibition catalogues, clippings and publications, drawings and small artworks, painting materials, objects collected by Peterson, and various ephemera.
Correspondents include Howard O’Hagan, Elza Mayhew, Glenn Wessels, J. Russell Harper, Jean Varda, Dorothy and John B. Grover, Joy Ling, Walter Askin, Robert and Sarah Amos, Helen Anderson, R.W. Peterson, Ellen Charlotte Peterson, and Jane Hanks.
The fonds has been arranged into five series: Biographical, Art Practice, Publications, clippings and collected ephemera, Teaching, and Howard O’Hagan Materials.

Peterson, Margaret
CA UVICARCH AR442 · Fonds · 1993-1997

Fonds reflects Carol Cross’s art process as well as her interest and involvement in the women’s movement. Fonds consists of Cross’s two handmade books: “In Their Words” and “Ten Historical BC Women”, as well as accompanying exhibition materials and related correspondence.

Correspondents include Mary Billy, Andrea Trudel, and Michelle Benjamin.

Cross, Carol