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The fonds consists of personal and professional materials created and collected by Professor Jacob Zilber. The fonds consists of screenplays, manuscripts, drafts, notes, and correspondences relating to Jacob Zilber's published and unpublished materials. The fonds also includes biographical and autobiographical material, clippings, teaching records and course materials. It also contains manuscripts by students, materials related to musician and composer Michael Zilber, Department of Creative Writing administrative records as well as various UBC committee records.
The fonds is divided into five series: Manuscripts, Screenplays, Monologues series (1950-1999); Administrative and Teaching Materials series (1964-1989); Personal Materials series (1950-1997); Photographs series (1947-1989); and Audiovisual Materials series (196?-1985).

Fonds consists of 3.04 meters of textua, photographic and other material created or collected by artist Glenn Lewis. Consists of records pertaining to and reflecting Lewis' travels, employment, study, artist collectives and associations, and artistic projects from 1950 to 2007. Records consist of photographic materials (prints, slides and negatives), journals/day-planners, postcards, letters, lecture notes, manuscripts, articles, notes and miscellaneous writings, published books and catalogues, exhibit pamphlets and brochures, grant and commission information, legal documents, artwork and drawings, 1 CD and 1 DVD, and 3 ceramic pieces.

Fonds consists of records from Columbia Street United Church (Vancouver, B.C.). Records include Baptism, Marriage and Burial Records (1956–1962), Membership Records (1950-1969), Board and Committee Records (1954-1961), Women’s Groups School Records (1960-1969), Sunday School Records (1956-1962), Records of Other Groups (1954-1956), Correspondence/Subject Files (1954-1963), Congregational Financial Records (1953-1956), Annual Reports (1955-1969).

Series consists of records relating to Shaver’s service to the wider church as a member of Manitoba Conference’s Faith and Order Committee (1951-1956); a member of BC Conference’s Commission to Study Institutional Work in the Lower Mainland (1967-1969); a member of the Board of Directors for the Vancouver Inner City Service Project (1967-1969); and supervisor of a student at the Vancouver School of Theology (1995-1997).

The material in the Robert Smithson Collection consists of items collected by the late Vancouver writer and filmmaker Dennis Wheeler. All the material is related to Wheeler’s association with the noted American artist Robert Smithson. Materials in the collection include: articles, correspondence, journals, magazines, catalogues, newspaper clippings, photographs, posters, notes, slides, and negatives.

The fonds consists of records generated by Russell FitzGerald during the course of his adult life and includes journals, sketchbooks, art reproductions and originals, slides and photos.

Series consists of records relating to Clifford’s preaching and worship leadership, primarily at Augustine United Church in Winnipeg, and at Ryerson United Church in Vancouver.

Fonds consists of personal papers, books, manuscripts, photographic materials, audio recordings and electronic records arranged into five series, which relate to Mr. Fawcett's personal life, his creative works and his relationships with members of the literary community.

Series consists of records relating to Collins’ productions for the United Church in British Columbia. Includes slides and script for a BC Conference production, “Take Off Your Shoes,” which was shown as part of the 1974 ordination service. Also includes photographs of Vancouver area churches, taken during Collins’ production of “These Earthen Vessels” for Vancouver-Burrard Presbytery. Photographs of various churches and related buildings, and a recording of the dedication of Skidegate United Church, round out the content of the series.

Fonds consists of records relating to Stewart's preaching; to his research and writing as a student and archivist; to his job as Host for First United Church (Vancouver); and to his lectures at the Vancouver School of Theology. Record series include: Sermons (1965-1999); Student papers (1966-1978); Speeches and articles (1983-2000); First United Church work (1980-1998); Archives communications (1986-1995); Personal correspondence (1976-1989); Denominational Studies lectures ([1992]-[1993]); Biographical material (1953-1995); and Photographs (1980-[2005?]).

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

The collection consists of materials gathered by Karl Ruppenthal as course aids for subjects taught mainly at Stanford University as part of the Transportation Management Program. The bulk of the collection consists of copies of transportation industry publications, published regulatory decisions and reports and related documents, and transcripts of addresses and speeches by other individuals, along with related correspondence and newspaper and magazine clippings. There are no papers in the collection generated by Ruppenthal himself, apart from copies of letters requesting materials from corporations and regulatory bodies, and some written notes. The collection is organized in series based on the following broad subject areas: Pipelines, Civil Aeronautics Board, Ocean Transportation, Case Leads (case studies for the Stanford course Business 380), Consulting with Consultants (conference), Australian Travel Material, Emergency Board Reports, Noise and Environmental Pollution, Transportation Co-ordination and Consolidation, Transportation Economics and Regulations, Rail Mergers, Rail Transportation Labour, Skyliner (TWA employee newsletter), Roberts Bank Superport, and Air California.

The fonds reflects Wise’s artistic inspirations, philosophical development, research interests, interactions with fellow artists and patrons, and relationships with galleries, art dealers, schools and arts organizations.

The fonds consists of correspondence, sales lists, exhibition catalogues and lists, photographs, clippings, sketches, poems and calligraphy, scrapbooks and notebooks, teaching materials, curricula vitae and biographical documents, publications, and seals and other objects used by Wise in his art practice.

Correspondents include Robert Amos, Pat Martin Bates, Pat Bovey, Brian Brett, Lin Chien-Shih, Stephen Cummings, Fleming Jorgensen, Stephen Gislason, Colin and Sheila Graham, Robin Hopper, Nick and Karin Koerner, Ramon Kubicek, Lobsang Lhalungpa, Chin-Shik Lin, Brian Longworth, Max Maynard, Avon Neal, Gary Lee Nova, Toni Onley, P.K. Page, Syn Richards, Martin Segger, Doris Shadbolt, Madeleine Shields, Robin Skelton, Huston Smith, Pete Trower, George Woodcock, and Myken Woods.

The fonds has been arranged into four series: art practice; biographical; publications and essays by others; and teaching. The art practice series consists of five sub-series: photographs; posters; exhibition catalogues; correspondence; prose, poetry and small works; and notebooks, scrapbooks and clippings.

Series consists of records relating to Dal McCrindle’s participation in the 43rd Vancouver Troop “Muskwa” through Knox United Church. Records include souvenir programs, certificates, trip report, badges, and images. Also includes school certificates.

The fonds consists of correspondence and ledgers for the UBC Development Fund (1957-1958) and its successor the Tri-Universities Capital Fund (1958-1976).

Fonds consists of the following record series: Records of the President, BC Conference (1983-1986); Records relating to the Thomas Crosby Fund (1979-1990); Biographical records (1963-2006); Manuscripts for publication (1973-1992); Scouting records (1957-1963); Scrapbooks (1977-1980); and Photographs (1963-2006).

Fonds consists of the following record series: Board and committee minutes (1958-1997); Women’s group records (1958-1997); Building and property records (1964); Church histories (1974, 1998); Annual reports (1958-1997); Statistical reports (1966-1994); Worship service bulletins (1996-1997); Church histories (1974, 1998); Directories (1981-2000); and Congregational financial records (1971-1976).

Fonds consists of Baptism, marriage, and burial records (1982-2005); Membership records (1993); Board and committee records (1991-2003); Property and legal documents (1959-2008); Construction project records (1993-2005); Correspondence and subject files (1989-1994); Financial records (1986-2006); Annual reports (1992-1996); Historical reference material (1987-1997); and Photographs (1999).

Fonds consists of the following record series: Vancouver-Burrard Presbytery and Executive meeting minutes (1959-2012); Subject files of the Presbytery Secretary (1959-1983); Pastoral Charge files of the Presbytery Secretary (1959-1983); Correspondence of the Presbytery;Secretary (1984-1989); and Presbytery committee records (1970-1983).

The fonds consists mainly of poetry that Dr. Morris Levine wrote over the years. Also intermixed with the poetry is some general correspondence, family correspondence, some work records, and a partial draft of a personal memoir.

The fonds is arranged into one series: Poems. All files are kept in their original order and do not appear to follow any chronological or alphabetical order. All files are simply titled ‘Poems’.

Series consists of records relating to Clifford’s academic writings for journals, including original research and book reviews. Series also consists of records relating to lectures and presentations at The University of Chicago Divinity School, The University of British Columbia, and at various academic and church events. Records include lecture notes, copies of articles and reviews, and correspondence.

The collection consists of audio and moving image recordings of performances by Al Neil and various musical ensembles that performed with him (Al Neil Trio, Al Neil Jazz Probe, Al Neil Quartet, and solo efforts). They include performances at the Vancouver School of Art, Simon Fraser University, The Western Front and others. The performances date from 1962 through 1989, although this collection contains CD and DVD copies (not the original recordings).


These copies were produced as part of the Al Neil Project, a 2005 collaborative effort between the Morris and Helen Belkin Art Gallery, New Orchestra Workshop, Coastal Jazz and Blues Society and the grunt gallery.

Fonds consists of the following record series: Constitutions (1986-1991); Minutes (1972-1998); Reports (1969-1998); Correspondence (1971-2004); Newsletters & publications (1972-1996); Events (1967-1996); Financial records (1966-1996); Chaplain’s social issues reference material (1962-1991); Cooperative Christian Campus Ministry George Hermanson Papers (1970-1984); Photographs ([196-]-[198-]); Reference materials (1972-1989); Objects [19-].

Fonds is arranged into 6 series: Artist files; Gallery administrative records and subject files; Ephemera; Audio-Visual; Scrapbooks; and Photographs.

The Gary Lee-Nova fonds is comprised of 20 notebooks that contain sketches, journal entries, mixed media creations, correspondence, notes on art techniques and personal artwork, and information related to exhibitions that have been created by Lee-Nova. Moreover, there are a large quantity of photographs including Polaroids of his work from the Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture Exhibit; photographs from his work with Art City to build a kiosk and transport it to various areas in Vancouver; and a series of colour photographs from his exhibit work titled “Different points of view on some properties of media: Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture”; and finally an acetate photograph booklet representing an art project by Lee-Nova. This fonds also contains material kept by Lee-Nova such as an article in Vancouver Magazine, an exhibition catalogue from the Glenbow Alberta Institute, and a poetry newsletter published by Vancouver monthly.