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The collection consists of two handwritten letters to Mrs. Vane-Tempest, in which he discusses the poems which she sent to him and thanks her for her praise of his own.

The collection consists of a handwritten letter to an unknown correspondent, telling him that the three copies he requested “are being despatched to you this afternoon.”

The collection consists of Downton's handwritten (photocopied) reminiscences of the Great War, 1914-1918. Also included is "A short account of a pilgrimage made by my wife and myself" in 1928. There are two copies of each. The second copy has a handwritten note to Downton from Reg (Roy) in 1968. The first copy has the stamp of G. Smedley Andrews.

The collection consists of a handwritten letter to Mr. R. Hunter (publisher) concerning the proofs for a proposed edition of Edgeworth's “Little plays, warrented harmless.”

The collection consists of a scrapbook containing autographs of English notables including Wellington, Peel, Palmerston, Disraeli, and George Cruikshank.

The collection consists of a typewritten letter to Alan Brilliant (Unicorn Press), together with its envelope. In the letter, he mentions Dudek, Gnarowski, Siebrasse, and Gabrielle Roy. Also included is a copy of a mailer for Everson's book “The dark is not so dark”, with Everson's handwritten instructions inside.

The collection consists of a handwritten letter from Josephine Letitia Fairfield, thanking her for the loan of a book by Gertrude Stein and making a few comments about it

The collection consists of a typed, signed letter to Alan Marlowe, on behalf of City Light Books. In the letter, Ferlinghetti refers to his trip to New Mexico and the “hippie” situation there. He also requests him to send copies of his books “Huncke's Journal” and “Love Poems From The Middle Latin”, as they are running out of copies. He refers to Timothy Leary's “1000 Prayers” and requests him to send as many as possible.

The collection consists of a handwritten letter to Henry Davray (1873-1944) concerning the foreign publication of Symons ' books and a holograph short critical assessment of Robert Browning. Also included is a copy of "Poetry World" (1929; Vol.1, No. 1) which contains a critical article: "Arthur Symons: English Decadent" by Richard Johns.

The collection consists of photographs of Chinese methods of torture and execution. Only one photograph is dated (1891). Most appear to be from the Imperial period, with a few from the early Republican period.

The collection consists of a 29x24 cm bound songbook containing 66 pp./33 l. of holograph music and lyrics in French, Italian and German from various composers including Beethoven, Weber. Paper watermarked 1819.

The collection consists of a 2 page/1 leaf holograph note to Oscar Baradinsky (Alicat Books, Yonkers), envelope dated April 20, 1957

The collection consists of a set of galley proofs of “Bluewater”, with an accompanying typed, signed letter to C. W. Ellison (Ellison Bookshop) from Borzoi Books (Knopf).

The collection consists of interviews recorded with naval personnel, together with transcripts. The interviews refer to the experimentational squadron VX10, and the testing and use of the Sikorsky CH-124 Sea King helicopter.

The collection consists of 19 early European maps collected by Michael Williams who gave a substantial art donation to the Maltwood Gallery.

The collection consists of a fragment of a handwritten letter to the poet Jean Ingelow (1820-1897). A few lines prior to his signature have been excised.

The collection consists of a typed, signed letter to H. Calverley about the dramatisation of Sackville-West's novel “All Passion Spent”.

The collection consists of a typed bread recipe. It is signed Gary Snyder [via Valery McCorkle].

The collection consists of a handwritten letter to an unnamed customer in which she states "I have just posted to you Katherine Tynan's poems". She also encloses two book-markers "painted by the girls. My sister teaches them painting & drawing".

The collection consists of a handwritten letter to his mother (small piece torn out with slight loss of text); a typed, signed letter to Mr. Mills; a handwritten letter from Sidney Campion to Ernest Rasdall re Campion's book "The World of Colin Wilson", 21 clippings about Colin Wilson, a signed catalogue for Campion's "Third One-Man Exhibition", and 3 leaves of unidentified corrected typescript.

The collection consists of 123 pen-and-ink drawings and watercolours titled: Sketches of the War : France/Belgium in 2 volumes and is dedicated in a pasted in letter: "To my Daughter Adele." The sketches vary from satirical cartoons to more detailed and naturalistic renditions. They are often accompanied by an ironic title and are often signed with the artist's initials, "J.M." The artist's satirical targets include the officers and high command of both combatant sides; the disjuncture between reported and actual events, and the death of civilians as a fact of modern warfare.

The collection consists of a set of galley proofs of “Later Poems”.

The collection consists of a photograph album: "My Chronicle of the War," which contains photographs, clippings, pamphlets, cartoons and ephemera, concerning mainly the Canadian expeditionary army in World War I.

The collection consists of a handwritten letter to Mr. Brann, together with a typed transcription. Also included is a typescript of an essay “Christian Churlishness”.

The collection consists of a clipping re Hoffer, correspondence.