Typed document by Helena Rand to the Boag Foundation of West Vancouver acknowledging payment for reproduction rights

The fonds consists of 7 photographs taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions.

Typed document from West Vancouver's Boag Foundation requesting reproduction rights from the Frans Wynans Gallery dated March 22, 1982.

Two copies of identical letter dated May 14, 1982 from Artcore Consultants to the Boag Foundation regarding reproduction rights.

Typed letter dated June 16, 1982 from the Boag Foundation of West Vancouver acknowledging payment delivered to Artcore Consultants for reproduction rights.

Invitation to the Vancouver Art Gallery's "Jock Macdonald - The Inner Landscape: A Retrospective Exhibition" show.

Letter to Mrs. Rand from Charles C. Hill, who was then Curator of Canadian Art at the National Gallery of Canada.

Leaflet created for the Vancouver Art Gallery exhibition titled "Inaugural Exhibitions - Masterworks from the Collection of the National Gallery of Canada - Vancouver: Art and Artists 1931-1983". Leaflet contains Paul Rand's name.

The collection consists of a selection of Meg Torwl's artworks, and the documentation of her artworks, including video and audio, writings (poetry, scripts, and essays), performances, and drawings/paintings. It also includes publicity, biographies, resumes, and proposals. The collection also consists of materials of commemoration, written by people close to Meg following her passing, along with documentation of the 2013 BOLD Fest Woman of the Year Award, bestowed upon Meg posthumously. Finally, the collection includes photographs, primarily snapshots of Meg throughout her life along with her partner Adrienne Bradley. The collection is divided into 6 series:

1. Media
2. Documents
3. Performance Documentation
4. Drawings and Paintings
5. Personal Binders
6. Photographs

Further information about individual items can be found at: http://www.vivomediaarts.com/the-meg-torwl-collection/.

The fonds consists of records relating to the planning, administrative, fundraising, promotional, documentary and curatorial activities of the Artropolis exhibitions. These materials include: budgets, grant applications, proposals, research files and site plans; correspondence, financial statements, fundraising letters, logos, licenses and contracts, employee and volunteer files, minutes and reports; press releases and sponsorship agreements, banners, brochures and posters; and artists’ résumés and applications, attendance records, comment books, exhibition catalogues, scrapbooks, photo albums, photographs, video recordings, and artwork.

The records are arranged into the following sous-fonds: Artropolis 87 (1984 - 1990); Artropolis 90 (1987 - 1991); Artropolis 93 (1990, 1992 - 1993); Browser Artropolis 97 (1992, 1997 - 1998); Artropolis 2001 (1988, 1999 - 2001); Artropolis 2003 (1988, 1992, 2001 - 2005).

Typed document with handwritten notes dated February 16, 1984 from the Vancouver Art Gallery.

Series contains artwork by children to celebrate the 60th Annual meeting of the BC Conference.

The series consists of one videocassette featuring the entire broadcast of the Miss Coquitlam pageant from 1986.

The series consists of photographs taken of the Miss Coquitlam Pageant and related events from 1986 to 1988.

The fonds consists of photographs created by Ronnie Tessler from 1986 to 1987 documenting a canoe project by the Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from the same period depict a totem pole raising at Capilano Mall in North Vancouver and portraits of Les Baker, a model Tait wanted to use for a “white man” mask.

The collection consists of colour photographs and negatives of the Miss Coquitlam Pageant and related events from 1986 to 1988. The photographs feature the donor, Deborah Smyth, who was Miss Congeniality in 1986. The collection also includes some news clippings and a VHS tape containing a recording of the 1986 Miss Coquitlam Pageant.

The fonds consists of administrative and operational records of the Bowen Island Historical Preservation Association, including its constitution, minutes (1990-2004), correspondence (1981-2001), as well as copies of printed and published materials and collected reference materials pertinent to BIHPA activities.

Typed document dated September 10, 1987 from the Vancouver Art Gallery.

Vancouver Art Gallery's Members' Calendar, dated September/October, 1987 which describes the "Industrial Images/Industrial Imagination" exhibition held at the Vancouver Art Gallery and which included several Paul Rand paintings.

Two typed letters stapled together - one from Helena Rand and one from the Vancouver Art Gallery - confirming the Vancouver Art Gallery's purchase of Paul Rand's "Timbermen" and "The Fight" paintings.

Clipping from the Vancouver Province dated October 5, 1987 with review by Art Perry of the Vancouver Art Gallery's "Industrial Images/Industrial Imagination" exhibition held in 1987.

Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

The fonds consists of one series, Esau’s Master’s thesis, correspondence, and copies of newspaper articles written about Leonard.

Fonds reflects Carol Cross’s art process as well as her interest and involvement in the women’s movement. Fonds consists of Cross’s two handmade books: “In Their Words” and “Ten Historical BC Women”, as well as accompanying exhibition materials and related correspondence.

Correspondents include Mary Billy, Andrea Trudel, and Michelle Benjamin.

Scope & Content: Fonds consists of incoming and outgoing correspondence by the Festival Coordinator regarding festival planning, minutes and agendas of the Executive Committee, financial records and budget statements, reports and summaries for the 1997 and 1998 festivals, promotional and advertising materials including sample buttons, passports, brochures and informational memos and press releases distributed to media outlets and businesses, assorted public relations and promotional documents including fundraising and sponsorship reports and summaries, photographs from the festival and related newspaper clippings. The fonds is arranged into the following series: Executive Committee Minutes, Financial Statements, Coordinator and Committee Reports, Event Planning, Promotional activities, Correspondence, Sponsorship and Fundraising, and Photographs.