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archival descriptions
Robert Smithson collection
Collection · 1951-1977, 2001-2007

The material in the Robert Smithson Collection consists of items collected by the late Vancouver writer and filmmaker Dennis Wheeler. All the material is related to Wheeler’s association with the noted American artist Robert Smithson. Materials in the collection include: articles, correspondence, journals, magazines, catalogues, newspaper clippings, photographs, posters, notes, slides, and negatives.

Smithson, Robert
May Day collection
CA WVAN 005 · Collection · 1998-

The collection consists of material relating to May Day celebrations which was a key community event in West Vancouver from 1931 to 1971. The celebrations included installation of a May Day Queen, parades and other ceremonies. After 1971, the celebration was renamed Community Day, and the collection also includes records pertaining to this event.The material includes photographs, registers, scrapbooks, speeches, organizing committee records, and correspondence.

The fonds is arranged into the following series:
Series 1: Film and photographs
Series 2: Administrative records
Series 3: Speeches
Series 4: Ephemera
Series 5: Newsclippings
Series 6: May Queens' scrapbooks

Beryl Gray collection
CA WVAN 086 · Collection · 1938-1943

The collection consists of issues of women's magazines containing stories by Beryl Gray.

Gray, Beryl
Sasaki family collection
CA JCN 2011.68 · Collection · 1921 - 2011

The collection consists of two series. The first series consists of family photographs and the second series is an interview of Mitsue Fugeta (nee Sasaki) discussing her life on Powell Street in Vancouver, BC.

Sasaki (family)
Morishita family collection
CA JCN 2011.79 · Collection · 1903 - 1990

The collection consists of six series of papers, photographs and artefacts amassed by the Morishita family. The first series consists of papers and artefacts belonging to the patriarch of the family, Teiji Morishita. The second series consists of papers and artefacts belonging to Teiji's wife, Sawa Morishita. The third series consists of papers and artefacts amassed while the Morishitas (with the Ebisuzakis) ran the Ebisuzaki Shoten (store) at 337 Powell Street in Vancouver, BC. The fourth series consists of family photographs and artefacts belonging to the Morishita family. The fifth series consists of papers and artefacts belonging to the Morishita children. And the sixth series consists of papers and artefacts belonging to the Ebisuzaki family.

CA UVICARCH AR001 · Collection · 1925-1980

The collection consists of material compiled by Elsie Allan concerning theatre in Victoria and other locations in B.C. and in England. The collection includes notebooks of annotated scripts, scripts of plays, announcements and notices of meetings of the Victoria Theatre Guild, programmes of amateur and professional performances in Victoria, New York, and England, and programmes of the British Columbia, Dominion, Kelowna, and Vancouver Island Drama Festivals.

Healey Willan collection
CA UVICARCH AR194 · Collection · 1937-1981

The collection primarily consists of memorabilia and newspaper clippings, collected by Willan's son, Patrick Willan. Files include correspondence and minutes of the Healey Willan Centennial Celebration Committee, 1978-1980; programmes, 1936-1980; clippings, 1936?-1965; programmes and clippings of Willan's opera, Deirdre; obituaries and memorials, 1968; Church of St. Mary Magdalene, 1979-1980; Willan Centenary, 1980; articles on Willan, 1980-1981; memorabilia, 1968-1979; and photographs of Willan with family and musicians.

CA UVICARCH AR368 · Collection · 1925-2001 , predominant 1970-2000

The collection consists of theatre programs and UVic theatre production files arranged in the following series: Phoenix Theatre files, 1964-2001; Canadian and International Theatre programs, 1931-2002; Festival programs, 1925-2003; Season programs, 1952-2003; Publications, 1948-1991; Production revue notes, production lists and Curricula Vitae, 1962-2000; Pheonix Theatre production sweatshirts, 1988-1993.

Alain Boire collection
CA CCOQ C10 · Collection · 2000 - 2016

The collection consists largely of research materials and notes created in the preparation of Boire's book "With Hearts and Minds" published in 2016. The remainder of the collection consists of materials collected by Boire from Caisse Populaire Maillardville Credit Union, as well as accumulated material pertaining to Boire's involvement in several community initiatives, such as the Maillardville Residents' Association, Maillardville revitalization and planning, and Place Maillardville.

Materials include correspondence, photographs, administrative records, interviews, reports, handwritten notes, clippings, advertising and professional materials, newsletters, research materials, prints, postcards, ephemera, a map, embossing seals, a lid from a glass milk bottle, and other documents. The collection also includes a manuscript copy of "With Hearts and Minds."

Boire, Alain Joseph
CA CCOQ C12 · Collection · 1986-1988

The collection consists of colour photographs and negatives of the Miss Coquitlam Pageant and related events from 1986 to 1988. The photographs feature the donor, Deborah Smyth, who was Miss Congeniality in 1986. The collection also includes some news clippings and a VHS tape containing a recording of the 1986 Miss Coquitlam Pageant.

CA SFU F-72 · Collection · 1979

The Dance in Vancouver collection consists of interviews by Karen Greenhough with eight dance pioneers in British Columbia. The project was suggested by Greenhough's instructor, Iris Garland, SFU Professor of Dance, who obtained support through a Young Canada Works Grant.

The collection consists of seven interviews. Dancers interviewed include Kay Armstrong, Dorothy Hunter, Beth Lockhart, Grace MacDonald, June Roper, Josephine Slater, Dorothy Wilson, and Wynne Shaw. For one of the sessions, Greenhough interviewed two women (Dorothy Wilson and Wynne Shaw) at the same time.

Greenhough, Karen
CA OSOY MS 21 · Collection · 1931-1942, 1948, 1992, 2002-2008

Collection consists of the textual records and other material collected by the Osoyoos Museum regarding the art produced by the Inkameep Day School. Includes correspondence, legal records, grants, sound recordings, graphic material, website, list, publication, lecture, plan, photographs, scrapbook, and clippings.

Inkameep Day School
Meg Torwl collection
CA SVE MT · Collection · 1984 - 2013

The collection consists of a selection of Meg Torwl's artworks, and the documentation of her artworks, including video and audio, writings (poetry, scripts, and essays), performances, and drawings/paintings. It also includes publicity, biographies, resumes, and proposals. The collection also consists of materials of commemoration, written by people close to Meg following her passing, along with documentation of the 2013 BOLD Fest Woman of the Year Award, bestowed upon Meg posthumously. Finally, the collection includes photographs, primarily snapshots of Meg throughout her life along with her partner Adrienne Bradley. The collection is divided into 6 series:

  1. Media
  2. Documents
  3. Performance Documentation
  4. Drawings and Paintings
  5. Personal Binders
  6. Photographs

Further information about individual items can be found at: http://www.vivomediaarts.com/the-meg-torwl-collection/.

Meg Torwl
Joan Goodall collection
Collection · 1926 - 1978

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.

“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.

“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.

“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.

“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.

“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.

“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.

“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.

Al Neil collection
Collection · 1962 - 1994

The collection consists of audio and moving image recordings of performances by Al Neil and various musical ensembles that performed with him (Al Neil Trio, Al Neil Jazz Probe, Al Neil Quartet, and solo efforts). They include performances at the Vancouver School of Art, Simon Fraser University, The Western Front and others. The performances date from 1962 through 1989, although this collection contains CD and DVD copies (not the original recordings).


These copies were produced as part of the Al Neil Project, a 2005 collaborative effort between the Morris and Helen Belkin Art Gallery, New Orchestra Workshop, Coastal Jazz and Blues Society and the grunt gallery.

Neil, Al
Collection · 1962-1995

This collection consists of posters and notices created primarily by University of Victoria Students' Society (Alma Mater Society) clubs and University of Victoria academic departments for the purposes of advertising meetings, events and courses, and to raise awareness about social, political and university issues.

Henry Delmonese collection
Collection · ca. 1920

Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.

Gordon Miller collection
Collection · [1979?]-1993

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit The Four Seasons: Food Getting in British Columbia Prehistory, which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

Collection · Copied [ca. 197-?] (originally created 1897-1930)

The collection consists of slides, photographs and negatives, all copies of Curtis’s most extensive work, “The North American Indian.”

Harry Black collection
Collection · 1951

The series consists of photographs of the interior of the Totem and Capitol Theatres. It includes Jeanette McDonald (Mitchell) in the lobby of the Totem Theatre, concession stand and hallway of the Capitol Theatre, projectionist and proprietor of the Totem Theatre Johnny Garofani, interior seating area and projection rooms, and the totems that hung on the walls in the theatre.

Black, Harry
Harlan Smith collection
Collection · 1919 - 1925, 1999

Collection consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Harlan Smith, the photographer, recorded at the time of creation. Labels gives name and age (if known) of the sitters as well as their lineage, employment, and style of dress.