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The fonds consists of photographs of Quatsino, B.C., depicting panoramas, fishing, ships, native Indians, and logging.

The fonds consists of the following series: Briefs relating to Indian arts and welfare, 1942-1958; Correspondence relating to general subjects, arts and crafts, B.C. and Canadian government departments, and native organizations, 1961-1972; Financial records, 1948-83; Governance records, including constitution, general, executive and committee minutes and reports, 1951-1981; Publications, 1947-1981; Visitors' Book, 1950-1983; Newspaper clipping scrapbooks, 1946-1971; and the Ravenhill Copper plaque, donated by Ravenhill in 1952, and awarded three times between 1956-1959.

Fonds contains the following series: Minutes (1993-1997), Artwork by Children (1985), Native Ministries Consortium (1991-1997), Reference and Liaison (1981-1998), Healing Fund (1988-1986), Land Claims Campaign (1987-1996).

The collection consists of photographs taken during the reconstruction/repair of the dam. Includes the new spillway and the widening of the dam, also archaeologists at work and machinery at work.

The fonds consists of 478 photographs, predominantly of students at the St. Michael’s Residential School in Alert Bay. Beverley Brown and her friends took the photographs between ca. 1937 and ca. 1945 using Brown’s camera. Photographs from this period include shots of the students with their friends and of social events, as well as posed class photographs. These class photographs were taken by school supervisors who subsequently sold the prints to other students. Other photographs were taken in Brown’s hometown, Bella Bella, and in the area of the Namu cannery. These show weddings, fishing boats, landscapes, and buildings. Peter Mason Sr., Brown’s father, had the photographs developed in Vancouver.

The fonds has been arranged into three series:

1. St. Michael’s Residential School photographs
2. Bella Bella photographs
3. Langley High School photographs

The fonds consists of the personal records and research notes compiled by Bernie Fandrich as evidence in his legal defense suti against the Lytton Indian Band from 1983-1987. Includes personal correspondence (1983, 1985), a timeline of the suit (1973-1987), research notes (1860-1914, 1961-63) and photographs, maps, and all research notes and documents chronicling the construction of the Lytton-Lillooet highway and the Thompson River bridge, as well as the legal disposition of government and reserve lands in and around the Lytton area.

Fonds consists of records of the Bella Coola Pastoral Charge; its congregations, Emmanuel, MacKenzie, and Augsburg United Churches; Augsburg Lutheran Church and Bella Coola Methodist Mission. Records include Baptism registers (1907-1986), Birth records (1921-1930), Marriage registers (1913-2007), and Burial registers (1909-1992); Circuit register (1925-1953), Historic roll (1947-1987), Communion roll (1940-1955, 1972); Mission Circle minutes (1920-1922), Session minutes (1949-1967), Stewards minutes (1940-1978), Official Board minutes (1934-1983) and correspondence (1952-1983), and Congregational Meetings minutes (1935-1978); Property records (1952-1988), Native Affairs and Language records (1977-1984), Visitation records (1972-1973), Refugee sponsorship (1979-1980), Correspondence (1939-1947); Historical material (1926-1976), "Bible in Bella Coola" by Cliff Kepas (church history); Account book (1920-1950), Cash book (1940-1950); and Annual reports (1940-1985, 1988).

Fonds consists of the records of Bella Bella United Church and its predecessor, Bella Bella Methodist Mission. Records include Baptism registers (1880-1843), Marriage registers (1880-1884), and Burial registers (1880-1943); Membership records (1880-1956); Session minutes (1950-1956); Manuscript Mission Journal (1880-1924); and Congregational financial records (1898-1943).

Fonds consists of audio, video, and visual materials created by Basil and Edythe Hartley. Materials include video footage of the Haisla people, which Hartley shot while working in Kitimaat from 1941-1944, a voiceover for the footage which Hartley’s widow, Edythe McClure, created in ca. 1983, a letter, and three photographs of Kitimaat people and landscapes. The three audio cassettes all contain the same 1983 recording.

The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.

This collection consists of photocopied documents, mainly from the colonial period, relating to Comox District history. Dr. Pritchard organized the material into ten groupings and prefaced each with an introduction and remarks on the historical value of the documents.
The ten groupings are: 1) Records of Exploration 1791-1860, 2) Naval Records 1846-65, 3) Colonial Government Records 1862-71, 4) Anglican Records 1862-91, 5) Vancouver Island Exploring Expedition: Unpublished Journals 1864, 6) Euclataws, Settlers and the Navy 1863-65, 7) Liquor Traffic 1863-65, 8) Comox Natives: Some Reports and Descriptions 1860-90, 9) Province of British Columbia: Sessional Papers 1871-1910, 1918, 10) H M Laing: Comox Writings 1927-c. 1950.
Copies are from original manuscripts at various institutions including the British Columbia Archives, the British National Archives at Kew, the Hudson Bay Company Archives, and the Library at the University of Toronto.

The fonds consists of a Scrapbook, 1962-1968; a Baptismal record, 1938-1969; a Civil marriage register, 1937-1976; and a Communion roll, 1941-1954. The Communion roll was passed to a congregation, probably Tseshaht United Church, of which the students were members, and used as a record of those members of the congregation who were students at the School from 1954 to 1956.

The collection consists of postcards depicting First Nations from Western Canada.