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Sub-series consists of laminated images with captions related to the Framing Bodies exhibition.

Sub-series consists of correspondence, activity cards, short documentary, and poster from the Albanian Muslim Rescuers of the Holocaust exhibition, which ran from November 8, 2010, to April 15, 2011.

Sub-series consists of exhibition proposal by artist Ian Penn, promotional materials, and handmade paper from the Ian Penn: Projections; A Monument to Personal Memory exhibition, which ran from June 30 to September 16, 2011.

Sub-series consists of correspondence, poster, loan agreement, research materials, and other records to do with The Wartime Escape: Margret and H.A. Rey's Journey from France exhibition, which ran from October 17 to November 30, 2011.

Sub-series consists of promotional materials, guest book, media coverage, exhibition catalogue, imaging licensing and permission documentation and other records to do with the "Enemy Aliens": The Internment of Jewish Refugees in Canada, 1940-1943 exhibition, which ran from June 12, 2012 to October 11, 2013.

Sub-series consists of promotional materials, guest book, newspaper clippings, exhibition teacher's guide, and other records to do with the Nazi Persecution of Homosexuals, 1933-1945 exhibition, which ran from October 30 to December 4, 2013.

Sub-series consists of guest book and printed online articles from the Anne Frank: A History for Today (2014) exhibition, which ran from January 28 to May 30, 2014.

Sub-series consists of documents about artefacts in the Vancouver Holocaust Education Centre's collections, as well as laminated artefact information cards, from the Out of the Archive - Companion Exhibition to Anne Frank: A History for Today exhibition, which ran from January 28 to May 30, 2014.

Sub-series consists of guest book and artefact information cards from the Carl Lutz and the Legendary Glass House in Budapest exhibition, which ran from October 22, 2014, to February 22, 2015.

Sub-series consists of guest book from The Face of the Ghetto: Photographs of the Litzmannstadt Ghetto, 1940-1944 exhibition, which ran from May 14 to October 16, 2015.

Sub-series consists of School booking forms, scrapbooks, loose scrapbooks page, research materials, Oral History Project material, correspondence, publicity, teachers materials, guest books, exhibition texts, rental agreement, exhibition photographs and slides, Canadian Heritage Information Network records and other records to do with the Open Hearts - Closed Doors: The War orphans Project exhibition, which ran from March 1 to July 29, 2016.

Sub-series consists of guest book, photograph permissions, booklets, research and draft exhibition panels for the exhibition Canada Responds to the Holocaust, 1944-45, which ran from October 16, 2016, to June 30, 2017.

Sub-series consists of customer accounts from 1893-1947. Includes records detailing purchases made, amounts owing, customer payments, supplier accounts, and an index of customer names.

Sub-series consists of invoices for purchases made by Fred Jacques and George Jacques. This includes Vernon Jubilee Hospital badges purchased from Canadian Jewellers Limited, as well as purchases from T.E. Crowell Contractor & Builder, Rowland & Campbell Ltd, A. Wittnauer co., The Goldsmith’s Stock Company of Canada Limited, Geo H. Lees & Co., Limited, P.W. Ellis & Co. Limited, Levy Bros Coy Limited. Also includes a debenture of $10 to the Vernon Boy Scouts Association, and an invoice for an advertisement with The Interior Advertising Agencies.

Materials in this subseries include Diamond’s notes, meeting minutes, drafts of articles, internal bulletins, publications, and correspondence. Also includes material from Diamond’s time at SFU as an undergraduate.

Materials include: exhibition catalogues; publications; correspondence; photographs; drafts of writings; published writings; files related to essay published in “Vancouver Anthology; files related to Diamond's work as a curator; and files related to her employment at Satellite Video Exchange (Video Inn, Video In).

Also includes publicity; interviews with Diamond; essays about Diamond’s career; and exhibition catalogues for shows her work appeared in.

The subseries Anti-Censorship consists of research, writing, publications, and correspondence related to Diamond's activities in the anti-censorship movement in BC.

Joe Easingwood worked at CVJI Radio 900 AM in Victoria 1956-1981. Most photos and many textual records are not dated. No identifications of locations, occasions or subjects. Some can be dated by contents and context. Most photographers are not noted.

Materials in this series include: promotional materials; photographs; scripts; correspondence; and documentation of exhibitions.

Materials include: individual files on summits and events at the BNMI; correspondence; manuscripts of “Euphoria & Dystopia” and “Flesh Eating Technologies”; transcripts of interviews and conference proceedings; personal notes; and flyers.

Materials in this subseries include correspondence; grant applications; background research; promotional material; records of exhibitions; and notes. There are also several boxes of costumes and fabric “software.”

Subseries 1 is organized into further subseries by project. Given the nature of activities undertaken by the WLHP, individual subseries often contains materials highly related to other WLHP subseries.

This subsubseries consists of the Women’s Labour History Project oral histories, conducted by Sara Diamond through the 1970s and 1980s. These interviews document the experiences of working class women from the 1920’s through the 1950’s, and in some cases, beyond. The interviewees talk about their lives as children, working women, housewives, and trade unionists. Their personal biographies span many countries and provinces, however, the focus of the interviews is on their activities in British Columbia from the Great Depression to the immediate post-war period.

Segments of the video interviews were incorporated into Diamond’s docudrama television series Keeping The Home Fires Burning (1988). Combining original Canadian wartime propaganda, interviews with working class women, original film footage, photographs, musical soundtracks and dramatization, Keeping the Home Fires Burning explored Canadian women’s working and domestic lives during and after World War Two.

The subsubseries is divided into files, titled after the interviewee.

Sub-series is comprised of records documenting the programming of commemorative events organized annually by the VHEC. It is divided into four sub-sub-series by commemorative program: Kristallnacht, Yom HaShoah, High Holidays and International Holocaust Remembrance Day. Sub-series includes records from past commemorative programming activities organized by members of the VHCS.

Subseries consists of financial files and foundational administrative documents.