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The fonds consists of material related to Image Bank, including the Image Exchange Directory, to exhibitions such as 1984, Post Card Shows, to projects such as Colour Bars, Cultural Ecology, to events such as Art's Birthday, Decca Dance, Miss General Idea Pageant (and Pavilion), to collaborative encounters and work with artists such as Robert Filliou, General Idea, Robert Fones, Robert Cummings, Ray Johnson, John Dowd, Anna Banana, Bill Gaglione, Eric Metcalfe, Kate Craig, John Jack Baylin, Herv Fischer, Victor Cavellini, Hermann Nitsch and Fluxus artists, as well as a mayoralty campaign by Mr. Peanut, artist run centre development at the Western Front, and to numerous publications such as in File magazine, catalogues and editions of cards, and to other activities as artists, including the collection and preservation of art and artist related material. The collection consists both of Morris' and Trasov's individual fonds as artists as well as their collective fonds, and additionally of an extensive collection of material complementing these personal papers, including books, periodicals, and other published material as well as art in multiple forms and media, including artists books, moving image and sound recordings, books, collages, correspondence, ephemera, exhibition catalogues, found objects, mailings, magazines, multiples and editions of cards, photographic prints, negatives, slides and transparencies, postcards, posters, drawings, prints, and other forms and media extending physically to over fifty linear metres.

The collection contains materials generated by Vincent Trasov relating to the Mr. Peanut character in general and to the 1974 mayoralty campaign and materials generated by others relating to the same subject. The collection contains predominantly graphic materials in the form of ephemera (cards, placemats, stationary, and the like) as well as objects such as ceramic peanuts and a commemorative plate.

The fonds consists of photographs and textual records from various members of the Nemetz family, including the Dayson family, the Barnett family, and the Fader family.

The fonds is arranged into four series: Nathan Nemetz scrapbooks and photograph albums (photocopies); Textual records; Photographs; Audio/Visual.

Fonds consists of correspondence, manuscripts, contracts, and reports. The records document the administration of Pacific Affairs, in particular the editorial functions, and are arranged in the following series: Editorial Files, Contracts, Correspondence, Subject Files and Production Files.

The fonds includes the following series: theatre scrapbooks, 1941-1991; biographical material, 1939-1994; programs and printed material, ca. 1938-1986; photograph series, 1947- ca.1987; audio-visual media series, 1946-ca.1992; and theatre poster series, 1950-1978.

The fonds consists of mail art received by Peter Schuyff from Ray Johnson. Included in the correspondence are collages, clippings, assemblages, photocopied works and other graphic material. The material dates from the late 1970s to the mid 1990s.

The fonds consists of Timms' photographs of Vancouver and other locations in B.C. depicting individuals and families, scenes and panoramas, businesses, buildings, streets, churches, and various modes of transportation.

The fonds consists of minute books, membership lists (1916-1937), photographs, plays, financial records, programs and play announcements (1916-1961), scrapbooks (1916-1944), and ephemera.

Fonds consists of manuscripts, page proofs, editorial and general correspondence, contracts, promotional and biographical materials. Included in the fonds are archival materials for Vi Plotnikoff's Head Cook at Wedding and Funerals (1994), first collection of Doukhobor short stories published and the first widely published literary writings by a Doukhobor woman, and George Elliott Clarke's poem-novel Whylah Falls (1990), later adapted for the stage and film, along with materials related to the publication of other works in Polestar's catalogue.

The fonds consists of manuscripts, galleys, page proofs and paste-ups relating to the publication of Prism International. In addition, the fonds includes route sheets and correspondence produced during the selection of submissions for inclusion in the Journal. The bulk of this material is arranged chronologically by volume and issue number. Also included are financial statements and correspondence relating to the marketing and production of the Journal and records from Prism International Press. Fonds organized into four series: Administrative/financial records series (1957-1994), Prism International volume-issue series (1958-1995), Prism International Press (1966-1971), and Correspondence (1964-1984).

Fonds consists of material documenting and advertising events at PUMPS, and to some extent the private lives of those living and working in the space. Material includes slides, photographs, cards, leaflets and posters, and other textual material.

Fonds consists of records documenting the programs and activities of the Radio Society / CiTR (including DISCORDER), including textual records and sound recordings of a variety of programs, radio plays, campus events, public service announcements, photographs of the radio studio and from different events, and advertisements produced by the Radio Society for broadcast on its station (CYVR/CiTR) or affiliated radio stations. In addition, the fonds includes recordings of interviews conducted on behalf of the Alma Mater society relating to its art collection. Fonds also consists of materials related to the administration of the radio station including information about licensing, executive meetings, policies, job descriptions, and staff training.

The fonds consists of photographs depicting scenery, towns, and railways in the Rocky Mountains of B.C. and Alberta and portraits and scenery of Vancouver and White Rock, B.C.

The fonds consists of 7 photographs taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions.

The material in the Robert Smithson Collection consists of items collected by the late Vancouver writer and filmmaker Dennis Wheeler. All the material is related to Wheeler’s association with the noted American artist Robert Smithson. Materials in the collection include: articles, correspondence, journals, magazines, catalogues, newspaper clippings, photographs, posters, notes, slides, and negatives.

Fonds consists of two series: Vexation Island series and other projects series.

The fonds consists of photographs created by Ronnie Tessler from 1986 to 1987 documenting a canoe project by the Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from the same period depict a totem pole raising at Capilano Mall in North Vancouver and portraits of Les Baker, a model Tait wanted to use for a “white man” mask.

The fonds consists of records generated by Russell FitzGerald during the course of his adult life and includes journals, sketchbooks, art reproductions and originals, slides and photos.

The collection consists of two series. The first series consists of family photographs and the second series is an interview of Mitsue Fugeta (nee Sasaki) discussing her life on Powell Street in Vancouver, BC.

Fonds consists of material created and accumulated by Seiriol Williams. Records are arranged into series as follows 1) Papers and memorabilia; 2) Talks and writings and 3) Photographs.

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

The fonds consists of photographs depicting Vancouver panoramas, streets, sports, harbour, ships, buildings and businesses.

Fonds consists of correspondence, review articles, and published materials. both general (1974-80) and in relation to her involvement with the SF issue of "Room of One's Own" (1979-80). There are also records arising from Wood's participation in the "Pacific Northwest Review of Books" and copies of review articles (1977-78). Also included are materials (predominantly printed) from "Crossing Frontiers", a 1978 conference which brought together Canadian and American literary scholars, historians and writers to discuss comparative literature from the two "wests".

Fonds contains examples of printed material created by Takao Tanabe from 1953-1994 under his private printing company, Periwinkle Press, or in collaboration with Robert Reid and Klanak Press. The material is arranged based on their category which was reflected by the original order found upon acquisition. Printed materials include: books published by Periwinkle Press, announcement cards and posters, invitations, holiday cards, stationary, bookmarks, gift cards and promotional posters. The fonds is divided into five series: Series 1. Books, Series 2. Announcements and Invitations, Series 3. Holiday Cards, Series 4. Stationary, Series 5. Promotional Materials.

Fonds consists of records related to theatrical productions mounted by the Tamahnous Theatre Workshop Society and general and administrative records related to the company's operations. The fonds contains scripts, stage manager's notes and directorial notes, props lists, correspondence and memoranda, contracts, budgets, touring schedules, original artwork for posters, programs, and handbills, printed posters, programs, handbills, press releases, public service announcements, and other promotional material, clippings of reviews and paid advertisements, audience surveys, drawings and photographs, negatives, audio and video cassettes and reels, accounting records and financial statements, and other records. The fonds is arranged in five series: Scripts (1971-1994); Theatrical productions (1971-1994); General and administrative files (1971-1994); and Tamahnous Theatre Workshop Society photo history (1971-1994); and Audio-visual records (1971-1994).