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1 binder of photographs and photographic slides; primarily documentation of events at the BNMI. 1 binder of transcripts and notes related to Euphoria & Dystopia. 1 file of flyers and programs from Banff, 1998 - 2004. 3 files of internal Banff documents, research plans and SSRCH applications.

1 box of files related primarily to Diamond's work with the Banff New Media Institute, and book projects related to the BNMI. Contains 2 binders of drafts of "Euphoria/Dystopia: The Banff New Media Institute Dialogues, 1995-2005." 1 binder of a draft of "Flesh Eating Technologies." 5 files related to "Euphoria/Dystopia:" flesh boxes ; co-pro ; events listing ; glossary of terms; notes on content. Transcripts of a talk at the summit "Skinning Our Tools," by Mervin Jarman, Camille Turner, and Sonia Mills. 1 audio-disk, "Soundtrack of exhibition."

1 box of files related primarily to Diamond's work with the Banff New Media Institute. Includes files on the Banff Office of Research, grants ant funding for the BNMI. Specific files on Nomad Theory, the Inside/Outside Fashion Show, and Drum Beats to Drum Bytes. Also includes files covering BNMI Summits and Workshops from 1995 - 2005; these include agendas, schedules, descriptions of events and workshops, and biographies of instructors.

Contains material relating to Diamond's time at Banff. Includes professional correspondence, drafts of articles, and notebooks. Includes 3 files on Code Zebra.

Series consists of records pertaining to Diamond's time working at The Banff Institute between 1992 - 2005. In 1992, she was appointed director of the Television and Video Program at Banff. Diamond later led the creation of the Banff New Media Institute (BNMI), which she was the director of from 1995 - 2005. During her time at the BNMI, she oversaw extensive programming of institutes, conferences, recurring workshops, and annual exhibitions. With Sarah Cook, Diamond co-edited the book “Euphoria & Dystopia,” documenting the history of the BNMI and the events which moved through the space. Diamond also produced an unpublished manuscript titled “Flesh Eating Technologies,” containing work presented at a conference of the same title which occurred at the BNMI.

Materials include: individual files on summits and events at the BNMI; correspondence; manuscripts of “Euphoria & Dystopia” and “Flesh Eating Technologies”; transcripts of interviews and conference proceedings; personal notes; and flyers.

1 box of files related to Diamond's work at Emily Carr University of Art and Design. Box primarily consists of copies of journal articles and art history texts, arranged for specific courses.

1 box of files related to Diamond's work at Emily Carr University of Art and Design. Box primarily consists of copies of journal articles and art history texts. Includes 1 file on Visual Evidence, 1 file on AIDS, 1 file of Cal Art readings, and files of weekly readings for courses.

1 box of files related to Diamond's work at Emily Carr University of Art and Design. Box primarily consists of copies of journal articles and art history texts. Most files are dedicated to individual art concepts, including: pop art, semiotics, cubism, conceptualism, and women in art history.

Sub-series consists of files related to Diamond's time teaching at Emily Carr University of Art and Design. The files primarily consist of research, copies of articles and art history texts, and some hand-written notes related to courses Diamond taught at ECUAD.

Sub-series consists of records from Diamond's time teaching at Capilano University (then Capilano College). Files include research for courses, course outlines, reading lists, notes for lectures, and documents relating to Diamond's initial job application.