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The collection consists of correspondence from Michael Fraenkel to Jasper Wood on literary matters, containing many references to Henry Miller.

The collection consists of letters written by Jack B. Yeats to Sarah Purser (1888-1889) and to a Mr. Quinn, humorous sketches, and a sketchbook for "La La Noo" (1942).

The collection consists of pencil and ink sketches (1884-1885) and letters (with illustrations) to Jack Butler Yeats (1918-1922).

The collection consists of 735 items, the majority of which are drawings and watercolours produced by Bayne on a European sketching tour in 1864-65 made possible by the Soane Medal award in 1864. Bayne spent four months in France (August-December 1864), sketching Romanesque and Gothic churches at Amiens, Soissons, Noyon, Angers, Toulouse, and along the Loire. Bayne travelled to Spain where he spent three months (Jan. - March 1865) documenting sites in the Pyrenees he believed would soon be lost to warfare and neglect, recording stained glass windows and other architectural details of Gothic and Romanesque structures, and visiting sites with important Moorish architecture. Bayne's Spanish work is the most comprehensive of the collection. He also made careful notations on his drawings and sketches with a complete numbering system, identification of the city, structure and facade, and the date of the work. From Spain, Bayne travelled to Naples where he spent about a week in Sicily. He went on to Greece and Turkey for a month (April - early May 1864), apparently going from Athens to Salonica and south to Constantinople. Many of the drawings are missing from this series, but show his interest in Byzantine churches and Islamic architecture in Greece and Turkey. He returned to Naples for a four month tour of Italy (May - August 1864). The collection includes a few drawings from Pompeii, panoramic views of Rome, architectural drawings of Renaissance and Medieval structures from Rome, Venice, Milan, Florence, Pisa, and Assisi, and sketches of architectural details such as stained glass in Assisi and the Baptistery doors in Florence. In September, 1864, Bayne was in Germany, but only a few of these drawings remain. The information about them is limited as they are dated or numbered, but the sites are not recorded on most. After Bayne accepted a position with the East India Railway Company in 1866, he moved to Calcutta, India. Part of the collection includes sketches he made on tours in India, and illustrates Muslim and Hindu structures in Benares, Delhi, Allahabad, Madras, Ahmadabad, Bombay, Brindabun, Chitor, Moorabad, and Calcutta. At least four structures in India are attributed to Bayne: the East India Railway offices (1881-84), the Huseinabad Clock Tower at Lucknow (1881-85), the Mayo Memorial Hall at Allahabad (1879), and the Thornhill and Mayne Memorial Library at Allahabad (1878). The presentation drawing for the latter structure is included in the collection as a donation from the Port Alberni Historical Society. The other items in the collection include a photograph of Bayne, several covers of his original European notebooks, and two certificates, one of which commemorates his achievement in passing the Voluntary Architectural Examination in 1864 with distinction, and the second certifying his election as an Associate of the Royal Institute of British Architects.

The collection consists of mimeographed scripts for two plays presented by the club at the Empire Theatre, Calcutta, India. The scripts come from the plays' original productions in England, several years earlier. Also included are programmes for the two plays, a clipping containing a review of one play, and a rehearsal list for the other play. The two plays are “Murder on the Second Floor” by Frank Vosper and “The Wind and the Rain” by Merton Hodge.

The collection consists of records generated by a number of different sources that have been brought together as a collection. The Social Sciences Research Project (1970-75) includes 29 interviews (and transcripts) with Major General The Hon. G. R. Pearkes and significant associates of Pearkes. They cover Pearkes' military career in both World Wars, his political career, particularly as Minister of Defence, and his role in the office of Lieutenant Governor or B.C. (1960-68). Over a number of years, subsequent to the Pearkes interviews, Dr. Roy commissioned several senior students to interview 185 former military personnel, Canadian and Allied. These were funded by the Department of National Defence. The collection offers personal accounts of action in the Great War and in most theatres of the Second War in which Canadians participated, as well as post war peace-time activities in NATO. When Dr. Roy retired in 1988 he gave a number of guest lecture tapes and some C.B.C. military oral history tapes. In 1982, Dr. Barnett B. Singer, a sessional lecturer, donated one interviews with a holocaust survivor, Mr. William Jacobs of Victoria. In 1983, Dr. David Stafford donated nine research interviews (and transcripts) for a book that he was doing on clandestine operations in World War II. In 1984, Elizabeth Hazlitte, a nurse at Victoria's, Veteran's Hospital, gave her interviews with six Great War veterans which she had completed on an L.I.P. grant. In 1990, Robert Winkenhower gave an interview of Olga Ghosh about the experience of a Jew living in Germany in the 1930's (accessioned 1994). In 1993, Cmdr. Hal Lawrence, a naval historian, donated copies of cassettes, summaries and transcripts of 120 interviews with retired Canadian navy personnel. These interviews were conducted between 1980 and 1990 under contract with DND. In 1993, B. Marshall, through Dr. Reg Roy, donated a cassette of an episode of Lister Sinclair's CBC radio programme called "Ideas". The episode was called "A Sense of War" and contains the experiences of Nursing Sisters in W.W. II. In 1997, Dr. Shawn Cafferky donated 22 tapes and transcripts of interview on Naval aviation also commissioned by D.N.D. Directorate of History and Heritage. Interviews with Lt. Col. John Edmonson, M/Gen. Norman Ross and Mr. Geo. Kidd (Major) were added in 2007. "War Stories: A Life Remembered", an audio recording of Thomas Miller's experiences in the Canadian Army during World War II on 2 compact discs was donated in 2008, as well as an interview with Ross Purse describing conditions in Oeyama Camp in Japan during World War II. Will Pratt's interviews of Japanese-Canadian veterans were added in 2009. An interview with LCol Cyril Neroutsos was added in 2010.

The collection consists of a photocopy of G.S. Andrew's typescript entitled "Air Photo Beach Soundings for the Normandy Invasion".

The collection consists of two letters from Belcher in 1855 and two from McClintock in 1869. The first Belcher letter is concerned with the Minié rifle, and the second with personal matters. The first McClintock letter is concerned with charts and exploration of the west African coast. He mentions Belcher in this regard. The second letter is about personal matters.

The collection consists of two letters from the poet to George and Florence Noyes concerning his preparation of foreign language dictionaries for the U.S. Army and two from Patty Bacon (wife) on personal matters. All the correspondence is from 1941, the year Leonard Bacon won the Pulitzer prize. Also included is a clipping (obit of Martha Bacon, ie. “Patty”) from 1967.

The collection consists of two handwritten letters to his wife, Jeanie on personal matters, together with one envelope. There is also a handwritten letter to an unknown man telling him he cannot supply him with a copy of one of his books, but is supplying a photo.

The collection consists of Roy Alexander Fowler's copy of the shooting filmscript of L' Eternel Retour (1943). Fowler wrote The Film in France, London: Pendulum Pub. Ltd. (1946).

The collection consists of 2 typescript articles: on James Joyce and on John Stanislaus Joyce, plus a manuscript of the article on James Joyce.

The collection consists of a handwritten letter to Laurenz M. Lamont from Martin Secker (Richards Press) re A.B. (Algernon Blackwood), plus photocopies of a handwritten letter to L.M. Lamont and a handwritten postcard to Mrs. Lamont from Blackwood.

The collection consists of a handwritten letter to J. M. Humphries concerning the possible purchase of one of his own published books. Also included is a handwritten copy, in another hand, of a Bottomley poem about Merlin, "Lines written by Gordon Bottomley at Merlindale".

The collection consists of a typed letter (photocopy) from Boulton to Rev. Errol Shilliday (St. Mary's Church), presenting a history of the Victoria Fusiliers; a typescript of Boulton's history, which includes photographs taken in St. Mary's Church of the Regimental Colour, The King's Colour, and the W.W. I memorial tablet; and photocopies of clippings from "The Victoria Daily Colonist" and "The Victoria Daily Times", which relate to the regiment.

The collection consists of handwritten notes. The paper and ink are late 18th century. Extracts from the "Minet Book of the Chapter of Bristol beginning 1738 Sept 8".

The collection consists of two typed signed letters to Miss M. Stanley-Wrench about the possible publication of her books of poems.

The collection consists of a handwritten poem “The Honeyseller”.

The collection consists of a handwritten review of “Poems Ancient and Modern” by Peter Porter, “Sjambok” by Douglas Livingstone, “The Loss of India” by Zulfikar Ghose, “Londoners” by Gavin Ewart, “Old Savage, Young City” by Nathaniel Tarn, and “This Cold Universe” by Patric Dickinson.

The collection consists of 11 mounted leaves of pen and ink drawings copied from various sources, with holograph notations. The costumes are from 1400-1720.

The collection consists of a revised typescript with autograph annotations of Daniell's book "The Interpreter's House; a critical assessment of the work of John Buchan".

The collection consists of a handwritten letter to Charles Lahr. In the letter, he mentions his story? "Waxworks" which he had sent him. He also mentions that he has received a letter from Jack Lindsay, who likes his story "A Bed Of Feathers", which Lindsay hopes to publish in his magazine.

The collection consists of a handwritten letter to "David", in which he mentions Ellery Queen, (Eneas) Dallas, Drinkwater, and Cape's (Jonathan Cape Ltd), and two handwritten poems: "Epitaph for a Knife-Grinder" and "Photograph of a Bacchante" (published in Country Comets [1928]).

The collection consists of five typewritten leaves of poems, with the author's holograph corrections. Each of the poems also has the author's autograph.

The collection consists of two handwritten letters to Mrs. Vane-Tempest, in which he discusses the poems which she sent to him and thanks her for her praise of his own.