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The fonds consists of two boxes, organized in 15 folders by year. Each folder contains correspondence, newspaper publicity and sonnet entries for that year.

Title is based on the submissions to the publication Salmon Arm Scrapbook. The fonds consists of submissions, a final draft, list of copied photographs, and correspondence. The fonds is divided into 32 series.

The fonds is divided into ten series and consists of membership lists, executive committee minutes, rules and regulations, dance committee rotas, cash books, correspondence and a written history.

The fonds consists of plays, minutes, proposed by-laws, membership lists, a receipt, correspondence, bookkeeping record and copies of plays under consideration.

Scope & Content: Fonds consists of incoming and outgoing correspondence by the Festival Coordinator regarding festival planning, minutes and agendas of the Executive Committee, financial records and budget statements, reports and summaries for the 1997 and 1998 festivals, promotional and advertising materials including sample buttons, passports, brochures and informational memos and press releases distributed to media outlets and businesses, assorted public relations and promotional documents including fundraising and sponsorship reports and summaries, photographs from the festival and related newspaper clippings. The fonds is arranged into the following series: Executive Committee Minutes, Financial Statements, Coordinator and Committee Reports, Event Planning, Promotional activities, Correspondence, Sponsorship and Fundraising, and Photographs.

The fonds consists of agendas, programs, correspondence, emails, budgets, lists, certificates, event notes, and ephemera. The fonds is divided into 64 series.

The title is based on the contents of the fonds. It is arranged into 23 series and contains photographs, minutes, correspondence, copies of newspaper clippings, renovation and expansion plans, and financials.

The title based on the contents of the fonds. The collection is divided into five series containing 7 books of watercolour paintings of family scenes, landscapes, two autograph books and two photographic prints.

The fonds consists of records generated by Russell FitzGerald during the course of his adult life and includes journals, sketchbooks, art reproductions and originals, slides and photos.

 The fonds consists of historical material created and accumulated by Rupert Harrison in the course of his work as a historian and archivist, and his activities with various professional organizations. The material includes newspaper clippings, correspondence, documents, notes, reports, oral interviews, essays, minutes, booklets, pamphlets, maps, technical drawings, photographs, and objects. 

Fonds consists of material created and accumulated by Roy Kiyooka over his artistic career, and includes photographs, prints, publications, artworks given to him by friends, cards and posters. The photographic material shot by Kiyooka covers a span of over three decades and is predominantly source material and personal photographs. None of the material in the fonds was used or should be considered as finished artworks, although similar images were incorporated into Kiyooka's artwork. The photographic materials are in a wide variety of photographic media and dimensions, including colour and black and white prints of various sizes, 35mm negative strips, contact sheets, slides, transparencies and other formats. The fonds also includes a small number of prints (possibly lithographs, and 1 etching) and photographs that appear to be gifts from friends and acquaintances. Also included are catalogues and other publications that are by or about Kiyooka, and exhibition catalogues relating to Vancouver and BC artists. The fonds is divided into the following categories: photographic material shot by Kiyooka, other work by Kiyooka, publications by or about Kiyooka, other catalogues, artworks other artists, and posters/prints.

The fonds consists of photographs created by Ronnie Tessler from 1986 to 1987 documenting a canoe project by the Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from the same period depict a totem pole raising at Capilano Mall in North Vancouver and portraits of Les Baker, a model Tait wanted to use for a “white man” mask.

Fonds consists of two series: Vexation Island series and other projects series.

The material in the Robert Smithson Collection consists of items collected by the late Vancouver writer and filmmaker Dennis Wheeler. All the material is related to Wheeler’s association with the noted American artist Robert Smithson. Materials in the collection include: articles, correspondence, journals, magazines, catalogues, newspaper clippings, photographs, posters, notes, slides, and negatives.

The fonds consists of 7 photographs taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions.

The fonds consists of records arising from Dunham's teaching and research activities. Includes lecture and research notes, course outlines, exams and study questions, reading lists, reprints, essays and other writing by Dunham, and a few pieces of correspondence regarding Dunham's career and projects.

The fonds contains records that reflect in particular the fundraising and exhibition planning functions of the Richmond Art Gallery Association. Also included are administrative records of the Association, including RAGA minutes and reports, as well as gallery statistics and insurance reports. The fonds is arranged by the archivist into 8 series reflecting the functions and activities of the Association, and titled according to a list of standard file classification titles agreed upon by RAGA and RAG staff in 2004: 1. Administration; 2. Minutes; 3. Reports; 4. Fundraising; 5. Insurance; 6. Grants; 7. Exhibits; 8. Newspaper clippings.

The fonds consists of photographs depicting scenery, towns, and railways in the Rocky Mountains of B.C. and Alberta and portraits and scenery of Vancouver and White Rock, B.C.

The fonds consists of minutes, incorporating membership lists and financial records.

The fonds consists of glass plate negatives, contact prints made from those negatives, and ephemera.

The fonds consists of records of Watter's work on a variety of publications and as editor-in-chief of the Anthology. Fonds includes correspondence with individuals associated with the publication (1956-1958), correspondence with contributors (1957), manuscripts of articles and poems (both accepted and rejected), page proofs, and reviews of the book (1958). Also included is a typed manuscript for the "Checklist of Canadian Literature".

Fonds consists of records created by the Rainbow River Players, including posters, programs, correspondence, and financial records, plus a copy of the many scripts they used or considered using for performances. It also includes a photograph album with newspaper clippings plus coloured photographs of the actors and scenes from most of their productions.

Fonds consists of records documenting the programs and activities of the Radio Society / CiTR (including DISCORDER), including textual records and sound recordings of a variety of programs, radio plays, campus events, public service announcements, photographs of the radio studio and from different events, and advertisements produced by the Radio Society for broadcast on its station (CYVR/CiTR) or affiliated radio stations. In addition, the fonds includes recordings of interviews conducted on behalf of the Alma Mater society relating to its art collection. Fonds also consists of materials related to the administration of the radio station including information about licensing, executive meetings, policies, job descriptions, and staff training.

Fonds consists of material documenting and advertising events at PUMPS, and to some extent the private lives of those living and working in the space. Material includes slides, photographs, cards, leaflets and posters, and other textual material.

The fonds consists of manuscripts, galleys, page proofs and paste-ups relating to the publication of Prism International. In addition, the fonds includes route sheets and correspondence produced during the selection of submissions for inclusion in the Journal. The bulk of this material is arranged chronologically by volume and issue number. Also included are financial statements and correspondence relating to the marketing and production of the Journal and records from Prism International Press. Fonds organized into four series: Administrative/financial records series (1957-1994), Prism International volume-issue series (1958-1995), Prism International Press (1966-1971), and Correspondence (1964-1984).