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The fonds consists of personal and professional materials created and collected by Professor Jacob Zilber. The fonds consists of screenplays, manuscripts, drafts, notes, and correspondences relating to Jacob Zilber's published and unpublished materials. The fonds also includes biographical and autobiographical material, clippings, teaching records and course materials. It also contains manuscripts by students, materials related to musician and composer Michael Zilber, Department of Creative Writing administrative records as well as various UBC committee records.
The fonds is divided into five series: Manuscripts, Screenplays, Monologues series (1950-1999); Administrative and Teaching Materials series (1964-1989); Personal Materials series (1950-1997); Photographs series (1947-1989); and Audiovisual Materials series (196?-1985).

Fonds consists of 3.04 meters of textua, photographic and other material created or collected by artist Glenn Lewis. Consists of records pertaining to and reflecting Lewis' travels, employment, study, artist collectives and associations, and artistic projects from 1950 to 2007. Records consist of photographic materials (prints, slides and negatives), journals/day-planners, postcards, letters, lecture notes, manuscripts, articles, notes and miscellaneous writings, published books and catalogues, exhibit pamphlets and brochures, grant and commission information, legal documents, artwork and drawings, 1 CD and 1 DVD, and 3 ceramic pieces.

Fonds consists of records from Columbia Street United Church (Vancouver, B.C.). Records include Baptism, Marriage and Burial Records (1956–1962), Membership Records (1950-1969), Board and Committee Records (1954-1961), Women’s Groups School Records (1960-1969), Sunday School Records (1956-1962), Records of Other Groups (1954-1956), Correspondence/Subject Files (1954-1963), Congregational Financial Records (1953-1956), Annual Reports (1955-1969).

The material in the Robert Smithson Collection consists of items collected by the late Vancouver writer and filmmaker Dennis Wheeler. All the material is related to Wheeler’s association with the noted American artist Robert Smithson. Materials in the collection include: articles, correspondence, journals, magazines, catalogues, newspaper clippings, photographs, posters, notes, slides, and negatives.

The fonds consists of records generated by Russell FitzGerald during the course of his adult life and includes journals, sketchbooks, art reproductions and originals, slides and photos.

Fonds consists of personal papers, books, manuscripts, photographic materials, audio recordings and electronic records arranged into five series, which relate to Mr. Fawcett's personal life, his creative works and his relationships with members of the literary community.

Fonds consists of records relating to Stewart's preaching; to his research and writing as a student and archivist; to his job as Host for First United Church (Vancouver); and to his lectures at the Vancouver School of Theology. Record series include: Sermons (1965-1999); Student papers (1966-1978); Speeches and articles (1983-2000); First United Church work (1980-1998); Archives communications (1986-1995); Personal correspondence (1976-1989); Denominational Studies lectures ([1992]-[1993]); Biographical material (1953-1995); and Photographs (1980-[2005?]).

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

The collection consists of materials gathered by Karl Ruppenthal as course aids for subjects taught mainly at Stanford University as part of the Transportation Management Program. The bulk of the collection consists of copies of transportation industry publications, published regulatory decisions and reports and related documents, and transcripts of addresses and speeches by other individuals, along with related correspondence and newspaper and magazine clippings. There are no papers in the collection generated by Ruppenthal himself, apart from copies of letters requesting materials from corporations and regulatory bodies, and some written notes. The collection is organized in series based on the following broad subject areas: Pipelines, Civil Aeronautics Board, Ocean Transportation, Case Leads (case studies for the Stanford course Business 380), Consulting with Consultants (conference), Australian Travel Material, Emergency Board Reports, Noise and Environmental Pollution, Transportation Co-ordination and Consolidation, Transportation Economics and Regulations, Rail Mergers, Rail Transportation Labour, Skyliner (TWA employee newsletter), Roberts Bank Superport, and Air California.

The fonds reflects Wise’s artistic inspirations, philosophical development, research interests, interactions with fellow artists and patrons, and relationships with galleries, art dealers, schools and arts organizations.

The fonds consists of correspondence, sales lists, exhibition catalogues and lists, photographs, clippings, sketches, poems and calligraphy, scrapbooks and notebooks, teaching materials, curricula vitae and biographical documents, publications, and seals and other objects used by Wise in his art practice.

Correspondents include Robert Amos, Pat Martin Bates, Pat Bovey, Brian Brett, Lin Chien-Shih, Stephen Cummings, Fleming Jorgensen, Stephen Gislason, Colin and Sheila Graham, Robin Hopper, Nick and Karin Koerner, Ramon Kubicek, Lobsang Lhalungpa, Chin-Shik Lin, Brian Longworth, Max Maynard, Avon Neal, Gary Lee Nova, Toni Onley, P.K. Page, Syn Richards, Martin Segger, Doris Shadbolt, Madeleine Shields, Robin Skelton, Huston Smith, Pete Trower, George Woodcock, and Myken Woods.

The fonds has been arranged into four series: art practice; biographical; publications and essays by others; and teaching. The art practice series consists of five sub-series: photographs; posters; exhibition catalogues; correspondence; prose, poetry and small works; and notebooks, scrapbooks and clippings.

The fonds consists of correspondence and ledgers for the UBC Development Fund (1957-1958) and its successor the Tri-Universities Capital Fund (1958-1976).

Fonds consists of the following record series: Records of the President, BC Conference (1983-1986); Records relating to the Thomas Crosby Fund (1979-1990); Biographical records (1963-2006); Manuscripts for publication (1973-1992); Scouting records (1957-1963); Scrapbooks (1977-1980); and Photographs (1963-2006).

Fonds consists of the following record series: Board and committee minutes (1958-1997); Women’s group records (1958-1997); Building and property records (1964); Church histories (1974, 1998); Annual reports (1958-1997); Statistical reports (1966-1994); Worship service bulletins (1996-1997); Church histories (1974, 1998); Directories (1981-2000); and Congregational financial records (1971-1976).

Fonds consists of Baptism, marriage, and burial records (1982-2005); Membership records (1993); Board and committee records (1991-2003); Property and legal documents (1959-2008); Construction project records (1993-2005); Correspondence and subject files (1989-1994); Financial records (1986-2006); Annual reports (1992-1996); Historical reference material (1987-1997); and Photographs (1999).

Fonds consists of the following record series: Vancouver-Burrard Presbytery and Executive meeting minutes (1959-2012); Subject files of the Presbytery Secretary (1959-1983); Pastoral Charge files of the Presbytery Secretary (1959-1983); Correspondence of the Presbytery;Secretary (1984-1989); and Presbytery committee records (1970-1983).

The fonds consists mainly of poetry that Dr. Morris Levine wrote over the years. Also intermixed with the poetry is some general correspondence, family correspondence, some work records, and a partial draft of a personal memoir.

The fonds is arranged into one series: Poems. All files are kept in their original order and do not appear to follow any chronological or alphabetical order. All files are simply titled ‘Poems’.

The collection consists of audio and moving image recordings of performances by Al Neil and various musical ensembles that performed with him (Al Neil Trio, Al Neil Jazz Probe, Al Neil Quartet, and solo efforts). They include performances at the Vancouver School of Art, Simon Fraser University, The Western Front and others. The performances date from 1962 through 1989, although this collection contains CD and DVD copies (not the original recordings).


These copies were produced as part of the Al Neil Project, a 2005 collaborative effort between the Morris and Helen Belkin Art Gallery, New Orchestra Workshop, Coastal Jazz and Blues Society and the grunt gallery.

Fonds consists of the following record series: Constitutions (1986-1991); Minutes (1972-1998); Reports (1969-1998); Correspondence (1971-2004); Newsletters & publications (1972-1996); Events (1967-1996); Financial records (1966-1996); Chaplain’s social issues reference material (1962-1991); Cooperative Christian Campus Ministry George Hermanson Papers (1970-1984); Photographs ([196-]-[198-]); Reference materials (1972-1989); Objects [19-].

Fonds is arranged into 6 series: Artist files; Gallery administrative records and subject files; Ephemera; Audio-Visual; Scrapbooks; and Photographs.

The Gary Lee-Nova fonds is comprised of 20 notebooks that contain sketches, journal entries, mixed media creations, correspondence, notes on art techniques and personal artwork, and information related to exhibitions that have been created by Lee-Nova. Moreover, there are a large quantity of photographs including Polaroids of his work from the Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture Exhibit; photographs from his work with Art City to build a kiosk and transport it to various areas in Vancouver; and a series of colour photographs from his exhibit work titled “Different points of view on some properties of media: Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture”; and finally an acetate photograph booklet representing an art project by Lee-Nova. This fonds also contains material kept by Lee-Nova such as an article in Vancouver Magazine, an exhibition catalogue from the Glenbow Alberta Institute, and a poetry newsletter published by Vancouver monthly.

The fonds consists of records created and accumulated by Delgado since 1964. The fonds contains correspondence, personal records, photographs, slides, negatives, video recordings, audio recordings of interviews with Delgado, and files focusing on: projects (shipwreck and historic sites), expeditions, lectures and education, and writing. The fonds also focuses on Delgado’s work with the National Park Service in the US, his work with the Vancouver Maritime Museum and with the Institute for Nautical Archaeology. Records also focus on Delgado’s work on The Sea Hunters television program.

The fonds is divided into eleven series: Correspondence series (Personal correspondence sub-series, Outgoing correspondence sub-series, Incoming correspondence sub-series), Personal records series, Projects series (Miscellaneous projects sub-series, Maritime archaeology sub-series, S.S. Central America sub-series), Expeditions series, Sea Hunters series (Episode files sub-series, Photographs sub-series, Slides sub-series, Video recordings sub-series), Writing series (Books and publications sub-series, Reports sub-series, Correspondence sub-series, Article drafts sub-series, Published articles sub-series, Publicity and reviews sub-series), Newspaper clippings series, Lectures and education series, Audio recordings series, Images series (Photographs sub-series, Titanic images sub-series, Slides sub-series), and Video recordings series.

The fonds consists of minutes of the Board of Directors, minutes of the Council and Working Committee, minutes of Staff meetings, general correspondence of various officials of the Project, copies of reports generated by various programs, and financial records. Fonds contains records of School Canadiana, including correspondence, reports, minutes of Management Committee meetings, registration-attendance records, and financial files.

Fonds consists of correspondence, manuscripts, contracts, and reports. The records document the administration of Pacific Affairs, in particular the editorial functions, and are arranged in the following series: Editorial Files, Contracts, Correspondence, Subject Files and Production Files.

Fonds consists of completed films, raw footage, textual records, and other materials related to the production of films produced by the various film production companies that Collier has been involved with throughout his film career. Fonds is organized into eight sousfonds according to creator. Each sousfonds, is in turn organized into series according to production project.
--Michael Collier personal records sousfonds
--Tommy Tompkins Wildlife Films sousfonds
--New Horizon Films Ltd. sousfonds
--North Wind Films Ltd. sousfonds
--Yaletown Productions Inc. sousfonds
--Yaletown Entertainment Corp. sousfonds
--Urban Safari Films Inc. sousfonds
--Post Digital Works Inc. sousfonds

Fonds consists of a single series: Photographs (1969-1979). Records relate to the activities of the Vancouver Japanese United Church English-Speaking Congregation.