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The fonds consists of collages (watercolour and fabric) and drawings of costumes designed for the following UVic and community theatre productions: On Baile's Strand, 1965; The Player Queen, 1965; A Man for all seasons, 1965; Renaissance '65, 1965; Murder in the cathedral, 1966; Rhinoceros, 1966; Hadrigan VII, 1973; Old tomorrow: a saga of the CPR, 1973; The three sisters, 1974; The bartered bride, 1978; A Dicken's digest, n.d.; Ghosts, n.d.; Mrs. Alving, n.d.; a midsummer night's dream, n.d. Fonds also includes slides of 3 unidentified productions possibly depicting costumes designed by Biddy Gaddes.

The fonds consists mainly of items related to Gaston's writing activities dating from 1981. It includes hand-written and word-processed correspondence between Gaston and friends, editors, publishers, and other writers; galley copies, published copies, manuscripts and drafts of unpublished and published books, articles, short stories, plays, radio plays, reviews, and poems; clippings and photocopies of reviews of Gaston's work; pen and ink drawings by Gaston; author photographs, contact sheets, and negatives; miscellaneous notes by Gaston on his work, thoughts, and readings; notes and memos related to Gaston's work as a teacher; an address book; a VHS video tape; promotional materials for Gaston's books and public appearances at readings and festivals; and ephemera such as tourism brochures.

The materials were received from the creator in two accessions. The first accession consisted of 12 boxes containing records of Gaston's work and writing from 1981 to 2005, including materials relating to all his published works up to Sointula (2004). The second consisted of five boxes containing materials relating mostly to the period from 2006 to 2008, covering the creation and publication of Midnight Hockey (2006), Gargoyles (2006), and The Order of Good Cheer (2008). The creator had arranged the materials in the fonds generally by individual work, and this arrangement has been maintained. Original file titles, where available, have also been retained. The fonds has been divided into 8 series: Series 1. Correspondence; Series 2. Writing; Series 3. Promotion, reviews, awards and honours; Series 4. Biographical information and photos; Series 5. Professional activities and teaching; Series 6. Screenplay adaptation of Sointula; Series 7. Ephemera; Series 8. Books

The fonds consist of slides taken by Blanca and Ricardo Muratorio relating to fieldwork, folk arts and crafts of Ecuador and Peru taken by Blanca and Ricardo Muratorio. The color photographs relate to the Corpus Christi [Ecuador] fiesta and dancers and the 1998 exhibit at the UBC Museum of Anthropology of works for sale by Andean artists, “Images of Andean Lives.”

Textual records consist of Ricardo Moratorio’s report on folk art, and materials relating to two exhibitions which took place at the Museum of Anthropology: the poster and Spanish text for “Images of Andean Lives” [1998] and an invitation for “Sewing Dissent: Patterns of Resistance in Chile” [1987].

The fonds consists of correspondence, questionnaires, and photographs relating to Bob Kingsmill’s research for his book A Catalogue of British Columbia Potters (1978). In order to gather material for his book, Kingsmill created a questionnaire requesting information and photographs, which he sent to about 70 potters throughout British Columbia. The fonds consists mainly of the responses Kingsmill received, which include the completed questionnaires containing short biographical and artistic statements by each potter, together with black and white or colour photographs of the artists and their pottery.

Fonds consists of materials accumulated during the editorial process of putting together Boo. Included are letters to the editor, general correspondence, essays, articles, poems, commentaries, edited works, interviews, invoices, logo design, illustrations, photographs, slides, mailing lists, flyers, brochures, grant guidelines, slides, newspaper clippings, and issues no. 1 to no. 10 of the publication itself. Contributors to the magazine, in addition to the editors, include Gerald Creede, Michelle Normoyle, Brice Canyon, Keith Wallace, Andrew Klobucar, Andrea Fatona, Janis Bowley, Melissa Wolsak, billy little, Arni Haraldsson, Judy Radul, Colin Smith, Susan Schupli, George Stanley, Scott Watson, Janet Lakeman, Dodie Bellamy, Peter Culley, Kevin Killian, Robert Ballantyne, Myfanwy MacLeod, Peter James Hudson, Erin OBrien, Keith Higgins, Geoffry Topham, Peter Cummings, Michael Turner, Naomi Foyle, Andrea Anderson, Jeff Deby, Clint Burnham, Bob Perelman, Dorothy Trujillo Lusk, Kevin Davies, Louis Cabri, Wayne Arsenault, Zainub Verjee, Zhao Tie Hai, Hank Bull, Robin Peck, Lucy Hogg, Wayde Compton, Tim Davis, Sharla Sava, Warren Murfitt, Jacqui Nolte, Gerry Gilbert, Patrik Anderson, Shannon Oksanen, Erin Moure, Sianne Ngai, G.B. Jones, David Bromage, Rob Manery, Miles Champion, Neil Wedman, Gerald Creede, Aaron Shurin, Brian MacNevin, Caroline Bergvall, Kathy Slade, Bruce Andrews, Tim Atkins, Glenn Alteen, Mark Klobucar, Stuart Blackley, Christine Corlett, Mair Dumett, Tom Raworth, Damon Crain, Geoffry Farmer, and Brian Jungen.

The fonds consists of administrative and operational records of the Bowen Island Historical Preservation Association, including its constitution, minutes (1990-2004), correspondence (1981-2001), as well as copies of printed and published materials and collected reference materials pertinent to BIHPA activities.

The fonds consists of records created and collected by Bowen's Theatre on the Isle Society. Textual materials include the society's constitution, minutes, financial records, correspondence, and scripts. There are also ca. 75 photographs of BTOTI productions.

The fonds consists of music course outlines and examination papers (1950-1967), musical scores (1953-1956); programs, slides, and audio tapes of concerts at Victoria Normal School, Victoria College and the University of Victoria; and, historical outline of post-secondary music programs in Victoria, with photographs, text and original scores by Gaddes.

The fonds consists of photographs relating to Hazel Brealey's school days, and personal correspondence relating to the West Vancouver Symphony Society by George Brealey.

Fonds consists of personal papers, books, manuscripts, photographic materials, audio recordings and electronic records arranged into five series, which relate to Mr. Fawcett's personal life, his creative works and his relationships with members of the literary community.

The fonds consists of the following series: Briefs relating to Indian arts and welfare, 1942-1958; Correspondence relating to general subjects, arts and crafts, B.C. and Canadian government departments, and native organizations, 1961-1972; Financial records, 1948-83; Governance records, including constitution, general, executive and committee minutes and reports, 1951-1981; Publications, 1947-1981; Visitors' Book, 1950-1983; Newspaper clipping scrapbooks, 1946-1971; and the Ravenhill Copper plaque, donated by Ravenhill in 1952, and awarded three times between 1956-1959.

The fonds consists of minutes of the association from 1932 to 1974. The minutes document the decisions and activities of the association including elections, rules for competitions, organizing dances, fundraisers, competitions, and the annual gatherings. Minutes for March 1935 to early January, 1939 are missing.

The fonds consists of correspondence and minutes of the committee.

The collection consists of 1 framed photograph; related issue of the Womyn's Publication Netwerk newspaper, Monday magazine story and letters, and an article on the Burning Man festival.

The fonds consists of 2 manuscripts: "The Kootenay Mail (Revelstoke's Second Newspaper) April 14, 1894 to December 30, 1905" and "Early Days in Revelstoke Band (1896 1904)".

The fonds consists of photographs of Quatsino, B.C., depicting panoramas, fishing, ships, native Indians, and logging.

The fonds consists of minutes, correspondence, membership lists, financial records, reports, newsletters, speeches and clippings relating to Club activities and sponsored events.

Fonds contains a variety of textual records and a small number of photographs. The fonds consists of the following series: minutes, financial records, governance records, executive lists, correspondence, subjects files, dinner meeting records, membership lists, speakers files, national and regional records, ephemera, and guest registers.

The fonds consists of the administrative and operational records of the Canadian Federation of University Women - Coquitlam. Record types include: constitution & bylaws, meeting minutes, newsletters, reports, correspondence, financial records, photographs, and ephemera.

Fonds reflects Carol Cross’s art process as well as her interest and involvement in the women’s movement. Fonds consists of Cross’s two handmade books: “In Their Words” and “Ten Historical BC Women”, as well as accompanying exhibition materials and related correspondence.

Correspondents include Mary Billy, Andrea Trudel, and Michelle Benjamin.

The collection consists of materials that relate to Caroline Adderson's work as a writer. Types of materials include: versions of drafts of manuscripts, many with holograph annotations; incoming and outgoing correspondence in the form of handwritten and typewritten letters, and hard copies of email and fax; research relating to her work including collected works by other writers; notes that relate to and inform her literary work; promotional, personal, and research-related photographs; reviews of her work; and a collection of published work in monograph and serial format. These monographs and serials have been catalogued in SFU's Special Collections catalogue. Materials were accessioned in varying states of organization. Much of the material was and remains intermingled, and some had been organized and described by Adderson. Some folders have been written upon by the author, accompanied with explanations of the contents of the corresponding files. In this finding aid, RAD applies consistency to the body of material, but the descriptive contents within the actual folders are not consistent for this reason. All information Adderson has provided about her records has been kept with the appropriate papers.

The fonds contains manuscripts, correspondence, journals, documents related to provincial and national writers organizations and documents related to the founding and running of Caitlin Press, The Poem Factory/Usine de Poeme, and Coracle Press including correspondence, manuscripts, promotional materials, and business records. Also includes papers related to Zonailo's academic work at various universities, as well as personal memorabilia, phonograph recordings and audio-cassettes of Zonailo's poetry set to music, video-cassettes, musical scores, literary periodicals, books by other authors (mostly inscribed to Zonailo), poetry broadsides, chapbooks, and ephemera. Records related to Zonailo's work as a member or the planning committee of the C.G. Jung Society of Montreal and editor of its newsletter are also included as well as correspondence, periodicals, graphic materials, and other records related to astrology.

The fonds consists of a scrapbook of programmes, letters of congratulations, and cards.

The fonds consists primarily of drafts and research materials used to write his book "Frontier Theatre: A History of Nineteenth Century Theatrical Entertainment in the Canadian Far West and Alaska", published in 1982. Fonds includes musical scores and librettos, programs, photographs, scrapbook and four unpublished plays: "Murder Pattern," 1936; "Ascend as the Sun"; "Earth Song", by Herman Voaden; and "The Dragon", by Bertram Brooker.

The fonds consists of manuscripts of poetry, 1969-74; research files relating to Richard Aldington (including copies of Aldington correspondence), 1912-86; research files relating to James K. Baxter, a New Zealand poet, 1968-76; correspondence with publishers, 1964-79; UVic course notes, 1981-1988; files of the Committee on Alternatives for British Columbia, 1983-85; and files of the UVic End the Arms Race Committee, 1983-86.