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The collection consists of six series of papers, photographs and artefacts amassed by the Morishita family. The first series consists of papers and artefacts belonging to the patriarch of the family, Teiji Morishita. The second series consists of papers and artefacts belonging to Teiji's wife, Sawa Morishita. The third series consists of papers and artefacts amassed while the Morishitas (with the Ebisuzakis) ran the Ebisuzaki Shoten (store) at 337 Powell Street in Vancouver, BC. The fourth series consists of family photographs and artefacts belonging to the Morishita family. The fifth series consists of papers and artefacts belonging to the Morishita children. And the sixth series consists of papers and artefacts belonging to the Ebisuzaki family.

The fonds consists of portraits and photographs depicting ships and scenes of New Westminster, Vancouver, and Victoria.

Fonds consists of materials documenting the life and career of William Rose, and includes correspondence (1905-1967), diaries (1895-1939), drafts of manuscripts, articles, translations, poetry, lecture notes, published materials (including clippings), offprints, and photographs. Among these are several pieces written under his pseudonym Jan Rozycki. The records are arranged in the following series: Correspondence, Published Works, Reports, Notes, Notebooks, Diaries, Manuscripts, Translations, Reviews, Publications About Rose, Works by Others, Rose Family Records, and Photographs.

The fonds consists of records created and accumulated by Delgado since 1964. The fonds contains correspondence, personal records, photographs, slides, negatives, video recordings, audio recordings of interviews with Delgado, and files focusing on: projects (shipwreck and historic sites), expeditions, lectures and education, and writing. The fonds also focuses on Delgado’s work with the National Park Service in the US, his work with the Vancouver Maritime Museum and with the Institute for Nautical Archaeology. Records also focus on Delgado’s work on The Sea Hunters television program.

The fonds is divided into eleven series: Correspondence series (Personal correspondence sub-series, Outgoing correspondence sub-series, Incoming correspondence sub-series), Personal records series, Projects series (Miscellaneous projects sub-series, Maritime archaeology sub-series, S.S. Central America sub-series), Expeditions series, Sea Hunters series (Episode files sub-series, Photographs sub-series, Slides sub-series, Video recordings sub-series), Writing series (Books and publications sub-series, Reports sub-series, Correspondence sub-series, Article drafts sub-series, Published articles sub-series, Publicity and reviews sub-series), Newspaper clippings series, Lectures and education series, Audio recordings series, Images series (Photographs sub-series, Titanic images sub-series, Slides sub-series), and Video recordings series.

Fonds consists of personal papers, books, manuscripts, photographic materials, audio recordings and electronic records arranged into five series, which relate to Mr. Fawcett's personal life, his creative works and his relationships with members of the literary community.

The fonds consists of portraits and photographs of early Vancouver (1888-1900) and Victoria as well as portraits and photographs of B.C. towns (1920-1931).

The fonds consists of portraits of the McCleery family and photographs of the McCleery farm on the North Arm of the Fraser River.

The fonds consists of records created by Norman Hacking during his private life and public life as a writer. The majority of the fonds are textual records, but there are some photographs that document his childhood, family members and friends, and marine vessels. Included in the fonds are correspondence (documenting his activities and relationships with family and friends while stationed overseas during World War II), research notebooks, scrapbooks, and ephemera relating to B.C. history and the maritime history of Vancouver, newspaper articles from the Vancouver Daily Province, and unpublished drafts of manuscripts and short stories.

The fonds consists of records documenting Juda Quastelʹs activities as a scientist from 1917 to 1987. Series include biographical information; correspondence; presentations and lectures; scientific research, notes, and data; written reports, published and unpublished materials; photographs, slides, glass plates, and audiovisual material. Collectively, these records reflect Quastelʹs various scientific roles as researcher, professor, author, and public speaker. Some records (i.e. particular correspondence and photographs) also reveal Quastelʹs personal life as husband and father.

The fonds consists of studio portrait photographs for approximately 900 assignments.

The fonds consists of photographs depicting people, activities, and scenery in Vancouver. Fonds includes portraits taken by the studio.

The fonds consists of material generated by John Ridington and other members of the Ridington family and includes correspondence (1904-1987), diaries (1917-1980), Ridington family history, and photographs. Also included is a collection of bound copies of John Ridington’s articles and speeches (1911-1944).

The fonds consists of photographs of the Sanmiya family and of Koichiro Sanmiya, including photographs of Japanese-Canadian groups and activities of the Japanese-Canadian community in Vancouver.

The fonds consists of photographs depicting scenery, towns, and homes in various locations in B.C. as well as portraits of the Mainwaring family.

Fonds consists of correspondence (1914-1945), journal offprints (1914-1922), manuscripts, minutes, reports, notes, diaries, clippings, army memorabilia, maps, photographs and biographical information pertaining to Schofield's personal and professional life.

Fonds consists of material created and accumulated by Seiriol Williams. Records are arranged into series as follows 1) Papers and memorabilia; 2) Talks and writings and 3) Photographs.