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The collection consists of a framed facsimile (or possible forgery) of The Absent-Minded Beggar, an 1899 poem by Rudyard Kipling. The poem was set to music by Sir Arthur Sullivan as part of an appeal to raise money for the Boer War.

The collection consists of 36 letters from Sir William Orpen to Beatrice Elvery (Lady Beatrice Glenavy), all illustrated with ink or pencil sketches, and one ink sketch entitled "Howth". Most are addressed to "Bridjit" from "Dijit".

The collection consists of letters and verse written by Gogarty to G. K. A. Bell, Ulick O'Connor, and others [some of this material used in: Ulick O'Connor's The Times I've Seen: Oliver St. John Gogarty, NY, Obelensky, 1963, (SC) PR6013 O28Z8]. The others include 2 hls to W.R.. Fearon (1937), 3 pp re evidence given by Fearon in Henry Morris Sinclair's libel suit against Gogarty; 1 hls, 1 p to the President of the Irish Free State (11.09.38); 1 tls with h. additions, 3 pp to J.M.N. Jeffries (16.05.1933); 1 p h. with an 8 line comic verse about Hitler signed and dated 13.01.44; 1 tls., 1 p to "Seamus" (13.09.49); 1 tls. 2 pp to Mr. Smart (21.04.52). Also included is a holograph verse 6 pp. "To his Extraordinary Friend George Kennedy Allen Bell about to go to Switzerland," no date, on stationary headed "The Tower, Sandycove".

The collection consists of a holograph signed postcard dated May 8, 1906 to Alfred Sutro, translator of Maeterlinck's Life of the Bee (1901).

The collection consists of items pertaining to the Canadian army with a focus on the 16th Battalion (The Canadian Scottish) and the Canadian Scottish Regiment. The collection is arranged into 6 alphabetically organized series. These series include ephemeral items (programs, pamphlets, menus Christmas cards, souvenir orders, and a poster), journals and scrapbooks, newspaper clippings, maps, photographs, and publications.

The collection consists of Mayo's manuscript proof copy as co-translator (with V. Tchertkoff) of "The End of the Age" by Leo Tolstoy, with her holograph revisions, and carbon typescript with holograph revisions of Mayo's "Note on 'The End of the Age'".

The collection consists of a handwritten letter to Henry Davray (1873-1944) concerning the foreign publication of Symons ' books and a holograph short critical assessment of Robert Browning. Also included is a copy of "Poetry World" (1929; Vol.1, No. 1) which contains a critical article: "Arthur Symons: English Decadent" by Richard Johns.

The collection consists of a handwritten note to an unknown correspondent, in which he outlines the Shakespearian music that he has composed. Additions, in a different colour ink, (probably in a different hand) have been made at the beginning.

The collection consists of a handwritten letter to an unnamed customer in which she states "I have just posted to you Katherine Tynan's poems". She also encloses two book-markers "painted by the girls. My sister teaches them painting & drawing".

The collection consists firstly, of poetry manuscripts and proofs including "Personae", "Lustra", and "Canzoni and Ripostes"; secondly, a prose manuscript of "That Audience, or the Bugaboo of the Public"; and thirdly, of correspondence to Elkin Mathews (publisher), St. John Adcock, Harry and Caresse Crosby (Black Sun Press), Louis Zukofsky, The British Union of Fascists, T. S. Eliot, Montgomery Belgion, Michael Harald, Clifford Gessler, and others.

The collection consists of a handwritten letter to Laurenz M. Lamont from Martin Secker (Richards Press) re A.B. (Algernon Blackwood), plus photocopies of a handwritten letter to L.M. Lamont and a handwritten postcard to Mrs. Lamont from Blackwood.

The collection consists of three handwritten letters to Arthur St. John Adcock concerning her reviews of various books. Also included is a letter to Mrs. Smith.

The collection consists of a handwritten letter (1910) to Mrs. Edgar (Pelham?) referring to her mother's death and asking " if you could see your way ...to leaving me out of your anthology entirely." Also included is a handwritten "fair copy" of four Pickthall poems ( "Gold Dawn", Song from "Little Hearts", Song from "The Sleeping Fawn", and "Birds at Evening") together with a dealer's description on an envelope

The collection consists of photographic glass-plate transparencies depicting life in Japan, including scenery, street scenes, workers, farming, fishing, silk production, stone carvers, wood carvers, metal workers, potters, and artists. These "Yokohama photographs" were sold to foreign tourists between about 1868 and 1912, before cameras and postcards were generally available. They have been described in: Meiji no Nihon: Yokomana shashin no sekai: Saishoku arubamu. Yokohama-shi Yurindo, 1990. (Meiji Japan in tinted album: the world of Yokohama photographs -- includes bibliographical references).

The collection consists of a 1 page hls [n.d.] to Buxton Forman re: forwarding of prospectus of William Morris's collected works.

The collection consists of a handwritten letter to Viscount Dillon regarding the recent publication of this book and matters concerned in it.

The collection consists of a typed letter (photocopy) from Boulton to Rev. Errol Shilliday (St. Mary's Church), presenting a history of the Victoria Fusiliers; a typescript of Boulton's history, which includes photographs taken in St. Mary's Church of the Regimental Colour, The King's Colour, and the W.W. I memorial tablet; and photocopies of clippings from "The Victoria Daily Colonist" and "The Victoria Daily Times", which relate to the regiment.

The collection consists of letters written by J. M. Barrie to Thomas Lennox Gilmour, mainly concerned with his financial affairs.

The collection consists of 28 b/w photographs.

The collection consists of two volumes. The first volume is hardcover and contains clippings from Toronto newspapers. Some of the text extends into the 1930s but all of the photographs are from 1914-1919. The second volume is unbound. Its clippings are from an unknown source. Included with this volume are some loose clippings from the same sources, together with newspapers from Hamilton and Toronto.

The collection consists of a photograph album: "My Chronicle of the War," which contains photographs, clippings, pamphlets, cartoons and ephemera, concerning mainly the Canadian expeditionary army in World War I.

The collection consists of 123 pen-and-ink drawings and watercolours titled: Sketches of the War : France/Belgium in 2 volumes and is dedicated in a pasted in letter: "To my Daughter Adele." The sketches vary from satirical cartoons to more detailed and naturalistic renditions. They are often accompanied by an ironic title and are often signed with the artist's initials, "J.M." The artist's satirical targets include the officers and high command of both combatant sides; the disjuncture between reported and actual events, and the death of civilians as a fact of modern warfare.

The collection consists of a 325 page carbon typescript autobiography (with 25 pages of endnotes) in translation. Personal and political reminiscences and observations covering childhood, period as a newspaper editor in Meiji (1879); Mayor of Tokyo, and political and parliamentary activities. The original text was written in 1920, and the translation, possibly edited by John Soffell, perhaps in the 1930's.

The collection consists of a handwritten letter by Yeats to A. J. Leventhal, together with its envelope and a handwritten letter to an unidentified businessman, possibly a book seller; a hand coloured card from the Cuala Press (no.148) of "The Lake Isle of Innisfree"; typescript of "The World of W.B. Yeats: Essays in Perspective" edited by Skelton and Saddlemyer (incomplete set), together with a pre-publication copy of the book.

The collection consists of a 2 page hls, Feb. 4, [192?], to "Miss Rosenbloom" re: his works and Rosenbloom's writing and a 1 page hls, Oct. 26, 1925, to Frederick MacCurdy Atkinson (with envelope).