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The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit The Four Seasons: Food Getting in British Columbia Prehistory, which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

The fonds consists of 7 photographs taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions.

Fonds consists of records relating to Ed Searcy’s work in pastoral ministry, his studies, his teaching and writing, and his work in the wider church. Fonds comprises the following record series: Sermons (1974-2008); Lectures and addresses (2000-2007); Leadership-related records ([1991]-2003); Publications and manuscripts (1989-2015); Student papers (1974-2002); Audiovisual recordings (2001-2015); and Significant documents (1976-2015).

Fonds consists of the following record series: Woman’s Missionary Society correspondence (1921-1947, 1981); Personal correspondence and memorabilia (1918-1950, 1981); Diaries and scrap books (1933-1946); Study notes (1941); Poetry and literature (1989, 1923-1938); Photographs ([1925?]-1946).

Fonds consists of two record series: Photographs of churches in British Columbia ([1974?]) and News clippings of British Columbia churches (1972-1977).

Fonds consists of a single record series: Educational materials relating to women's issues (1981-1996).

Fonds consists of a single record series: Sermons (1931-1983). Sermon content reveals Redman's theology and political ideology, sometimes in response to social and religious movements over the course of more than 50 years.

Fonds consists of materials accumulated during the editorial process of putting together Boo. Included are letters to the editor, general correspondence, essays, articles, poems, commentaries, edited works, interviews, invoices, logo design, illustrations, photographs, slides, mailing lists, flyers, brochures, grant guidelines, slides, newspaper clippings, and issues no. 1 to no. 10 of the publication itself. Contributors to the magazine, in addition to the editors, include Gerald Creede, Michelle Normoyle, Brice Canyon, Keith Wallace, Andrew Klobucar, Andrea Fatona, Janis Bowley, Melissa Wolsak, billy little, Arni Haraldsson, Judy Radul, Colin Smith, Susan Schupli, George Stanley, Scott Watson, Janet Lakeman, Dodie Bellamy, Peter Culley, Kevin Killian, Robert Ballantyne, Myfanwy MacLeod, Peter James Hudson, Erin OBrien, Keith Higgins, Geoffry Topham, Peter Cummings, Michael Turner, Naomi Foyle, Andrea Anderson, Jeff Deby, Clint Burnham, Bob Perelman, Dorothy Trujillo Lusk, Kevin Davies, Louis Cabri, Wayne Arsenault, Zainub Verjee, Zhao Tie Hai, Hank Bull, Robin Peck, Lucy Hogg, Wayde Compton, Tim Davis, Sharla Sava, Warren Murfitt, Jacqui Nolte, Gerry Gilbert, Patrik Anderson, Shannon Oksanen, Erin Moure, Sianne Ngai, G.B. Jones, David Bromage, Rob Manery, Miles Champion, Neil Wedman, Gerald Creede, Aaron Shurin, Brian MacNevin, Caroline Bergvall, Kathy Slade, Bruce Andrews, Tim Atkins, Glenn Alteen, Mark Klobucar, Stuart Blackley, Christine Corlett, Mair Dumett, Tom Raworth, Damon Crain, Geoffry Farmer, and Brian Jungen.

Fonds consists of records generated by the Department of Soil Science in the course of its administrative and academic activities, and by Dr. Rowles relating to his academic, professional, and personal activities. They contain information regarding the administration of the Department; courses offered by the Department; committees with which Dr. Rowles was involved, in particular those which he chaired; his extension courses, workshops, lectures, and other outside activities; and some personal correspondence.

The fonds consists of subject files, a nominal roll, and slate of officers, war diaries, orders, and a Sergeant's Mess Cash Book.

The fonds consists of photographs of social events in Chinese-Canadian communities in Vancouver and Victoria. Many of the earlier photographs were created by the Chinatown News newspaper of Vancouver.

The fonds consists of photographs of the Royal Visit of 1939 and newsclippings and ephemera relating to the Canadian Pacific ferries and the Royal Visit.

Fonds consists of a hand-written account of Gladys Wright's memories of the UBC Fairview campus. Also included are seven heavily-annotated textbooks (copies of Shakespeare's "The Winter's Tale", "The Merchant of Venice", "Coriolanus", "Twelfth Night" (2 copies), "Julius Caesar", and "Othello") used in Garnett G. Sedgewick's English courses. The latter items document teaching and note-taking methods from the 1920's, in particular those methods practiced in Sedgewick's classes.

The fonds consists of maps, a ration book, travel documents, a nominal roll, a field message book, a roll book, letters, maps, and photographs relating to the activities of the 15th Field Artillery Regiment.

The fonds consists of lecture notes, a field message book, photographs from World War I, and maps relating to the activities of the 15th Field Artillery Regiment and the batteries it perpetuated.

Fonds consists of Dr. Whittakers records as a member of the Board of Directors and Executive Committee of the Social Science Federation of Canada (SSFC). It includes records of the meetings of various committees, councils and panels in which Ms. Whittaker attended as well as records of various issues and topics related to SSFC activities. Fonds consists of minutes, pamphlets, correspondence, reports, newspaper clippings and publications.

The fonds consists of 8 series: General files; Fringe productions, 1990 (by title); Interview Transcripts; Reviews (by city); International festivals; Scripts; Programmes of fringe festivals (by city); Programmes of individual productions (unsorted); Publicity for individual productions (unsorted); and Videocassettes of productions. Cities include: Edmonton, Halifax, Montreal, Saskatoon, Toronto, Vancouver, Victoria and Winnipeg.

The fonds consists of photographs depicting Vancouver panoramas, Victoria Harbour, animals, children, ferries, farming, and various B.C. towns.

The fonds consists of correspondence, programmes, photographs, scrapbooks, and translations into English from Russian for various ballerinas.

The fonds consists of material generated and collected by West Vancouver civil engineer Gilbert S. Conway with the majority relating to the design, engineering, and construction of Lions Gate Bridge. The material includes handwritten diaries, booklets, reports, photographs, maps, a personal business card, and Christmas card showing Lions Gate Bridge.

The fonds is arranged into the following series:
Series 1: Photographs
Series 2: Diaries
Series 3: Engineering
Series 4: Maps and plans
Series 5: Miscellaneous

The collection consists of a wide variety of photographs depicting students and teachers at Crofton House School. Also included are photographs of the school buildings as well as events and activities relating to the school's growth and development.

The fonds consists of correspondence, reports, minutes of meetings, and published materials such as programs and flyers, and documents the programs and activities of the Department. It is arranged in the following series: General Administration, Meetings (with sub- series: Department and Committees), Department Programs (with sub-series: Art Education (ARTE) and Music Education (MUED)), and “Quarterly Quorum”. The Art Education sub- series includes records which pre-date the establishment of the Department and document the Art Education program during the late 1970's.

The fonds consists of war diaries.