Sub-series consists of publicity materials, correspondence, financial records, correspondence, newspaper clippings, meeting minutes, installation photographs, contracts, and other records to do with the Resistance and Rescue: Denmark's Response to the Holocaust exhibition, which ran from March 26 to May 10, 1995.
Sub-series consists of promotional material, guest names and comments and photocopied documents to do with the I Never Saw Another student art exhibition, which was on display during summer 1997.
Sub-series consists of slides depicting artwork, correspondence, promotional materials, newspaper clippings, financial records, guest book, and other records to do with The Gesher Project exhibition, which ran from June 20 to September 17, 1999.
Sub-series consists of research materials, photographs, translation notes, essays, correspondence, newspaper clippings, and other records to do with the Visas for Life: The Story of Feng Shan Ho exhibition, which ran from October 17 to December 20, 1999.
Sub-series consists of correspondence, financial records, guest book, newspaper clippings, promotional materials, meeting minutes, sheet music and other records to do with the Portraits of Our Past: Greece and the Holocaust exhibition, which ran from October 11 to December 14, 2000.
Sub-series consists primarily of research materials to do with the development of the Rhodes and the Holocaust: One Survivor's Story exhibition, which ran from October 11 to December 14, 2000.
Sub-series consists of research materials, photographs, financial records, correspondence, panel text, and other records to do with the Life Unworthy of Life: The Ethanasia Crimes of Hadamar exhibition, which ran from February 7 to June 7, 2002.
Sub-series consists of research materials, computer printed photographs, correspondence, printed webpages, and other records to do with the May 31, 1944 exhibition, which ran from June 12 to August 30, 2002.
Sub-series consists of research materials, design files, slides, videocassette, promotional materials, guest book, correspondence, audio cassettes and other records to do with the Ravensbrück: The Forgotten Women of the Holocaust exhibition, which ran from February 14 to May 30, 2003.
Sub-series consists of translation notes, newspaper clippings, correspondence, rental agreement, promotional materials and other records to do with The Post War Photographs of Henry Ries: Rothschild Hospital and Exodus 1947 exhibition, which ran from July 12 to September 15, 2004.
Sub-series consists of promotional materials, photographs, newspaper clippings, financial records, loan agreement, feedback forms and other records to do with the Anne Frank: A History for Today exhibition, which ran from October 15 to December 15, 2004.
Sub-series consists of promotional materials, correspondence, family photograph descriptions and donor forms, school program handouts, scrapbook and other records to do with the Faces of Loss: Remembering Those Who Perished exhibition, which ran from February 16 to May 27, 2005.
Sub-series consists of materials collected by Martin Keeley, and others, during his time as Executive Director of the Friends of Boundary Bay. The materials were generated from both his home in Point Roberts as well as the offices in Ladner, B.C. and Point Roberts, Washington. Martin Keeley participated and/or supported the Burns Bog Conservation Society. The materials correspond to Martin Keeley's time with the Friends of Boundary Bay and their relationship to the Burns Bog Conservation Society.
Textual materials include minutes, and brochures generated by the Burns Bog Conservation Society.
The sub-series has been arranged into the following files:
- Burns Bog Conservation Society sub-series
1.1 Burns Bog Conservation Society Minutes/Brochures file
Sub-series consists of research materials, promotional poster, exhibition text, loan agreement, grant proposal, and other records to do with the Scream the Truth at the World: Emanuel Ringelblum and the Hidden Archive of the Warsaw Ghetto exhibition, which ran from October 23 to December 18, 2008.
Sub-series consists of guest book, photograph permissions, booklets, research and draft exhibition panels for the exhibition Canada Responds to the Holocaust, 1944-45, which ran from October 16, 2016, to June 30, 2017.
Sub-series consists of administrative records, promotional materials, catalogues and black-and-white print photographs of Holocaust survivors related to the Faces of Survival exhibition, which ran from June 2018 to August 2019 at the Vancouver Holocaust Education Centre.
Sub-series is comprised of records pertaining to the organization of educational conferences programmed for adults, including teachers, the second generation of Holocaust survivors and other members of the Jewish community.
Conferences are arranged in chronological order. They are single events with the exception of the Shafran Teachers’ Conference, which is bi-annual. Sub-series is arranged into the following sub-sub-series: Primo Levi conference (1993–1999), The Past Hangs Over the Future conference (1992–1999), The Second Generation and the Legacy of the Holocaust (2001), the Shafran teachers’ conference (1999–2019) and the 31st annual SFJCSH&D conference (2019).
Materials in this subseries relate to the general operations of the Women’s Labour History Project organization. Materials include: promotional materials; correspondence; information on video distribution; press; film releases; and background research.
Sara DiamondMaterials in this subseries relate to the manuscript “Chambermaids and Whistlepunks.” This is an unpublished book project by Diamond, focused on women’s involvement in the labour movement in British Columbia. Materials consists primarily of different drafts of the manuscript. The manuscript was largely based on oral history interviews conducted by Diamond; given this, the materials in this subseries are highly related to the Oral History Project subseries.
Materials in this subseries include drafts of chapters, research indexes, and a guide to the oral history interviews.
Sara DiamondMaterials in this subseries relate to Diamond's video "Influences of My Mother" (1982). Video description from Video Out: “Images of the artist’s mother, stories of growing up in a heady environment of socialist thought and Jewish identity during the McCarthy era, and the artist's own process of growth both away from and towards her mother, are negotiated through the work of grieving. A Canadian feminist video art classic, this video is also a personal testimony. In the artist's words, "it was an important way for me resolve my intense feelings over my mother's death."
Materials include copies of the script, notes from a residency, transcriptions of interviews with Diamond's grandmother, and press about the video.
Sara DiamondD.W.I. (Dragu Worker International) was a piece of protest and performance art by Dragu first performed in 1984. Dragu organized a parade and demonstration. On leaflets distributed at the time, she wrote: "I started calling myself Dragu Worker International in July 1984. My official walkout started on Sept. 10th (one day before my 34th birthday). My strike is personal; an opportunity to articulate what my demands are. What the hell I am complaining about. They change and expand as my strike continues; and as I get in touch with my feelings about how I work as an actress, choreographer, performance artist, filmmaker, producer, cleaning lady, teacher, etc. etc...." The leaflet includes a list of demands and a photocopy of her parade permit from the Toronto police.
Materials in this subseries include Diamond’s notes, meeting minutes, drafts of articles, internal bulletins, publications, and correspondence. Also includes material from Diamond’s time at SFU as an undergraduate.
Sara DiamondFor access to a complete database of this subseries, please contact the archivist at the CDMLA.
Sara DiamondFor access to a complete database of this subseries, please contact the archivist at the CDMLA.
Sara DiamondMaterials include: exhibition catalogues; publications; correspondence; photographs; drafts of writings; published writings; files related to essay published in “Vancouver Anthology; files related to Diamond's work as a curator; and files related to her employment at Satellite Video Exchange (Video Inn, Video In).
Also includes publicity; interviews with Diamond; essays about Diamond’s career; and exhibition catalogues for shows her work appeared in.
The subseries Anti-Censorship consists of research, writing, publications, and correspondence related to Diamond's activities in the anti-censorship movement in BC.