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The fonds includes records relating to the administration of events and courses other than the Faculty's regular course offerings, records illustrating the Faculty's role in University-wide administration and planning, and records of organizations directly or indirectly related to the Faculty. It includes the following series: University Committees, 1957-1987; Events and Summer Sessions Planning 1966-1975; Company One, 1971-1975; and Maltwood Museum, 1964-1977.

Fonds consists of the textual records of Fee and Alta Hellmen. Includes publications, personal writing, a personal document, photocopies of photos, and clippings.

The fonds consists of minute books, correspondence, manuscripts, poems and ephemera.

Fonds consists of administrative records, collective meeting minutes, event documentation and outreach, program planning, publicity, as well as contact and correspondence files created by the First Nations Video Collective. Records primarily relate to special projects and initiatives carried out when San Dee Doxtdator was the coordinator for the Collective. Materials also include photographs and videos produced during the course the 1997 First Nations Intensive Video Production Course.

The fonds consists of 140 photographs and 4 series: family documents, correspondence, a ledger, ephemera

The fonds consists of ledger listing members and their dues (1953-1956), lists of past Reeves, Councillors and officials from the Township of Langley, B.C., correspondence, receipts, cancelled cheques, and bank statements of the Fort Langley Restoration Society, 2 copies of a 1965 articles on the Fort's restoration, a copy of "Interesting Facts about Fort Langley" (1954), and a copy of "Fort Langley on the Fraser River beneath the Golden Ears" (undated).

The fonds consists of glass plate negatives and contact prints made from those negatives. The collection of ninety-two Duncan negatives housed in the Salmon Arm Museum's archives includes railroad, landscape, portrait and team sport photographs.

The fonds consists of correspondence, ephemera, and photographs relating to the filming of the movie, "The Silent Barrier" (also known as "The Great Barrier") in Revelstoke and area in 1935 and 1936. The movie depicted the construction of the Canadian Pacific Railway.

The fonds consists of records documenting Roe's life and work, including CPR time books and railroad operating booklets; drafts of chapters of "The North American Buffalo" and "The Canadian Buffalo Today", articles, newsclippings; unpublished transcripts and holographs of articles, drafts of essays, novels and short fiction, and transcripts of poetry by Roe; photographs of prairie scenes and locations in England and Wales; incoming and outgoing correspondence; reference files; personal documents of Roe and his wife, including birth certificate, marriage certificate and financial records; publishing contracts and agreements; ephemera; two copies of "The North American Buffalo", with annotations, and articles written by Roe on the buffalo, agriculture, Shakespeare and Marlowe, and variant drafts of "Getting the Know-How"; collected material including journals, brochures, and pamphlets; maps, some drawn by Roe, of Western Canada and the Northern United States, showing actual and proposed railway lines, the buffalo range, Indian trails and the extermination of the American bison; microfilm of the original manuscript of "The North American Buffalo"; and audio tape of interview with Roe by Naomi Radford.

The fonds consists of research files relating to Nowosad's study of Richard Ciccimarra, including: correspondence; research notes and lectures; essays; biography manuscript files; publications; Ciccimarra writings; photographs of Ciccimarra's works; taped lectures by Robin Skelton and programmes on Ciccimarra; and audiocassettes of oral history interviews about Ciccimarra with Penny Auersperg (first wife), Stephie Wilson, Vicky Husband, Nicole Frechette, Robert DeCastro, Elza Mayhew, Colin Graham, Myfanwy Pavelic, Herbert Siebner, Karl Spreitz and others.

The fonds consists of the records of the Friends of the Lytton and District Museum from 1989-1993, including earlier records of the Lytton Archives Collection Committee. Includes minutes, correspondence, feasibility study and research notes regarding the activities of this committee.

The fonds consists of 610 letters written by E.J. Hughes to Max Stern discussing his artwork, plans for paintings and sketching trips, and prices received for many pieces. Also included are Hughes' descriptions of selected pieces, 1971-1989; and photographs of selected sites and finished works. The letters document the role of the gallery as sole agent of Hughes' work, and Hughes' artistic development.

Fonds consist of Gary Lee Novas correspondence activities. Includes correspondence received and sent to friends, artists and institutions; correspondence between Art Rat and Dr. Brute; The Dead Letter Funeral mail art project; and, Gary Lee Novas copy of the Space Ace Atlas mail art project.

The Gary Lee-Nova fonds is comprised of 20 notebooks that contain sketches, journal entries, mixed media creations, correspondence, notes on art techniques and personal artwork, and information related to exhibitions that have been created by Lee-Nova. Moreover, there are a large quantity of photographs including Polaroids of his work from the Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture Exhibit; photographs from his work with Art City to build a kiosk and transport it to various areas in Vancouver; and a series of colour photographs from his exhibit work titled “Different points of view on some properties of media: Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture”; and finally an acetate photograph booklet representing an art project by Lee-Nova. This fonds also contains material kept by Lee-Nova such as an article in Vancouver Magazine, an exhibition catalogue from the Glenbow Alberta Institute, and a poetry newsletter published by Vancouver monthly.

Fonds consists of a variety of materials, but the focus is on the literary works of Geoffrey Riddehough and includes drafts, manuscripts, and publications of his poetry and short stories. The fonds also contains a number of academic essays, research materials on Joseph of Exeter, and papers that Riddehough presented to various groups. There is also correspondence of both a professional and personal nature. Fonds consists of 3 sous‐fonds and 14 series: Pegeen Brennan sous‐fonds, Lemuel Robertson sous‐fonds, Doreen Nalos sous‐fonds, Murray and Marian Cowie sous‐fonds, Personal Information series, Published Materials series, Manuscripts and Unpublished Materials series, Assorted Poems: Miscellaneous series, Assorted Short Stories: Miscellaneous series, Lecture Notes and Papers Presented series, Joseph of Exeter Research Materials series, Coursework series, Notebooks and Scrapbooks series, Diaries series, Expense Ledgers / Accounts series, Correspondence series, Photographs series, and Miscellaneous series.

Fonds consists of correspondence with and photographs of residents of Enderby and District, plus photographs of local organizations, groups and views of the area.

Fonds illustrates George Stanley’s work as a poet in San Francisco, New York, Vancouver, and Terrace, spanning from the late 1950s to the present. Fonds also documents Stanley’s interactions with the broader literary scenes, including publishers and other writers. Fonds is divided into seven series: Correspondence (1967-2007), George Stanley poems and other writings (1957-2011), Works of other writers ([ca.1957]-2011), Literary events and publication (1972-2011), Personal documents (1972-1990), Photographs of George Stanley and associates (1964-1983).

Records in the fonds include: correspondence, loose leaf and bound typescripts, manuscripts, notebooks, chapbooks, sound recordings, personal journals, published materials, financial records, and photographs.

The fonds consists of copies of radio scripts from Woodcock's radio broadcasts, correspondence with George Orwell and poet Lance Godwin, and examples of Woodcock’s early poetry.

Fonds consists of radio play-scripts and production scripts by David Brock, Peter Garvie, John Gray, Peter Haworth, Daryl Hine, Herbert Hosie, Betty Lambert, Robert Lowell, Gerald Newman, Norman Newton, Jean Racine, George Ryga, George Robertson, Frederick Spoerly, Ian Thorne, and George Woodcock and incidental music score manuscripts for two productions. Audio-cassettes are line-source copies of master tapes of drama radio programs and music radio programs produced by Gerald Newman.

The fonds consists of records documenting Friedmann's interests and activities both on and off the University of Victoria campus. Fonds includes reports, correspondence, minutes of meetings and course outlines for new courses offered in physics (including the co-op programme), nursing, and social work, records of Senate and faculty committees, material relating to the resignations of University of Victoria Presidents Bruce Partridge and Malcolm Taylor and the appointment as President of Howard Petch, material relating to the University of Victoria Open Houses, and records (including constitutions, minutes financial records) relating to the Cadboro Bay Ratepayers Association and Community Plan, the Canadian Parents for French, the Vancouver Island Opera Society and the Victoria Symphony Society.

The fonds consists of correspondence (inward and outward), daily calendars, manuscripts and working papers, Canada Council applications and correspondence, personal papers (including diaries of travels, tax records, notebooks, and copies of Gilbert's writings in his high school newspaper), and reference files and material. The fonds includes records (manuscripts, correspondence, etc.) of Gilbert's literary journal, "B.C. Monthly", and records including photographs) of the New Era Social Club, an artists' studio/living space in Vancouver; and audiotapes of radiofreerainforest shows.

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

The fonds consists of the writings of Gladys Johnston and ephemera related to the author.

Fonds consists of 3.04 meters of textua, photographic and other material created or collected by artist Glenn Lewis. Consists of records pertaining to and reflecting Lewis' travels, employment, study, artist collectives and associations, and artistic projects from 1950 to 2007. Records consist of photographic materials (prints, slides and negatives), journals/day-planners, postcards, letters, lecture notes, manuscripts, articles, notes and miscellaneous writings, published books and catalogues, exhibit pamphlets and brochures, grant and commission information, legal documents, artwork and drawings, 1 CD and 1 DVD, and 3 ceramic pieces.

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit The Four Seasons: Food Getting in British Columbia Prehistory, which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.