Showing 341 results

Fonds consists of a variety of materials, but the focus is on the literary works of Geoffrey Riddehough and includes drafts, manuscripts, and publications of his poetry and short stories. The fonds also contains a number of academic essays, research materials on Joseph of Exeter, and papers that Riddehough presented to various groups. There is also correspondence of both a professional and personal nature. Fonds consists of 3 sous‐fonds and 14 series: Pegeen Brennan sous‐fonds, Lemuel Robertson sous‐fonds, Doreen Nalos sous‐fonds, Murray and Marian Cowie sous‐fonds, Personal Information series, Published Materials series, Manuscripts and Unpublished Materials series, Assorted Poems: Miscellaneous series, Assorted Short Stories: Miscellaneous series, Lecture Notes and Papers Presented series, Joseph of Exeter Research Materials series, Coursework series, Notebooks and Scrapbooks series, Diaries series, Expense Ledgers / Accounts series, Correspondence series, Photographs series, and Miscellaneous series.

The fonds consists of Ricou's correspondence during his teaching careers at the University of Lethbridge and UBC. The fonds also includes records relating to his involvement with the Association of Canadian University Teachers of English (ACUTE), book reviews, negotiated grants, Literary History of Canada, Canada research fellowships and a summer course taught on the writings of Malcolm Lowry. The fonds also contains research information pertaining to the life and work of Canadian author Patricia Blondal.

Fonds consists of records documenting the programs and activities of the Radio Society / CiTR (including DISCORDER), including textual records and sound recordings of a variety of programs, radio plays, campus events, public service announcements, photographs of the radio studio and from different events, and advertisements produced by the Radio Society for broadcast on its station (CYVR/CiTR) or affiliated radio stations. In addition, the fonds includes recordings of interviews conducted on behalf of the Alma Mater society relating to its art collection. Fonds also consists of materials related to the administration of the radio station including information about licensing, executive meetings, policies, job descriptions, and staff training.

The fonds consists of minute books, membership lists (1916-1937), photographs, plays, financial records, programs and play announcements (1916-1961), scrapbooks (1916-1944), and ephemera.

Fonds consists of photocopies of the wills of Emily Carr (1945) and Ira Dilworth (1954), regarding the ownership of Carrʹs copyright. The fonds also includes correspondence (1967‐1983) from artist Gordon Smith addressed to John Parnall and his family, as well as printed material regarding Smith. Also included are Parnall's certificates of service from the Pacific Association of Collegiate Registrars and Admissions Officers.

Fonds consists of correspondence, manuscripts, contracts, and reports. The records document the administration of Pacific Affairs, in particular the editorial functions, and are arranged in the following series: Editorial Files, Contracts, Correspondence, Subject Files and Production Files.

The title based on the contents of the fonds. The collection is divided into five series containing 7 books of watercolour paintings of family scenes, landscapes, two autograph books and two photographic prints.

The title is based on the contents of the fonds. It is arranged into 23 series and contains photographs, minutes, correspondence, copies of newspaper clippings, renovation and expansion plans, and financials.

The fonds consists of audio recordings of Weisgarber compositions or performances (1957-1999); musical scores, drafts and sketches (1941-1996); and research materials generated or accumulated by Weisgarber in the preparation of an unpublished biography of Aurelio Giorni, a manuscript entitled “Flute Music of Zen,” and an article "The Honkyoku of the Kinko-Ryu: Some Principles of its Organization" (1968). It also consists of the family and personal records, including correspondence, of Elliot, his wife Beth, and their family.

The fonds consists of constitutions, minutes, correspondence, financial records, programs, scrapbooks, speeches, membership lists, clippings, and assorted other material relating to the administration of the organization. In addition, the fonds includes recording of lectures delivered to the Vancouver Institute. It is arranged in the following series: history, constitution, minutes, correspondence, financial records, programs, membership records, newspaper clippings, series papers, and lectures.

Fonds consists of an annotated typescript manuscript and page proofs of Zolbrod's translation of the Japanese classic "Ugetsu Monogatari" ("Tales of Moonlight and Rain") and an unpublished manuscript entitled "Reluctant Genius: The Life and Work of Buson, a Japanese Master of Haiku and Painting".

The fonds consists of personal and professional materials created and collected by Professor Jacob Zilber. The fonds consists of screenplays, manuscripts, drafts, notes, and correspondences relating to Jacob Zilber's published and unpublished materials. The fonds also includes biographical and autobiographical material, clippings, teaching records and course materials. It also contains manuscripts by students, materials related to musician and composer Michael Zilber, Department of Creative Writing administrative records as well as various UBC committee records.
The fonds is divided into five series: Manuscripts, Screenplays, Monologues series (1950-1999); Administrative and Teaching Materials series (1964-1989); Personal Materials series (1950-1997); Photographs series (1947-1989); and Audiovisual Materials series (196?-1985).

The fonds consists of copies of radio scripts from Woodcock's radio broadcasts, correspondence with George Orwell and poet Lance Godwin, and examples of Woodcock’s early poetry.

Fonds consists of correspondence, review articles, and published materials. both general (1974-80) and in relation to her involvement with the SF issue of "Room of One's Own" (1979-80). There are also records arising from Wood's participation in the "Pacific Northwest Review of Books" and copies of review articles (1977-78). Also included are materials (predominantly printed) from "Crossing Frontiers", a 1978 conference which brought together Canadian and American literary scholars, historians and writers to discuss comparative literature from the two "wests".

The fonds consists of photographs, transparencies, negatives, prints, slides, textual records and objects. Contents of the fonds primarily reflect First Nations cultures in British Columbia between 1960 and 1980, including the Haida, Coast Salish (formerly Burrard Reserve), Kwakiutl (Kwakwaka'wakw), Gitsegukla and Ans'pa yaxw (Kispiox) nations. Notable First Nations personalities and artists documented include Chief Dan George, Gerry Marks, Henry Hunt and Norman Tait. Contents also include: B.C. landscapes such as Gwayasdums (Gilford Island), Klemtu, Mamalilikulla and Uchucklesaht; First Nations children; First Nations exhibits, totem poles and installations at the University of British Columbia in Vancouver and for the National Museum of Ethnology in Osaka, Japan. The original accession was arranged in series according to Carter's published works which focus on specific localities, communities, individuals and subject matter, with additional series related to Carter's photojournalistic work and personal recordkeeping added in 2019 when an accrual was made to the fonds.

Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.

Fonds consists of materials related to the life and career of Margaret Dragu, spanning her years as an artist in Montreal, Toronto, and Vancouver. These materials include audio-visual recordings of her many performances, photographs related to both her art and her personal life, and textual records ranging from correspondence and financial statements to creative writing drafts and chapbooks. There is also a substantial amount of newspaper clippings, programs, promotional materials, and general ephemera. Records in this fonds also document her collaborations with artists and organizations such as Tom Dean, Susan Macpherson, Randy Gledhill, The Western Front, and Breakthrough Films.

Types of materials in this fonds include: printed documents and publications, photographs (printed and digital), photographic negatives and slides (35mm), moving image recordings (MiniDV, DVD, VHS, Betacam SP, 3/4 inch videotape: U-matic, 16mm film, 8mm film), and audio recordings (audio cassette tapes).

The fonds contains records that reflect in particular the fundraising and exhibition planning functions of the Richmond Art Gallery Association. Also included are administrative records of the Association, including RAGA minutes and reports, as well as gallery statistics and insurance reports. The fonds is arranged by the archivist into 8 series reflecting the functions and activities of the Association, and titled according to a list of standard file classification titles agreed upon by RAGA and RAG staff in 2004: 1. Administration; 2. Minutes; 3. Reports; 4. Fundraising; 5. Insurance; 6. Grants; 7. Exhibits; 8. Newspaper clippings.

The fonds consists of minutes of the Community Arts Council of Richmond and some minutes of the Leisure Services Advisory Committee. Also included is correspondence, newsletters, bulletins and reports reflecting the activities of the Thursday Art Group.

The fonds consists of the writings of Gladys Johnston and ephemera related to the author.

The collection consists of a selection of Meg Torwl's artworks, and the documentation of her artworks, including video and audio, writings (poetry, scripts, and essays), performances, and drawings/paintings. It also includes publicity, biographies, resumes, and proposals. The collection also consists of materials of commemoration, written by people close to Meg following her passing, along with documentation of the 2013 BOLD Fest Woman of the Year Award, bestowed upon Meg posthumously. Finally, the collection includes photographs, primarily snapshots of Meg throughout her life along with her partner Adrienne Bradley. The collection is divided into 6 series:

1. Media
2. Documents
3. Performance Documentation
4. Drawings and Paintings
5. Personal Binders
6. Photographs

Further information about individual items can be found at: http://www.vivomediaarts.com/the-meg-torwl-collection/.

Fonds contains books from the personal library of John Grayson. The fonds contains 24 publications (primarily books and journals) on the topic of music theory, sound sculpture and soundscape, and unorthodox musical creations/instruments. The majority of the publications in the fonds were published by Grayson's organization The Aesthetic Research Centre. Some of the publications include sheet music, and one publication includes an accompanying musical recording on tape cassette. Titles and authors/editors are as follows:

1. An Environment of Musical Sculpture - ed. John Grayson
2. Biofeedback and the Arts: Results of Early Experiments - ed. David Rosenboom
3. Computer Music Journal, Vol. 4, No. 2
4. The UNESCO Courier, November 1976
5. Cultures, Vol. 1, No. 1
6. Desert Plants: Conversations with 23 American Musicians - Walter Zimmermann
7. Environments of Musical Sculpture You Can Build - ed. John Grayson
8. Five Village Soundscapes - R. Murray Schafer
9. The Gitalamkara: L'ouvrage Original de Bharata sur la Musique
10. Handbook for Acoustic Ecology - ed. Barry Truax
11. Interval: Exploring the Sonic Spectrum, Fall 1983
12. Journal of Experimental Aesthetics, Vol. 1, No. 1
13. The Music of the Environment - ed. Murray Schafer
14. La Musique du Cambodge et du Laos - Alain Danielou
15. New Directions, Nos. 24 & 25
16. Paysage Sonore Urbain: Deux Journees d'Exposition, d'Ecoute, et de Communications - Plan-Construction
17. Pieces: An Anthology - ed. Michael Byron
18. Recherches sur l'Histoire de la Gamme Arabe - J.P.N. Land
19. Sound Sculpture - ed. John Grayson
20. Sound/Sculpture - ed. John Grayson
21. Sound : Space - Bernhard Leitner
22. Soundings, Nos. 7 & 8
23. Toning: The Creative Power of the Voice - Laurel Elizabeth Keyes
24. Vibrations: Making Unorthodox Musical Instruments - David Sawyer

Fonds consists of administrative records, event documentation (photographic and moving images), artist information, and publicity created by CURRENT organizers and volunteers, from June to August 2017.

The fonds consists of one series, Esau’s Master’s thesis, correspondence, and copies of newspaper articles written about Leonard.

The fonds consists of agendas, programs, correspondence, emails, budgets, lists, certificates, event notes, and ephemera. The fonds is divided into 64 series.