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archival descriptions
Coral Topping fonds
Fonds · 1922-1980

The fonds consists of manuscripts of Topping's articles and reports in the fields of sociology and criminology; drafts of his stories and poetry; examples of questionnaires and other material from his research projects; and scrapbooks and other autobiographical materials. The records include manuscripts, correspondence, forms, and clippings and other published materials.

Topping, Coral Wesley, b. 1889
Helen Sonthoff fonds
Fonds · 1944-2000

Fonds consists of personal correspondence, newspaper clippings and manuscripts; as well as, memorial tributes, cards and letters of sympathy pertaining to the passing of Sonthoff. The fonds is arranged in the following series: Correspondence, Essays and Criticisms and Memorial Tributes.

Sonthoff, Helen
Doreen Walker fonds
Fonds · 1660-1990, predominant 1920-1985

The fonds consists of hand-written notes as well as published articles relating to artists in Canada between the early 17th century and the late 20th century. The fonds also consists of copies of correspondence between artists, as well as Walkers own correspondence with artists and the artistic world in general, both inside and outside Canada. The fonds consists of the following series and is largely arranged in its original order. 1) Canadian Artists 2) Records relating to Dear Nan: Letters to Emily Carr, Nan Cheney, and Humphrey Toms 3) Photographs.

Walker, Doreen, 1920-
Dorothy Maud Somerset fonds
Fonds · 1900 - 1991

The fonds consists of correspondence from 1929 to 1990; biographical data/information from 1921 to 1991; literary works from 1938 to 1984; photographs from 1898 to 1984; interviews and talks/speeches given from 1942 to 1984; newspaper clippings from 1920 to 1990; newsletters and theatre souvenirs from 1922 to 1987.

Somerset, Dorothy Maud
Eric Metcalfe fonds
Fonds · 195?-199?, predominant 1968-1976

The fonds consists of textual and graphic materials relating to the development of Metcalfe's art projects and themes, including Leopard Realty and Banal Beauty Inc.; photographs and clippings documenting Metcalfe's works; and materials sent and received through Metcalfe's participation in several Mail Art networks, including Fluxus West, General Idea and Image Bank.

Materials from each of the abovementioned categories are organized into three series, based on content: Art Projects, Correspondence and Collected Materials. The series and subseries contained in this fonds break down as follows:

4.1 Art Projects series
4.1-1 Look at This subseries
4.1-2 Banal Beauty Inc. / Brutopia subseries
4.1-3 Leopard Realty subseries
4.1-4 Howard Hughes subseries
4.1-5 Spots Before Your Eyes subseries
4.1-6 Howard Hughes subseries
4.1-7 Films and videos subseries
4.1-8 Artworks and exhibitions photographs subseries
4.1-9 Artworks and exhibitions documentation subseries
4.2 Correspondence series
4.2-1 Mail art subseries
4.2-2 Mail art compilations subseries
4.2-3 General and business correspondence subseries
4.3 Collected materials series
4.3-1 Western Front subseries
4.3-2 Collected images subseries
4.3-3 Collected publications subseries
4.3-4 Collected ephemera subseries
4.3-5 Bag of marbles subseries

Metcalfe, Eric, 1940-
Laurence Ricou fonds
Fonds · 1945-2008

The fonds consists of Ricou's correspondence during his teaching careers at the University of Lethbridge and UBC. The fonds also includes records relating to his involvement with the Association of Canadian University Teachers of English (ACUTE), book reviews, negotiated grants, Literary History of Canada, Canada research fellowships and a summer course taught on the writings of Malcolm Lowry. The fonds also contains research information pertaining to the life and work of Canadian author Patricia Blondal.

Ricou, Laurence R., 1944-
Guy Palmer fonds
Fonds · 1954-1989

The fonds consists of 6,066 35 mm negatives of dress rehearsals of major UBC theatrical productions between 1961 and 1988. There are also some images of productions staged during summer school, as well as by the Extension and English departments (1954/55), and alphabetical and chronological listings of UBC productions between 1954 and 1988. The fonds also includes copies of programs from productions at the Frederic Wood Theatre (1964-1991).

Palmer, Guy, 1913-
Prism International fonds
Fonds · 1957-1995

The fonds consists of manuscripts, galleys, page proofs and paste-ups relating to the publication of Prism International. In addition, the fonds includes route sheets and correspondence produced during the selection of submissions for inclusion in the Journal. The bulk of this material is arranged chronologically by volume and issue number. Also included are financial statements and correspondence relating to the marketing and production of the Journal and records from Prism International Press. Fonds organized into four series: Administrative/financial records series (1957-1994), Prism International volume-issue series (1958-1995), Prism International Press (1966-1971), and Correspondence (1964-1984).

Prism International (journal)
Victoria Yip fonds
Fonds · 1923 - 1936

Fonds consists of theatre programs from Victoria, opera clippings, photographs of the Chinese Carnival in 1936, a copy of the Chinese Times, and Yip’s reminiscences of the establishment of The Chinese Canadian Times in Vancouver and the Chinese Opera in Victoria.

FILE LIST:
MAN 1997-007-001 : Chinese Times, 1936, article on Chinese Times, Willie Le[-]o n.d.

MAN 1997-007-002 : Cantonese Opera clippings, n.d.

MAN 1997-007-003 : Six photographs of Chinese Carnival, Vancouver, 1936

MAN 1997-007-004 : Theatre program from Victoria, B.C., 1923

MAN 1997-007-005 : Theatre program from Victoria, B.C., with poetry on back written by Yip’s father, 1930

Yip, Victoria
Lyle Wilson fonds
Fonds · 1991

Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

Wilson, Lyle
Bob Kingsmill fonds
Fonds · 1977 - 1979

The fonds consists of correspondence, questionnaires, and photographs relating to Bob Kingsmill’s research for his book A Catalogue of British Columbia Potters (1978). In order to gather material for his book, Kingsmill created a questionnaire requesting information and photographs, which he sent to about 70 potters throughout British Columbia. The fonds consists mainly of the responses Kingsmill received, which include the completed questionnaires containing short biographical and artistic statements by each potter, together with black and white or colour photographs of the artists and their pottery.

Kingsmill, Bob
Douglas & McIntyre fonds
Fonds · 1954 - 1985

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

Douglas & McIntyre
Al Neil collection
Collection · 1962 - 1994

The collection consists of audio and moving image recordings of performances by Al Neil and various musical ensembles that performed with him (Al Neil Trio, Al Neil Jazz Probe, Al Neil Quartet, and solo efforts). They include performances at the Vancouver School of Art, Simon Fraser University, The Western Front and others. The performances date from 1962 through 1989, although this collection contains CD and DVD copies (not the original recordings).


These copies were produced as part of the Al Neil Project, a 2005 collaborative effort between the Morris and Helen Belkin Art Gallery, New Orchestra Workshop, Coastal Jazz and Blues Society and the grunt gallery.

Neil, Al
Gary Lee-Nova fonds
Fonds · 1964-1985

The Gary Lee-Nova fonds is comprised of 20 notebooks that contain sketches, journal entries, mixed media creations, correspondence, notes on art techniques and personal artwork, and information related to exhibitions that have been created by Lee-Nova. Moreover, there are a large quantity of photographs including Polaroids of his work from the Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture Exhibit; photographs from his work with Art City to build a kiosk and transport it to various areas in Vancouver; and a series of colour photographs from his exhibit work titled “Different points of view on some properties of media: Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture”; and finally an acetate photograph booklet representing an art project by Lee-Nova. This fonds also contains material kept by Lee-Nova such as an article in Vancouver Magazine, an exhibition catalogue from the Glenbow Alberta Institute, and a poetry newsletter published by Vancouver monthly.

William Tansley fonds
Fonds · 1916-1933

The fonds consists of handwritten and typed manuscripts of short stories [n.d.], a painting of a seascape (1933), and a scrapbook filled with assorted memorabilia gathered between 1916 and 1933.

Tansley, William
Susan Wood fonds
Fonds · 1974-1980

Fonds consists of correspondence, review articles, and published materials. both general (1974-80) and in relation to her involvement with the SF issue of "Room of One's Own" (1979-80). There are also records arising from Wood's participation in the "Pacific Northwest Review of Books" and copies of review articles (1977-78). Also included are materials (predominantly printed) from "Crossing Frontiers", a 1978 conference which brought together Canadian and American literary scholars, historians and writers to discuss comparative literature from the two "wests".

Wood, Susan Joan
Artropolis fonds
Fonds · 1984-2005

The fonds consists of records relating to the planning, administrative, fundraising, promotional, documentary and curatorial activities of the Artropolis exhibitions. These materials include: budgets, grant applications, proposals, research files and site plans; correspondence, financial statements, fundraising letters, logos, licenses and contracts, employee and volunteer files, minutes and reports; press releases and sponsorship agreements, banners, brochures and posters; and artists’ résumés and applications, attendance records, comment books, exhibition catalogues, scrapbooks, photo albums, photographs, video recordings, and artwork.

The records are arranged into the following sous-fonds: Artropolis 87 (1984 - 1990); Artropolis 90 (1987 - 1991); Artropolis 93 (1990, 1992 - 1993); Browser Artropolis 97 (1992, 1997 - 1998); Artropolis 2001 (1988, 1999 - 2001); Artropolis 2003 (1988, 1992, 2001 - 2005).

Artropolis
Jacob Zilber fonds
Fonds · 1950 - 2003

The fonds consists of personal and professional materials created and collected by Professor Jacob Zilber. The fonds consists of screenplays, manuscripts, drafts, notes, and correspondences relating to Jacob Zilber's published and unpublished materials. The fonds also includes biographical and autobiographical material, clippings, teaching records and course materials. It also contains manuscripts by students, materials related to musician and composer Michael Zilber, Department of Creative Writing administrative records as well as various UBC committee records.
The fonds is divided into five series: Manuscripts, Screenplays, Monologues series (1950-1999); Administrative and Teaching Materials series (1964-1989); Personal Materials series (1950-1997); Photographs series (1947-1989); and Audiovisual Materials series (196?-1985).

Zilber, Jacob
Morris Panych fonds
Fonds · 1947 - 2006

The fonds consists of typescripts, handwritten drafts, notes and reviews relating to plays written, performed, or directed by Panych. Also included are photographs relating to his theatre career as well as biographical material including school transcripts, as well as video cassette tapes of an episode of Da Vinciʹs Inquest that Panych directed. The fonds is comprised of four series: Scripts and Manuscripts, Personal, Photographs and Audio/visual.

Panych, Morris, 1952-
Radio Society fonds
Fonds · 1940-2017

Fonds consists of records documenting the programs and activities of the Radio Society / CiTR (including DISCORDER), including textual records and sound recordings of a variety of programs, radio plays, campus events, public service announcements, photographs of the radio studio and from different events, and advertisements produced by the Radio Society for broadcast on its station (CYVR/CiTR) or affiliated radio stations. In addition, the fonds includes recordings of interviews conducted on behalf of the Alma Mater society relating to its art collection. Fonds also consists of materials related to the administration of the radio station including information about licensing, executive meetings, policies, job descriptions, and staff training.

University of British Columbia. Radio Society
Glenn Lewis fonds
Fonds · 1950 - 2007

Fonds consists of 3.04 meters of textua, photographic and other material created or collected by artist Glenn Lewis. Consists of records pertaining to and reflecting Lewis' travels, employment, study, artist collectives and associations, and artistic projects from 1950 to 2007. Records consist of photographic materials (prints, slides and negatives), journals/day-planners, postcards, letters, lecture notes, manuscripts, articles, notes and miscellaneous writings, published books and catalogues, exhibit pamphlets and brochures, grant and commission information, legal documents, artwork and drawings, 1 CD and 1 DVD, and 3 ceramic pieces.

Lewis, Glenn
Ken Kuramoto fonds
Fonds · 1980 - 1981

This fonds consists of six 16mm film reels of Celebration of the Raven. There are also two audio reels which are soundtracks for the film. Film reels include stills and test stills and camera originals. Most reels are labeled according to the scene.

Kuramoto, Ken
Sharon Fortney fonds
Fonds · 2006 - 2008

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

Fortney, Sharon
Gordon Miller collection
Collection · [1979?]-1993

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit The Four Seasons: Food Getting in British Columbia Prehistory, which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

Robert Keziere fonds
Fonds · 1982

The fonds consists of 7 photographs taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions.

Keziere, Robert